Digital Artist: Industrial Light & Magic
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Visual Effects And Animation: ILM
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Artist Supervisor: Industrial Light & Magic
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Layout Supervisor: ILM
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Digital Artist: ILM
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Supervising Digital Artist: ILM
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Lead Layout And Matchmove Artist: ILM
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Artist: ILM
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Lead CG Layout Artist: ILM
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Digital Artist: ILM
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Lead 3D Camera Matchmove: ILM
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Lead 3D Camera Matchmover: ILM
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lead 3D Camera Matchmover: ILM
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Matchmove Artist: ILM / Motion Capture Artist: ILM
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
3D Camera Matchmover: ILM
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
3D Camera Matchmove Supervisor: ILM
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
3D Camera Matchmove Artist: ILM
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
3D Matchmove Artist: ILM
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Cg Artist: ILM
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Lead Matchmover
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lead Matchmover
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
3D Camera Matchmove Supervisor: ILM
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
VistaVision Camera Operator: ILM
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Visual Effects Camera Operator
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Visual Effects Cameraman
The Public Eye (1992)
Directed by: Howard Franklin
Cinematography by: Peter Suschitzky
Plate Camera Operator: ILM
The Doors (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Effects Photography: ILM
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Camera Department
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Visual Effects Cameraman
Joe Versus the Volcano (1990)
Directed by: John Patrick Shanley
Cinematography by: Stephen Goldblatt
Visual Effects Cameraman
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Visual Effects, ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Effects Camera Operator: ILM
Caddyshack II (1988)
Directed by: Allan Arkush
Cinematography by: Harry Stradling Jr.
Edited by: Bernard Gribble
Cameras: Panavision Cameras
Camera Operator
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Go-motion Camera Operator: ILM
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Still Photography: ILM
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Supervising Still Photographer: ILM
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Still Photographer: ILM
Poltergeist (1982)
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
Still Photographer: ILM
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer: ILM
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Still Photographer: ILM
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Still Photographer: Miniature And Optical Effects Unit
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Computer Graphics Artist: ILM - 1997 Special Version
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
