Vincent Cirelli

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Black Panther: Wakanda Forever | ShotOnWhat?

Executive Vfx Supervisor: Luma

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Black Panther | ShotOnWhat?

Sr Visual Effects Supervisor: Luma Pictures

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Alien: Covenant | ShotOnWhat?

Senior Visual Effects Supervisor: Luma Pictures

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Thor: Ragnarok | ShotOnWhat?

Senior Visual Effects Supervisor: Luma Pictures

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Spider-Man: Homecoming | ShotOnWhat?

Senior Visual Effects Supervisor: Luma Pictures

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Sr Visual Effects Supervisor: Luma Pictures

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Deadpool | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Captain America: Civil War | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Doctor Strange | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

Visual Effect Supervisor: Luma Pictures

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

"Agents of S.H.I.E.L.D." Turn, Turn, Turn | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Turn, Turn, Turn (2014)

Television Episode

Directed by: Vincent Misiano

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

Guardians of the Galaxy | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Captain America: The Winter Soldier | ShotOnWhat?

Senior Visual Effects Supervisor: Luma Pictures

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

"Agents of S.H.I.E.L.D." T.R.A.C.K.S. | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' T.R.A.C.K.S. (2014)

Television Episode

Directed by: Paul A. Edwards

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

"Agents of S.H.I.E.L.D." T.A.H.I.T.I. | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' T.A.H.I.T.I. (2014)

Television Episode

Directed by: Bobby Roth

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Yes Men | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Yes Men (2014)

Television Episode

Directed by: John Terlesky

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." End of the Beginning | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' End of the Beginning (2014)

Television Episode

Directed by: Bobby Roth

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, David Crabtree, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Providence | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Providence (2014)

Television Episode

Directed by: Milan Cheylov

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Conrad Smart

"Agents of S.H.I.E.L.D." The Only Light in the Darkness | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' The Only Light in the Darkness (2014)

Television Episode

Directed by: Vincent Misiano

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, David Crabtree, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Nothing Personal | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Nothing Personal (2014)

Television Episode

Directed by: Billy Gierhart

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, David Crabtree, Debby Germino, Paul Trejo

Prisoners | ShotOnWhat?

Senior Vfx Supervisor: Luma Pictures

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Agents of S.H.I.E.L.D. | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures - 9 Episodes, 2013-2014

Agents of S.H.I.E.L.D. (2013)

Television Series

Cinematography by: Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell

Edited by: Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane

Iron Man Three | ShotOnWhat?

Thor: The Dark World | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Oz the Great and Powerful | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

RED 2 | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Saving Mr. Banks | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

"Agents of S.H.I.E.L.D." Pilot | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Pilot (2013)

Television Episode

Directed by: Joss Whedon

Cinematography by: David Boyd

Edited by: Joshua Charson, Paul Trejo

Underworld: Awakening | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Prometheus | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Avengers | ShotOnWhat?

Visual Effects Producer: Luma Pictures / Visual Effects Supervisor: Luma Pictures

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Captain America: The First Avenger | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Battle Los Angeles | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Green Hornet | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

The Nutcracker in 3D | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

True Grit | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

The Book of Eli | ShotOnWhat?

Visual Effects Supervisor: Luma

The Book of Eli (2010)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Underworld: Rise of the Lycans | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

A Serious Man | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

A Serious Man (2009)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

X-Men Origins: Wolverine | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

City of Ember | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Burn After Reading | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Burn After Reading (2008)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Emmanuel Lubezki

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Hancock | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Midnight Meat Train | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

The Midnight Meat Train (2008)

Directed by: Ryûhei Kitamura

Cinematography by: Jonathan Sela

Edited by: Toby Yates

Henry Poole Is Here | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Henry Poole Is Here (2008)

Directed by: Mark Pellington

Cinematography by: Eric Schmidt

Edited by: Lisa Zeno Churgin

Untraceable | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

Pirates of the Caribbean: At World's End | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Reign Over Me | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Reign Over Me (2007)

Directed by: Mike Binder

Cinematography by: Russ T. Alsobrook

Edited by: Steve Edwards, Jeremy Roush

Cameras: Panavision Genesis Camera

Editing System: Final Cut Pro Editing System

No Country for Old Men | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

No Country for Old Men (2007)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Rush Hour 3 | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Hostel: Part II | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

Hostel: Part II (2007)

Directed by: Eli Roth

Cinematography by: Milan Chadima

Edited by: George Folsey Jr.

The Covenant | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

The Covenant (2006)

Directed by: Renny Harlin

Cinematography by: Pierre Gill

Edited by: Nicolas De Toth

Silent Hill | ShotOnWhat?

CG Supervisor: Luma Pictures

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

Hoot | ShotOnWhat?

CG Supervisor: Luma Pictures

Hoot (2006)

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

The Holiday | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Sky Captain and the World of Tomorrow | ShotOnWhat?

Technical Director: Stan Winston Digital

Sky Captain and the World of Tomorrow (2004)

Directed by: Kerry Conran

Cinematography by: Eric Adkins

Edited by: Sabrina Plisco

Cameras: Sony HDW-F900 Camera

Editing System: Final Cut Pro Editing System

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