Visual Effects: Mammal Studios
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor: Mammal Studios
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Compositor: Hammerhead Productions
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Visual Effects Supervisor
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Visual Effects Supervisor: Method Studios
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Visual Effects Supervisor: CIS Hollywood
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Supervisor
The Sunset Limited (2011)
Directed by: Tommy Lee Jones
Cinematography by: Paul Elliott
Visual Effects Supervisor: CIS Hollywood
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: CIS Hollywood
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Senior Compositor: CIS Hollywood
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Visual Effects Group: CIS Hollywood
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Senior Inferno Artist: CIS Hollywood
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Senior Compositor: CIS Hollywood
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Senior Compositor: CIS Hollywood
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Senior Compositor: CIS Hollywood
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Compositor: CIS Hollywood
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Senior Compositor: CIS Hollywood
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Senior Inferno Artist: Hollywood, CIS Visual Effects Group
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Senior Compositor: CIS Hollywood
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Lead Development Artist: CIS Hollywood
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Senior Compositor: CIS Hollywood
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Senior Compositor: CIS Hollywood
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Compositor: CIS Hollywood
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: CIS Hollywood
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Senior Compositor: CIS Hollywood
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Senior Compositor: CIS Hollywood
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Digital Optical Artist: CIS Hollywood
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Senior Compositor: CIS Hollywood
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Senior Compositor: CIS Hollywood
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Senior Inferno Artist: CIS Hollywood
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Lead Inferno Artist: CIS Hollywood
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Digital Artist: CIS Hollywood
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Compositing Supervisor: CIS Hollywood
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Senior Inferno Artist
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Visual Effects: CIS Hollywood
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Senior Compositor: CIS Hollywood
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Senior Compositor: CIS Hollywood
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Senior Compositor: CIS Hollywood
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Senior Compositor: CIS Hollywood
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Compositor: CIS Hollywood
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Compositing Supervisor: CIS Hollywood
Ice Princess (2005)
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Compositor: CIS Hollywood
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Compositor: CIS Hollywood
Beauty Shop (2005)
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Senior Compositor: CIS Hollywood / Senior Inferno Artist: CIS Hollywood
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Senior Compositor: CIS Hollywood
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Compositing Supervisor: CIS Hollywood
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Compositing Sequence Supervisor: CIS Hollywood
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Senior Inferno Artist: CIS Hollywood
Mean Girls (2004)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Compositor: CIS Hollywood
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Compositing Supervisor: CIS Hollywood
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Senior Inferno Artist: CIS Hollywood
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Compositing Supervisor: CIS Hollywood
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Inferno Artist: CIS Hollywood
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Compositing Supervisor: CIS Hollywood
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Senior Compositor: CIS Hollywood
Paycheck (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Senior Digital Artist: CIS Hollywood
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Compositing Supervisor: CIS Hollywood
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositing Supervisor: CIS
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Digital Compositing Supervisor: CIS Hollywood
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
2d Supervisor: CIS Hollywood
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Digital Compositing Supervisor: CIS Hollywood
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Digital Compositing Supervisor
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Visual Effects Supervisor: CIS Hollywood
What Women Want (2000)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Digital Compositing Supervisor: CIS Hollywood
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Digital Compositing Supervisor: CIS Hollywood
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Digital Artist: CIS Hollywood
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist: CIS Hollywood
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Digital Artist: CIS Hollywood
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Digital Compositor: CIS Hollywood
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Digital Artist: CIS Hollywood
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Digital Compositor/artist: CIS Hollywood
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Digital Artist: CIS Hollywood
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Artist: CIS Hollywood
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
CIS-SGI Artist/operator
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist: Composite Image Systems
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System