Production Supervisor: Spectral Motion / Puppeteer: Spectral Motion - 6 Episodes, 2016
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Production Supervisor: Spectral Motion
'Stranger Things' Chapter One: The Vanishing of Will Byers (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Production Supervisor: Spectral Motion
'Stranger Things' Chapter Two: The Weirdo on Maple Street (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Production Supervisor: Spectral Motion
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Production Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter Five: The Flea and the Acrobat (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Production Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Production Supervisor: Spectral Motion
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Demons and the Dogstar (2014)
Directed by: David Straiton
Cinematography by: Fernando Argüelles
Edited by: Bert Kish
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Unicorn (2014)
Directed by: David Petrarca
Cinematography by: Fernando Argüelles
Edited by: Roslyn Kalloo
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Tintypes (2014)
Directed by: Billy Gierhart
Cinematography by: Fernando Argüelles
Edited by: Paul G. Day
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Lost Generation (2014)
Directed by: David Straiton
Cinematography by: Fernando Argüelles
Edited by: Bert Kish
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Such Dire Stuff (2014)
Directed by: Peter Cornwell
Cinematography by: Fernando Argüelles
Edited by: Paul G. Day
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Hemlock Diego's Policy Player's Dream Book (2014)
Directed by: Sanaa Hamri
Cinematography by: Fernando Argüelles
Edited by: Roslyn Kalloo
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Bodily Fluids (2014)
Directed by: Floria Sigismondi
Cinematography by: Fernando Argüelles
Edited by: Bert Kish
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Blood Pressure (2014)
Directed by: Spencer Susser
Cinematography by: Fernando Argüelles
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Gone Sis (2014)
Directed by: Vincenzo Natali
Cinematography by: Fernando Argüelles
Edited by: Roslyn Kalloo
Make-up Fx Coordinator: MastersFX
'Hemlock Grove' Luna Rea (2014)
Directed by: Peter Cornwell
Cinematography by: Fernando Argüelles
Edited by: Paul G. Day
Makeup Effects Coordinator
'True Blood' Thank You (2014)
Directed by: Scott Winant
Cinematography by: Evans Brown
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Love Is to Die (2014)
Directed by: Howard Deutch
Cinematography by: Cort Fey
Edited by: Carol Stutz
Makeup Effects Coordinator
'True Blood' Almost Home (2014)
Directed by: Jesse Warn
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Makeup Effects Coordinator
'True Blood' May Be the Last Time (2014)
Directed by: Simon Jayes
Cinematography by: Cort Fey
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Karma (2014)
Directed by: Angela Robinson
Cinematography by: Evans Brown
Edited by: Carol Stutz
Makeup Effects Coordinator
'True Blood' Lost Cause (2014)
Directed by: Howard Deutch
Cinematography by: David Klein
Edited by: Mark Hartzell
Makeup Effects Coordinator
'True Blood' Death Is Not the End (2014)
Directed by: Gregg Fienberg
Cinematography by: Evans Brown
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Fire in the Hole (2014)
Directed by: Lee Rose
Cinematography by: David Klein
Edited by: Carol Stutz
Makeup Effects Coordinator
'True Blood' I Found You (2014)
Directed by: Howard Deutch
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Makeup Effects Coordinator
'True Blood' Jesus Gonna Be Here (2014)
Directed by: Stephen Moyer
Cinematography by: David Klein
Edited by: Louise Innes
Make-up Fx Coordinator: MastersFX - 10 Episodes, 2014
Hemlock Grove (2013)
Directed by: David Straiton, Deran Sarafian, Russell Lee Fine, T.J. Scott, David Semel, Peter Cornwell, Eli Roth, Billy Gierhart, Sanaa Hamri, Vincenzo Natali, David Petrarca, Floria Sigismondi, Spencer Susser, Jon Amiel, Coky Giedroyc, Marc Jobst, Jim O'Hanlon, Carl Tibbetts
Edited by: Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras: ARRI ALEXA Camera, Canon EOS-C300 Camera
Makeup Effects Coordinator
'True Blood' Radioactive (2013)
Directed by: Scott Winant
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Dead Meat (2013)
Directed by: Michael Lehmann
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Dentist, Makeup Effects Coordinator
'True Blood' Life Matters (2013)
Directed by: Romeo Tirone
Cinematography by: Uta Briesewitz
Makeup Effects Coordinator
'True Blood' In the Evening (2013)
Directed by: Scott Winant
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Don't You Feel Me (2013)
Directed by: Howard Deutch
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Makeup Effects Coordinator
'True Blood' At Last (2013)
Directed by: Anthony Hemingway
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Fuck the Pain Away (2013)
Directed by: Michael Ruscio
Cinematography by: David Klein
Edited by: Carol Stutz
Makeup Effects Coordinator
'True Blood' You're No Good (2013)
Directed by: Howard Deutch
Cinematography by: David Klein
Edited by: Mark Hartzell
Makeup Effects Coordinator
'True Blood' The Sun (2013)
Directed by: Daniel Attias
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Makeup Effects Coordinator
'True Blood' Who Are You, Really? (2013)
Directed by: Stephen Moyer
Cinematography by: David Klein
Edited by: Louise Innes
Prosthetic Makeup Effects: Masterfx
'Mad Men' The Crash (2013)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Tom Wilson
Prosthetic Makeup Effects: Masterfx
'Mad Men' The Flood (2013)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Prosthetic Makeup Effects: Masterfx
'Mad Men' The Doorway, Part 2 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Prosthetic Makeup Effects: Masterfx
'Mad Men' The Doorway, Part 1 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Technical Fx Coordinator: MastersFX
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Makeup Effects Coordinator
'True Blood' Save Yourself (2012)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Sunset (2012)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Lynne Willingham
Makeup Effects Coordinator
'True Blood' Gone, Gone, Gone (2012)
Directed by: Scott Winant
Cinematography by: Romeo Tirone
Makeup Effects Coordinator
'True Blood' Everybody Wants to Rule the World (2012)
Directed by: Daniel Attias
Cinematography by: David Klein
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Somebody That I Used to Know (2012)
Directed by: Stephen Moyer
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Makeup Effects Coordinator
'True Blood' In the Beginning (2012)
Directed by: Michael Ruscio
Cinematography by: David Klein
Edited by: Mark Hartzell
Makeup Effects Coordinator
'True Blood' Hopeless (2012)
Directed by: Daniel Attias
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Let's Boot and Rally (2012)
Directed by: Michael Lehmann
Cinematography by: David Klein
Edited by: Lynne Willingham
Makeup Effects Coordinator
'True Blood' We'll Meet Again (2012)
Directed by: Romeo Tirone
Cinematography by: Evans Brown
Makeup Effects Coordinator
'True Blood' Whatever I Am, You Made Me (2012)
Directed by: David Petrarca
Cinematography by: David Klein
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Authority Always Wins (2012)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Makeup Effects Coordinator
'True Blood' Turn! Turn! Turn! (2012)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Michael Ruscio
Special Makeup Effects Crew: AFX Studio
The Cabin in the Woods (2011)
Directed by: Drew Goddard
Cinematography by: Peter Deming
Edited by: Lisa Lassek
Makeup Effects Coordinator: MastersFX
Red State (2011)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cameras: Canon EOS-7D Camera, Red One MX Camera
Specialty Costume Crew: Film Illusions
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Creature Foam Technician: Spectral Motion
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Makeup Effects Coordinator
'True Blood' And When I Die (2011)
Directed by: Scott Winant
Cinematography by: David Klein
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Burning Down the House (2011)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Michael Ruscio
Makeup Effects Coordinator
'True Blood' Soul of Fire (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Makeup Effects Coordinator
'True Blood' Spellbound (2011)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Lynne Willingham
Makeup Effects Coordinator
'True Blood' Let's Get Out of Here (2011)
Directed by: Romeo Tirone
Cinematography by: Evans Brown
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Cold Grey Light of Dawn (2011)
Directed by: Michael Ruscio
Cinematography by: Romeo Tirone
Edited by: Mark Hartzell
Makeup Effects Coordinator
'True Blood' I Wish I Was the Moon (2011)
Directed by: Jeremy Podeswa
Cinematography by: David Klein
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' Me and the Devil (2011)
Directed by: Daniel Minahan
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Makeup Effects Coordinator
'True Blood' If You Love Me, Why Am I Dyin'? (2011)
Directed by: David Petrarca
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Makeup Effects Coordinator
'True Blood' I'm Alive and on Fire (2011)
Directed by: Michael Lehmann
Cinematography by: David Klein
Special Makeup Effects Artist
Super (2010)
Directed by: James Gunn
Cinematography by: Steve Gainer
Edited by: Cara Silverman
Cameras: Red One Camera
Editing System: Avid Editing System
Special Makeup Effects Coordinator: MastersFX
'True Blood' Bad Blood (2010)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Foam Lab Supervisor
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Moldmaker: Tatopoulos Studios, Inc.
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Dentist, Makeup Effects Coordinator / Special Makeup Effects Coordinator: MastersFX - 43 Episodes, 2010-2014
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Special Effects Makeup
I Know Who Killed Me (2007)
Directed by: Chris Sivertson
Cinematography by: John R. Leonetti
Edited by: Lawrence Jordan
Makeup Effects Foam Skins: Alterian
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Foam Latex Supervisor
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Foam Supervisor: Patrick Tatopoulos Designs
Resident Evil: Extinction (2007)
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Prosthetic Makeup Effects: Masterfx - 4 Episodes, 2013
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Foam Lab Supervisor: Patrick Tatopoulos Designs
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Foam Latex Supervisor
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Foam Lab Supervisor: Patrick Tatopoulos Designs
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Special Makeup Effects Technician
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Foam Lab Supervisor: Edge FX
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Lead Casting Technician: Steve Johnson's Edge FX, Inc.
Daai zek lou (2003)
Cinematography by: Siu-Keung Cheng
Edited by: Wing-Cheong Law
Foam Department Supervisor: Steve Johnson's Edge FX, Inc. / Puppeteer: Edge FX
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Creatures/prosthetics: Weta Workshop
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Foam Technician: Steve Johnson's Edge FX
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foam Runner
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Robot Monster
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Casting Technician: Steve Johnson's XFX
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technician: Amalgamated Dynamics Inc.
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Creatures/prosthetics: Weta Workshop
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Mold Department: Amalgamated Dynamics Inc.
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Key Mod Technician: Stan Winston Studio
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Technician
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Key Technician: Stan Winston Studio
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Prosthetics Technician: Weta Workshop
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Finisher: Amalgamated Dynamics
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Mold Department: Stan Winston Studio
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Fabrication: Foam/gelatin, Stan Winston Studio
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mold Department: Stan Winston Studios / Special Photographic Effects
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Art Department: Amalgamated Dynamics, Inc.
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Laboratory Technician
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Lab Technician: Amalgamated Dynamics, Inc.
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Prosthetic Makeup Department: Amalgamated Dynamics, Inc.
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock