Producer - P.g.a.
Uncut Gems (2019)
Cinematography by: Darius Khondji
Producer - Produced By
Mid90s (2018)
Directed by: Jonah Hill
Cinematography by: Christopher Blauvelt
Edited by: Nick Houy
Cameras: ARRIFLEX 416 Camera
Producer - Produced By
The Girl in the Spider's Web (2018)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Producer - Produced By
Isle of Dogs (2018)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Canon EOS-1DX Camera
Producer
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Producer
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Executive Producer
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Executive Producer
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Producer
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Executive Producer
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Producer
Top Five (2014)
Directed by: Chris Rock
Cinematography by: Manuel Alberto Claro
Edited by: Anne McCabe
Producer
Rosewater (2014)
Directed by: Jon Stewart
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Plus Camera
Producer
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Producer
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Producer
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Executive Producer
Page Eight (2011)
Directed by: David Hare
Cinematography by: Martin Ruhe
Edited by: Jinx Godfrey
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses
Executive Producer
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Producer
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Producer
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Producer
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Executive Producer
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Producer
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Producer
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Executive Producer
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Producer
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Producer
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Producer
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Producer
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Producer
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Producer
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Executive Producer
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Producer
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Producer
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Producer
Notes on a Scandal (2006)
Directed by: Richard Eyre
Cinematography by: Chris Menges
Lenses: Cooke S4 Lenses
Executive Producer
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
Venus (2006)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Cameras: ARRIFLEX 16SR3 Camera
Producer
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Executive Producer
Wild Tigers I Have Known (2006)
Directed by: Cam Archer
Cinematography by: Aaron Platt
Edited by: Cam Archer
Executive Producer
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Producer
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Producer
I Heart Huckabees (2004)
Directed by: David O. Russell
Cinematography by: Peter Deming
Edited by: Robert K. Lambert
Producer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Producer
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Producer
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Producer
School of Rock (2003)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Producer
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Producer
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Producer
Orange County (2002)
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
Producer
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Producer
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Producer
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Producer
Angela's Ashes (1999)
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Producer
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Executive Producer
South Park: Bigger, Longer & Uncut (1999)
Directed by: Trey Parker
Edited by: John Venzon
Producer
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Producer
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Producer
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Producer
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Producer
In & Out (1997)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Producer
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Producer
Marvin's Room (1996)
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Producer
Clueless (1995)
Directed by: Amy Heckerling
Cinematography by: Bill Pope
Edited by: Debra Chiate
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses, Zeiss Lenses
Executive Producer
I.Q. (1994)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Jill Bilcock
Producer
Nobody's Fool (1994)
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Producer
Searching for Bobby Fischer (1993)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Producer - Produced By
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Producer
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Producer
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Producer
White Sands (1992)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Nicholas Beauman
Cameras: Panavision Cameras
Executive Producer
Jennifer 8 (1992)
Directed by: Bruce Robinson
Cinematography by: Conrad L. Hall
Edited by: Conrad Buff IV
Cameras: Panavision Panaflex Platinum Camera
Producer
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Producer
Regarding Henry (1991)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Producer
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Producer
Mrs. Soffel (1984)
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman
Producer
I'm Dancing as Fast as I Can (1982)
Directed by: Jack Hofsiss
Cinematography by: Jan de Bont
Edited by: Michael Bradsell
Casting Director, Casting: New York
Resurrection (1980)
Directed by: Daniel Petrie
Cinematography by: Mario Tosi
Edited by: Rita Roland
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Casting Director
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
