Executive Visual Effects Supervisor: Furious Fx
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Executive Visual Effects Supervisor: Furious FX
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Executive Visual Effects Supervisor: Furious FX
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Executive Visual Effects Supervisor: Furious Fx
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Visual Effects Supervisor
Spy (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Executive Visual Effects Supervisor: Furious Fx
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' The Magical Place (2014)
Directed by: Kevin Hooks
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Seeds (2014)
Directed by: Kenneth Fink
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' T.R.A.C.K.S. (2014)
Directed by: Paul A. Edwards
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' T.A.H.I.T.I. (2014)
Directed by: Bobby Roth
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Yes Men (2014)
Directed by: John Terlesky
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' End of the Beginning (2014)
Directed by: Bobby Roth
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Turn, Turn, Turn (2014)
Directed by: Vincent Misiano
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Providence (2014)
Directed by: Milan Cheylov
Edited by: Conrad Smart
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' The Only Light in the Darkness (2014)
Directed by: Vincent Misiano
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Nothing Personal (2014)
Directed by: Billy Gierhart
Executive Visual Effects Supervisor: Furious Fx
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Executive Visual Effects Supervisor: Furious Fx - 18 Episodes, 2013-2014
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Executive Visual Effects Supervisor: Furious FX
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Executive Visual Effects Supervisor: Furious Fx
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Pilot (2013)
Directed by: Joss Whedon
Cinematography by: David Boyd
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' 0-8-4 (2013)
Directed by: David Straiton
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Eye Spy (2013)
Directed by: Roxann Dawson
Cinematography by: Feliks Parnell
Edited by: Debby Germino
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' FZZT (2013)
Directed by: Vincent Misiano
Cinematography by: Feliks Parnell
Edited by: Joshua Charson
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' The Hub (2013)
Directed by: Bobby Roth
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' The Well (2013)
Directed by: Jonathan Frakes
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' Repairs (2013)
Directed by: Billy Gierhart
Cinematography by: Jeffrey C. Mygatt
Edited by: Joshua Charson
Executive Visual Effects Supervisor: Furious Fx
'Agents of S.H.I.E.L.D.' The Bridge (2013)
Directed by: Holly Dale
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Executive Visual Effects Supervisor: Furious FX
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Executive Visual Effects Supervisor: Furious Fx
The Three Stooges (2012)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Executive Visual Effects Supervisor: Furious Fx
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Executive Visual Supervisor: Furious FX
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Executive Visual Effects Supervisor: Furious Fx
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Executive Visual Effects Supervisor: Furious FX
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Executive Visual Effects Supervisor: Furious FX
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Executive Visual Effects Supervisor: Furious FX
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Executive Visual Effects Supervisor: Furious FX
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Executive Visual Effects Supervisor: Furious Fx
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Executive Visual Effects Supervisor: Furious Fx
5 Days of War (2011)
Directed by: Renny Harlin
Cinematography by: Checco Varese
Edited by: Brian Berdan
Executive Visual Effects Supervisor: Furious Fx
Furry Vengeance (2010)
Directed by: Roger Kumble
Cinematography by: Peter Lyons Collister
Edited by: Lawrence Jordan
Executive Visual Effects Supervisor: Furious Fx
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Visual Effects Supervisor: Reel FX Entertainment
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Executive Visual Effects Supervisor: Furious FX
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Executive Visual Effects Supervisor: Furious Fx
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Executive Visual Effects Supervisor: Furious Fx
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Executive Visual Effects Supervisor: Furious FX
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Executive Visual Effects Supervisor: Furious Fx
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Executive Visual Effects Supervisor: Furious Fx
Jonas Brothers: The 3D Concert Experience (2009)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Executive Visual Effects Supervisor: Furious Fx
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Executive Visual Effects Supervisor: Furious Fx
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Executive Visual Effects Supervisor: Furious Fx
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Executive Visual Effects Supervisor: Furious FX
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Executive Visual Effects Supervisor: Furious FX
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Executive Visual Effects Supervisor: Furious Fx
From Within (2008)
Directed by: Phedon Papamichael
Cinematography by: Rafael E. Sánchez
Edited by: Michael Matzdorff
Executive Visual Effects Supervisor: Furious Fx
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Executive Visual Effects Supervisor: Furious Fx
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Visual Effects Supervisor: Furious Fx
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Executive Visual Effects Supervisor: Furious Fx
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Executive Visual Effects Supervisor: Furious FX
The Heartbreak Kid (2007)
Cinematography by: Matthew F. Leonetti
Executive Visual Effects Supervisor: Furious FX
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Executive Visual Effects Supervisor: Furious FX
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Executive Visual Effects Supervisor: Furious Fx
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Executive Visual Effects Supervisor: Furious Fx
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Executive Visual Effects Supervisor: Furious FX
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Executive Visual Effects Supervisor: Furious FX
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Executive Visual Effects Supervisor: Furious Fx
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Furious FX
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Visual Effects Supervisor: Furious FX
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Visual Effects Supervisor: Furious FX
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Visual Effects Supervisor: Furious FX
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Lead Compositor: Hammerhead / Visual Effects Supervisor: Furious FX
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Visual Effects Supervisor: The Farm
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Visual Effects Supervisor: Furious FX
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Compositor: Cinesite
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Sequence Lead: Nightcrawler
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Compositor: Cinesite
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Visual Effects Supervisor: Cinesite
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Digital Effects Supervisor
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Digital Effects Supervisor: Cinesite
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Digital Effects Supervisor: Cinesite Hollywood
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Effects Supervisor: Cinesite
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Digital Compositor: Cinesite
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Composite Supervisor: Cinesite
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Digital Effects Supervisor: Cinesite
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Digital Effects Supervisor
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Digital Effects Supervisor
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Composite Supervisor
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Digital Compositing Supervisor: Cinesite
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Compositing Supervisor: Cinesite
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Digital Compositing Supervisor
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Digital Compositing Supervisor
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Visual Effects Compositor: Cinesite
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Digital Compositor
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: Cinesite
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Digital Compositing Supervisor
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Digital Compositing Supervisor
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Digital Compositor: Cinesite
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Visual Effects Sequence Supervisor: Cinesite
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Lineup And Editorial: Cinesite
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: Cinesite
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Digital Compositor: Cinesite
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Digital Compositor
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Digital Compositor: Cinesite
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Digital Compositor
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Visual Effects Digital Artist
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Digital Artist
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Digital Artist: Cinesite
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
