Dean Morrish

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No Time to Die | ShotOnWhat?

Second Assistant Camera: "b" Camera: Second Unit, Second Asst Cam B Cam 2 Unit

No Time to Die (2021)

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Overlord | ShotOnWhat?

Second Assistant Camera: Second Unit

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Wonder Woman | ShotOnWhat?

Second Assistant "a" Camera: Second Unit

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Murder on the Orient Express | ShotOnWhat?

Second Assistant Camera

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Jason Bourne | ShotOnWhat?

Second Assistant Camera / Second Assistant Camera: Second Unit

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Huntsman: Winter's War | ShotOnWhat?

Second Assistant Camera: Second Unit

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Second Assistant Camera: "a" Camera, Second Unit / Second Assistant Camera: "b" Camera, Second Unit

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Spy | ShotOnWhat?

Second Assistant Camera: Second Unit

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

The Man from U.N.C.L.E. | ShotOnWhat?

Second Assistant Camera: Second Unit

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Spectre | ShotOnWhat?

"b" Camera Second Assistant: Second Unit

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

Second Assistant Camera: Second Unit

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Maleficent | ShotOnWhat?

Second Assistant Camera: Second Unit

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

47 Ronin | ShotOnWhat?

Second Assistant Camera

47 Ronin (2013)

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Austenland | ShotOnWhat?

Second Assistant Camera: "a" Camera

Austenland (2013)

Directed by: Jerusha Hess

Cinematography by: Larry Smith

Edited by: Nick Fenton

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Furious 6 | ShotOnWhat?

Second Assistant Camera: Second Unit

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Snow White and the Huntsman | ShotOnWhat?

Second Assistant Camera: Second Unit

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Skyfall | ShotOnWhat?

Second Assistant Camera

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Captain America: The First Avenger | ShotOnWhat?

Clapper Loader: Second Unit

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Second Assistant Camera

Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Attack the Block | ShotOnWhat?

Clapper Loader

Attack the Block (2011)

Directed by: Joe Cornish

Cinematography by: Thomas Townend

Edited by: Jonathan Amos

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Iron Man 2 | ShotOnWhat?

Assistant Camera

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Gulliver's Travels | ShotOnWhat?

Second Assistant Camera

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

City of Ember | ShotOnWhat?

Camera Loader

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Doomsday | ShotOnWhat?

Second Assistant Camera: Second Unit U.K

Doomsday (2008)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Andrew MacRitchie, Neil Marshall

Agent Crush | ShotOnWhat?

First Assistant Camera

Agent Crush (2008)

Directed by: Sean Robinson

Cinematography by: Peter Field

Edited by: David Freemantle

Cameras: ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Quantum of Solace | ShotOnWhat?

Clapper Loader: "c" Camera, Second Unit

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Atonement | ShotOnWhat?

First Assistant Camera: Underwater Photography

Atonement (2007)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System

The Bourne Ultimatum | ShotOnWhat?

Camera Loader: Morocco Second Unit

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Hot Fuzz | ShotOnWhat?

Additional Focus Puller

Hot Fuzz (2007)

Directed by: Edgar Wright

Cinematography by: Jess Hall

Edited by: Chris Dickens

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Eragon | ShotOnWhat?

Focus Puller: Underwater Unit

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Basic Instinct 2 | ShotOnWhat?

Underwater First Assistant Camera

Basic Instinct 2 (2006)

Directed by: Michael Caton-Jones

Cinematography by: Gyula Pados

Edited by: István Király, John Scott

Casino Royale | ShotOnWhat?

Focus Puller: Underwater Unit

Casino Royale (2006)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Charlie and the Chocolate Factory | ShotOnWhat?

Second Assistant Camera

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Sound of Thunder | ShotOnWhat?

Underwater First Assistant Camera

A Sound of Thunder (2005)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Sylvie Landra

Troy | ShotOnWhat?

Second Assistant Camera: Second Unit

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

The Bourne Supremacy | ShotOnWhat?

Underwater First Assistant Camera

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Alexander | ShotOnWhat?

Assistant Camera

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

Underwater First Assistant Camera

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Shackleton | ShotOnWhat?

Underwater First Assistant Camera - 2 Episodes, 2002

Shackleton (2002)

Directed by: Charles Sturridge

Cinematography by: Henry Braham

Edited by: Peter Coulson

The Hours | ShotOnWhat?

Underwater First Assistant Camera

The Hours (2002)

Directed by: Stephen Daldry

Cinematography by: Seamus McGarvey

Edited by: Peter Boyle

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Importance of Being Earnest | ShotOnWhat?

Underwater First Assistant Camera

The Importance of Being Earnest (2002)

Directed by: Oliver Parker

Cinematography by: Tony Pierce-Roberts

Edited by: Guy Bensley

Below | ShotOnWhat?

Underwater First Assistant Camera

Below (2002)

Directed by: David Twohy

Cinematography by: Ian Wilson

Edited by: Martin Hunter

"Shackleton" Episode #1.2 | ShotOnWhat?

Underwater First Assistant Camera

'Shackleton' Episode #1.2 (2002)

Television Episode

Directed by: Charles Sturridge

Cinematography by: Henry Braham

Edited by: Peter Coulson

"Shackleton" Episode #1.1 | ShotOnWhat?

Underwater First Assistant Camera

'Shackleton' Episode #1.1 (2002)

Television Episode

Directed by: Charles Sturridge

Cinematography by: Henry Braham

Edited by: Peter Coulson

Die Another Day | ShotOnWhat?

Loader

Die Another Day (2002)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Andrew MacRitchie, Christian Wagner

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Mummy Returns | ShotOnWhat?

Underwater First Assistant Camera

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

102 Dalmatians | ShotOnWhat?

Focus Puller: Second Unit

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

I Dreamed of Africa | ShotOnWhat?

Second Assistant Camera: Second Unit

I Dreamed of Africa (2000)

Directed by: Hugh Hudson

Cinematography by: Bernard Lutic

Edited by: Scott Thomas

Sexy Beast | ShotOnWhat?

Clapper Loader: Underwater Unit

Sexy Beast (2000)

Directed by: Jonathan Glazer

Cinematography by: Ivan Bird

Edited by: John Scott, Sam Sneade

Cameras: ARRI ARRIFLEX Series Cameras

Lenses: ARRI Lenses

Proof of Life | ShotOnWhat?

Underwater First Assistant Camera

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

The World Is Not Enough | ShotOnWhat?

Assistant Camera

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Tomorrow Never Dies | ShotOnWhat?

Camera Loader

Tomorrow Never Dies (1997)

Directed by: Roger Spottiswoode

Cinematography by: Robert Elswit

Edited by: Michel Arcand, Dominique Fortin

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

101 Dalmatians | ShotOnWhat?

Focus Puller: Second Unit

101 Dalmatians (1996)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lenses: Panavision Lenses

First Knight | ShotOnWhat?

Assistant Camera

First Knight (1995)

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

GoldenEye | ShotOnWhat?

Assistant Camera

GoldenEye (1995)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Moviola Editing System, Steenbeck Editing System

Princess Caraboo | ShotOnWhat?

Assistant Camera

Princess Caraboo (1994)

Directed by: Michael Austin

Cinematography by: Freddie Francis

Edited by: George Akers

American Gothic | ShotOnWhat?

Clapper/loader

American Gothic (1987)

Directed by: John Hough

Cinematography by: Harvey Harrison

Edited by: John Victor Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Castaway | ShotOnWhat?

Clapper Loader

Castaway (1986)

Directed by: Nicolas Roeg

Cinematography by: Harvey Harrison

Edited by: Tony Lawson

Cameras: Panavision Cameras

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