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David Sosalla

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Case 39 | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Case 39  (2009)

Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
In the Electric Mist | ShotOnWhat?

Visual Effects Supervisor

In the Electric Mist  (2009)

Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Edited by: Thierry Derocles, Larry Madaras, Roberto Silvi
Doubt | ShotOnWhat?

Visual Effects Supervisor: Pacific Title

Doubt  (2008)

Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras:
Lenses:
Eagle Eye | ShotOnWhat?

Visual Effects Supervisor: Pacific Title

Eagle Eye  (2008)

Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Cameras: , ,
Lenses:
Tropic Thunder | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

Tropic Thunder  (2008)

Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Cameras: , ,
Lenses:
The Hunting Party | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

The Hunting Party  (2007)

Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Pirates of the Caribbean: At World's End | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Pirates of the Caribbean: At World's End  (2007)

Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Stephen E. Rivkin, Craig Wood
Cameras: , , , ,
Lenses: , , , , , , , , , , , , , ,
Editing System:
Mr. Brooks | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

Mr. Brooks  (2007)

Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Shooter | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Shooter  (2007)

Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV, Eric A. Sears
Cameras: ,
Lenses: ,
Next | ShotOnWhat?

Visual Effects Supervisor: Pacific Title

Next  (2007)

Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

The Fast and the Furious: Tokyo Drift  (2006)

Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin
The Holiday | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

The Holiday  (2006)

Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras:
Lenses:
Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Pirates of the Caribbean: Dead Man's Chest  (2006)

Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Stephen E. Rivkin, Craig Wood
Cameras: , ,
Lenses:
The Lost City | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

The Lost City  (2005)

Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
The Interpreter | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

The Interpreter  (2005)

Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
A Little Trip to Heaven | ShotOnWhat?

Visual Effects Supervisor

A Little Trip to Heaven  (2005)

Directed by: Baltasar Kormákur
Cinematography by: Óttar Guðnason
Edited by: Virginia Katz, Richard Pearson
Son of the Mask | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Son of the Mask  (2005)

Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Edited by: Malcolm Campbell, John Coniglio, Debra Neil-Fisher
The Wendell Baker Story | ShotOnWhat?

Visual Effects Supervisor

The Wendell Baker Story  (2005)

Directed by: Andrew Wilson, Luke Wilson
Cinematography by: Steve Mason
Edited by: Harvey Rosenstock, Peter Teschner
Stealth | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Stealth  (2005)

Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Cameras: , , ,
Lenses: , ,
Æon Flux | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Æon Flux  (2005)

Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Edited by: Jeff Gullo, Peter Honess, Plummy Tucker
Cameras: , ,
Lenses: , ,
The Weather Man | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

The Weather Man  (2005)

Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Cameras:
Me and You and Everyone We Know | ShotOnWhat?

Visual Effects Supervisor: Pacific Title Digital

Me and You and Everyone We Know  (2005)

Directed by: Miranda July
Cinematography by: Chuy Chávez
Edited by: Andrew Dickler, Charles Ireland
Cameras:
Editing System:
Club Dread | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

Club Dread  (2004)

Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Edited by: Ryan Folsey
Collateral | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Collateral  (2004)

Directed by: Michael Mann
Cinematography by: Dion Beebe, Paul Cameron
Edited by: Jim Miller, Paul Rubell
Cameras: , , , , ,
Lenses: ,
Editing System:
Taking Lives | ShotOnWhat?

Visual Effects Supervisor

Taking Lives  (2004)

Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
The Chronicles of Riddick | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Arts Studio

The Chronicles of Riddick  (2004)

Directed by: David Twohy
Cinematography by: Hugh Johnson
Edited by: Tracy Adams, Martin Hunter, Dennis Virkler
The Girl Next Door | ShotOnWhat?

Visual Effects Supervisor

The Girl Next Door  (2004)

Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Tears of the Sun | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Tears of the Sun  (2003)

Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV, Christopher Holmes
Cameras:
Lenses: , ,
Head of State | ShotOnWhat?

Visual Effects Supervisor: Pacific Title And Art Studio

Head of State  (2003)

Directed by: Chris Rock
Cinematography by: Donald E. Thorin
Edited by: Stephen A. Rotter
Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Visual Effects Supervisor: Pacific Title

Pirates of the Caribbean: The Curse of the Black Pearl  (2003)

Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood
Cameras:
Lenses:
Editing System:
Something's Gotta Give | ShotOnWhat?

Visual Effects Supervisor: Pacific Title

Something's Gotta Give  (2003)

Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras:
Lenses: ,
Charlie's Angels: Full Throttle | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Art Studio

Charlie's Angels: Full Throttle  (2003)

Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Cameras: ,
Lenses:
X2 | ShotOnWhat?

Visual Effects Supervisor: Pacfic Title

X2: X-Men United  (2003)

Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: Elliot Graham, John Ottman
The Salton Sea | ShotOnWhat?

Visual Effects Supervisor: R!OT Pictures

The Salton Sea  (2002)

Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Blade II | ShotOnWhat?

Visual Effects Supervisor: Pacific Title Digital

Blade II  (2002)

Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras:
Lenses:
Murder by Numbers | ShotOnWhat?

Visual Effects Supervisor: Pacific Title

Murder by Numbers  (2002)

Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
The Ring | ShotOnWhat?

Visual Effects Supervisor: Pacific Title & Arts

The Ring  (2002)

Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Cameras: ,
Lenses: , ,
Editing System:
Equilibrium | ShotOnWhat?

Visual Effects Supervisor: R!OT

Equilibrium  (2002)

Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Edited by: Tom Rolf, William Yeh
Cameras: ,
Lenses:
Men in Black II | ShotOnWhat?

Visual Effects Supervisor: Pacific Title Design

Men in Black II  (2002)

Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Edited by: Richard Pearson, Steven Weisberg
Cameras: ,
Lenses:
Rollerball | ShotOnWhat?

Visual Effects Supervisor: Riot

Rollerball  (2002)

Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: Robert K. Lambert, John Wright
Little Nicky | ShotOnWhat?

Visual Effects Supervisor

Little Nicky  (2000)

Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras:
X-Men | ShotOnWhat?

Digital Effects Supervisor: POP Film

X-Men  (2000)

Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: Steven Rosenblum, Kevin Stitt, John Wright
Cameras:
Lenses:
U-571 | ShotOnWhat?

Digital Effects Supervisor: POP Film

U-571  (2000)

Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ,
Lenses: ,
Three Kings | ShotOnWhat?

Visual Effects Supervisor: POP Film

Three Kings  (1999)

Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras:
The Green Mile | ShotOnWhat?

Visual Effects Supervisor: POP Film And Animation

The Green Mile  (1999)

Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras:
Lenses: ,
Mystery Men | ShotOnWhat?

Visual Effects Supervisor: POP Film & Animation

Mystery Men  (1999)

Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
U.S. Marshals | ShotOnWhat?

Digital Effects Supervisor: Pacific Title/Mirage Digital

U.S. Marshals  (1998)

Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Doctor Dolittle | ShotOnWhat?

Digital Effects Supervisor: Pacific Title/Mirage Digital

Doctor Dolittle  (1998)

Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Deep Impact | ShotOnWhat?

Digital Effects Supervisor: Pacific Title/Mirage Digital

Deep Impact  (1998)

Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: Paul Cichocki, David Rosenbloom
Cameras:
Star Trek: Insurrection | ShotOnWhat?

Visual Effects Supervisor: POP Film

Star Trek: Insurrection  (1998)

Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras:
Lenses:
Turbulence | ShotOnWhat?

Digital Effects Supervisor: Pacific Title Digital

Turbulence  (1997)

Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Switchback | ShotOnWhat?

Effects Supervisor: Pacific Title Digital

Switchback  (1997)

Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
The Peacemaker | ShotOnWhat?

Digital Effects Supervisor: Pacific Title Digital

The Peacemaker  (1997)

Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Eraser | ShotOnWhat?

Digital Effects Supervisor: Pacific Title Digital

Eraser  (1996)

Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Cameras: ,
Lenses:
Broken Arrow | ShotOnWhat?

Digital Effects Supervisor: Pacific Title

Broken Arrow  (1996)

Directed by: John Woo
Cinematography by: Peter Levy
Edited by: Joe Hutshing, Steve Mirkovich, John Wright
Cameras:
Executive Decision | ShotOnWhat?

Digital Effects Supervisor: Pacific Title Digital

Executive Decision  (1996)

Directed by: Stuart Baird
Cinematography by: Alex Thomson
Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste
Heat | ShotOnWhat?

Digital Effects Supervisor

Heat  (1995)

Directed by: Michael Mann
Cinematography by: Dante Spinotti
Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf
Cameras: ,
Lenses: , ,
Batman Forever | ShotOnWhat?

Supervisor: Pacific Title Digital

Batman Forever  (1995)

Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Edited by: Mark Stevens, Dennis Virkler
Cameras:
Lenses:
Editing System:
Outbreak | ShotOnWhat?

Digital Effects Producer: Pacific Title Digital

Outbreak  (1995)

Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis
Die Hard: With a Vengeance | ShotOnWhat?

Digital Effects Producer: Pacific

Die Hard: With a Vengeance  (1995)

Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
The Puppet Masters | ShotOnWhat?

Animatronics / Creature Effects Coordinator

The Puppet Masters  (1994)

Directed by: Stuart Orme
Cinematography by: Clive Tickner
Edited by: William Goldenberg
Look Who's Talking Now | ShotOnWhat?

Visual Effects Coordinator

Look Who's Talking Now  (1993)

Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Edited by: Harry Hitner, Michael A. Stevenson
Honey I Blew Up the Kid | ShotOnWhat?

Special Effects Supervisor

Honey, I Blew Up the Kid  (1992)

Directed by: Randal Kleiser
Cinematography by: John Hora
Edited by: Harry Hitner, Michael A. Stevenson
Cameras: ,
Lenses:
Arachnophobia | ShotOnWhat?

Visual Effects Supervisor

Arachnophobia  (1990)

Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Honey, I Shrunk the Kids | ShotOnWhat?

Miniatures Supervisor

Honey, I Shrunk the Kids  (1989)

Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Spaceballs | ShotOnWhat?

Model Maker: Apogee, Inc.

Spaceballs  (1987)

Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Top Gun | ShotOnWhat?

Model Department Supervisor: USFX

Top Gun  (1986)

Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Edited by: Chris Lebenzon, Billy Weber
Cameras:
Explorers | ShotOnWhat?

Character Miniature Supervisor

Explorers  (1985)

Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Cameras:
Young Sherlock Holmes | ShotOnWhat?

Creature Fabrication: ILM

Young Sherlock Holmes  (1985)

Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Cocoon | ShotOnWhat?

Stop Motion Supervisor

Cocoon  (1985)

Directed by: Ron Howard
Cinematography by: Donald Peterman
Edited by: Daniel P. Hanley, Mike Hill
Indiana Jones and the Temple of Doom | ShotOnWhat?

Stop-motion Technician: ILM

Indiana Jones and the Temple of Doom  (1984)

Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Edited by: Michael Kahn, George Lucas
Cameras:
Lenses:
Gremlins | ShotOnWhat?

Creature Crew

Gremlins  (1984)

Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Key Sculptor

Star Wars: Episode VI - Return of the Jedi  (1983)

Directed by: Richard Marquand
Cinematography by: Alan Hume, Alec Mills
Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Cameras: , ,
Lenses: ,
Poltergeist | ShotOnWhat?

Model Maker: ILM

Poltergeist  (1982)

Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras:
Lenses:
Star Trek: The Motion Picture | ShotOnWhat?

Effects Props And Miniatures: Apogee, Inc.

Star Trek: The Motion Picture  (1979)

Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
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