Character Td Supervisor: Luma Pictures
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Character Td Supervisor: Luma Pictures
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Character Td Supervisor: Luma Pictures
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Character Td Supervisor: Luma Pictures
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Character Td Supervisor: Luma Pictures
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Character Td Supervisor: Luma Pictures
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Character Technical Director Supervisor: Luma Pictures
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Character TD Supervisor: Luma Pictures
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Character Td Supervisor: Luma Pictures
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Character Td Supervisor: Luma Pictures
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Character Technical Director Supervisor: Luma Pictures
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Character Technical Director Supervisor: Luma Pictures
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Character Technical Director Supervisor: Luma Pictures
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Character Technical Director Supervisor: Luma Pictures
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Character Technical Director Supervisor: Luma Pictures
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Character Technical Director Supervisor: Luma Pictures
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Character Technical Director Supervisor: Luma Pictures
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Lead Rigging Technical Director: Luma Pictures
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Character Technical Director Supervisor: Luma Pictures
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Lead Rigging Td: Luma Pictures
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Lead Character Technical Director: Luma Pictures
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Character Technical Director: Luma Pictures
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Lead Character Technical Director: Luma Pictures
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Lead Rigging Technical Director: Luma Pictures
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Lead Character Technical Director: Luma Pictures
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Character Technical Director: Luma Pictures
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Character Technical Director: Luma Pictures
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Character Technical Director: Luma Pictures
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Rigging Technical Director: Luma Pictures
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Character Technical Director: Luma Pictures
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Character Td: Luma Pictures
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Character Technical Director: Luma Pictures
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Character Technical Director: Luma Pictures
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Roto/paint Artist: Luma Pictures
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Rigging Technical Director
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Rigging Technical Director: Luma Pictures
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Character Technical Director: Luma Pictures
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Roto/paint Artist: Luma Pictures
Never Back Down (2008)
Directed by: Jeff Wadlow
Cinematography by: Lukas Ettlin
Character Td: Luma Pictures
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Visual Effects Artist: Luma Pictures
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Digital Artist: Luma Pictures
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Compositor: Luma Pictures
Reign Over Me (2007)
Directed by: Mike Binder
Cinematography by: Russ T. Alsobrook
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Digital Artist: Luma Pictures
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Character Setup: Luma Pictures
Hoot (2006)
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Character Set Up
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Visual Effects: Luma Pictures
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Digital Effects Artist: Luma Pictures
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Visual Effects Artist: Luma Pictures
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Technical Supervisor: Luma Pictures / Visual Effects Artist: Luma Pictures
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Technical Director: Luma Pictures
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Artist: Luma Pictures
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Digital Compositor: Luma Pictures
Crash (2004)
Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Lenses: Panavision Super Speed Lenses
Editing System: Avid Editing System
Visual Effects Artist: Luma Pictures
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Visual Effects Artist: Luma Pictures
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Visual Effects Artist: Man Against Moon
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Visual Effects Artist: Luma Pictures
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter