In-house Lead Compositor: LucasFilm
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Compositing Supervisor
'The Librarians' And the Echoes of Memory (2018)
Directed by: Dean Devlin
Cinematography by: David Connell
Compositing Supervisor
'The Librarians' And the Trial of the One (2018)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Ron Stanik
Compositing Supervisor
'The Librarians' And Some Dude Named Jeff (2018)
Directed by: Lindy Booth
Cinematography by: David Connell
Compositing Supervisor
'The Librarians' And a Town Called Feud (2018)
Directed by: Valerie Weiss
Cinematography by: David Connell
Compositing Supervisor
'The Librarians' And the Hidden Sanctuary (2018)
Directed by: Noah Wyle
Cinematography by: David Connell
Edited by: Ron Stanik
Compositing Supervisor
'The Librarians' And the Disenchanted Forest (2018)
Directed by: Dean Devlin
Cinematography by: David Connell
Compositing Supervisor: Electric Entertainment
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Compositing Supervisor
'The Librarians' And the Graves of Time (2017)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Compositing Supervisor
'The Librarians' And the Bleeding Crown (2017)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Ron Stanik
Compositing Supervisor
'The Librarians' And the Silver Screen (2017)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Compositing Supervisor
'The Librarians' And the Christmas Thief (2017)
Directed by: Noah Wyle
Cinematography by: David Connell
Edited by: Ron Stanik
Compositing Supervisor
'The Librarians' And the Steal of Fortune (2017)
Directed by: Eriq La Salle
Cinematography by: David Connell
Edited by: Ron Stanik
Compositing Supervisor
'The Librarians' And the Dark Secret (2017)
Directed by: Marc Roskin
Cinematography by: David Connell
Compositing Supervisor
'The Librarians' And the Wrath of Chaos (2017)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Tom McQuade
Compositing Supervisor
'The Librarians' And the Trial of the Triangle (2016)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'The Librarians' And the Fangs of Death (2016)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Ron Stanik
Compositing Supervisor
'The Librarians' And the Self-Fulfilling Prophecy (2016)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Ron Stanik
Compositing Supervisor
'The Librarians' And the Rise of Chaos (2016)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Tom McQuade
Compositor: Hammerhead Productions
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Compositing Supervisor - 17 Episodes, 2016-2018
The Librarians (2014)
Directed by: Marc Roskin, Jonathan Frakes, Dean Devlin, Noah Wyle, Rod Hardy, John Harrison, Emile B. Levisetti, Tawnia McKiernan, Courtney Rowe, Eriq La Salle, Nina Lopez-Corrado, Lindy Booth, Valerie Weiss
Cinematography by: David Connell
Cameras: Red Epic Dragon Camera, Red One MX Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: Hammerhead Productions
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Compositor
Heaven Is for Real (2014)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Cameras: Panavision Genesis Camera
Cg Artist: Hammerhead
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects: Hammerhead Productions
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Compositor: Hammerhead
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Compositor
Walking with Dinosaurs 3D (2013)
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Compositor: Hammerhead Productions
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Compositor: Hammerhead Productions
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Compositor: Hammerhead Productions
The Guilt Trip (2012)
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Visual Effects: Prologue Films
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Compositor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Compositor: Asylum
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Senior Compositor
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Compositor
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Compositor
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Compositing Supervisor
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Visual Effects
Gentlemen Broncos (2009)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Yuka Ruell
Compositor
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Compositor
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Compositor
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Inferno Artist
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Digital Effects Artist
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Digital Artist: ILM
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Sabre Artist: ILM
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Sabre Artist: ILM
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Sabre Artist
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Sabre Artist: ILM
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Sabre Compositor
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Compositor
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Sabre Artist: ILM
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sabre Artist: Air Chase And Post Office Sequences, ILM
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Sequence Supervisor And Development Lead: ILM
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Sabre Artist
Space Cowboys (2000)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sabre Cg Artist: ILM
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Computer Graphics Artist: ILM
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist: ILM
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Sabre Artist: ILM
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Sabre Artist: ILM
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Sabre Artist: ILM
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Sabre Artist
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sabre Artist: ILM
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Sabre Compositing Artist
The Trigger Effect (1996)
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Sabre Artist: ILM
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Sabre Digital Compositor
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sabre Compositing Artist: ILM
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Sabre Artist - Special Version
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Lead Sabre Cg Artist: ILM
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sabre Artist: ILM
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
