First Assistant Camera: "a" Camera / First Assistant Camera: "a"camera, Steadicam
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera: "a" Camera
Horrible Bosses 2 (2014)
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
First Assistant Camera: "a" Camera, Steadicam, Additional Photography
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Additional First Assistant Camera
No Good Deed (2014)
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
First Assistant Camera
Broken City (2013)
Directed by: Allen Hughes
Cinematography by: Ben Seresin
Edited by: Cindy Mollo
Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Editing System: Avid Editing System
First Assistant Camera: Additional Camera, Second Unit
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Camera: "a" Camera, Los Angeles Post-production Unit / First Assistant Camera: "a" Camera, Additional Photography
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
First Assistant Camera: "b" Camera
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
First Assistant Camera: "a"camera, Los Angeles Additional Photography
The Best Man Holiday (2013)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: ARRI ALEXA Plus 4:3 Camera
First Assistant Camera: "a" Camera, Steadicam: Second Unit
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
First Assistant Camera: "a" Camera, Snow Sequence
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
First Assistant Camera: "b"camera, Additional Photography
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
First Assistant Camera: "a" Camera, Steadicam
Parental Guidance (2012)
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
First Assistant Camera: "a" Camera / Steadicam Operator: Second Unit
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
First Assistant Camera: "a" Camera, Steadicam, Second Unit
We Bought a Zoo (2011)
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
First Assistant Camera: "a" Camera
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
First Assistant Camera
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
First Assistant Camera
Date Night (2010)
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
First Assistant Camera: "a"camera, Steadicam
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
First Assistant Camera: "a" Camera, Steadicam
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
First Assistant Camera: "a" Camera, Steadicam
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
First Assistant Camera - 1 Episode, 2009
Modern Family (2009)
Directed by: Gail Mancuso, Steven Levitan, Michael Spiller, Beth McCarthy-Miller, Jason Winer, James R. Bagdonas, James Alan Hensz, Fred Savage, Chris Koch, Jeffrey Walker, Ryan Case, Alisa Statman, Eric Dean Seaton, Scott Ellis, Reginald Hudlin, Randall Einhorn, Bryan Cranston, Ken Whittingham, John Riggi, Julie Bowen, Abraham Higginbotham, Iwona Kanclerz, Helena Lamb, Seth Gordon, Kevin Rodney Sullivan, Dean Parisot, Adam Shankman, Jeff Melman, Fred Goss, Lev L. Spiro, Claire Scanlon, Phil Traill, Michelle MacLaren, Kat Coiro, Jaffar Mahmood, Elaine Ko
Edited by: Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
First Assistant Camera
'Modern Family' Pilot (2009)
Directed by: Jason Winer
Cinematography by: David Hennings
Edited by: Ryan Case
First Assistant Camera: Additional First Assistant, 2nd Unit
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
First Assistant Camera: Second Unit
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
First Assistant Camera: "a" Camera
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
First Assistant Camera "a" Camera / First Assistant: Steadicam
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
First Assistant Camera: Add'l Camera
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
First Assistant Camera
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
First Assistant Camera: "a" Camera
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
First Assistant Camera: "a" Camera
Click (2006)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
First Assistant Camera: "a" Camera, Steadicam
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
First Assistant Camera: "a" Camera, Steadicam
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
First Assistant: "a" Camera / First Assistant: Steadicam
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
First Assistant Camera: "a"camera, Steadicam
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
First Assistant Camera: "a"camera, Additional Photography
Dark Blue (2002)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
First Assistant Camera
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
First Assistant Camera: "a" Camera
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
First Assistant Camera
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
First Assistant Camera: Additional First Assistant
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
First Assistant Camera: "a" Camera, Additional Photography
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
First Assistant Camera
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
First Assistant Camera
The Kid (2000)
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
First Assistant Camera
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
First Assistant Camera
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
First Assistant Camera: Second Unit
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
First Assistant Camera: Los Angeles Post-production Unit
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
First Assistant Camera: "a" Camera / Steadicam: Additional Photography
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
First Assistant Camera: Additional First Assistant
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera
The Patriot (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
First Assistant Camera: "a" Camera / Steadicam
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
First Assistant Camera
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
First Assistant Camera: "a" Camera, Second Unit
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
First Assistant Camera
G.I. Jane (1997)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
First Assistant Camera: "a" Camera / Steadicam
The Sunchaser (1996)
Directed by: Michael Cimino
Cinematography by: Douglas Milsome
Edited by: Joe D'Augustine
First Assistant Camera
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
First Assistant Camera: Second Unit
Exit to Eden (1994)
Directed by: Garry Marshall
Cinematography by: Theo van de Sande
Edited by: David Finfer
First Assistant Camera: Second Unit
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
First Assistant Camera
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
First Assistant Camera: Alaska
North (1994)
Directed by: Rob Reiner
Cinematography by: Adam Greenberg
Edited by: Robert Leighton
First Assistant Camera: Second Unit
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
First Assistant Camera: Shared "a" Camera
Sliver (1993)
Directed by: Phillip Noyce
Cinematography by: Vilmos Zsigmond
First Assistant Camera: "a" Camera
A Perfect World (1993)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
First Assistant Camera: Second Unit
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
First Assistant Camera
White Men Can't Jump (1992)
Directed by: Ron Shelton
Cinematography by: Russell Boyd
First Assistant Camera: "a" Camera / Steadicam
Forever Young (1992)
Directed by: Steve Miner
Cinematography by: Russell Boyd
Edited by: Jon Poll
First Assistant Camera: "a" Camera / Steadicam
Love Crimes (1992)
Directed by: Lizzie Borden
Cinematography by: Jack N. Green
First Assistant "a" Camera
Unforgiven (1992)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera: "a" Camera, Steadicam
Memphis (1992)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Debra Neil-Fisher
First Assistant Camera "a" Camera: Second Unit
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
First Assistant Camera: Additional Camera
Days of Thunder (1990)
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera: "b" Camera
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Focus Puller
White Hunter Black Heart (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
First Assistant Camera: "a"camera, Steadicam
Impulse (1990)
Directed by: Sondra Locke
Cinematography by: Dean Semler
Edited by: John W. Wheeler
First Assistant Camera: "a"camera, Steadicam
Almost an Angel (1990)
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
First Assistant Camera: "a"camera, Additional Photography
The Milagro Beanfield War (1988)
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
First Assistant Camera: Additional Camera
Armed and Dangerous (1986)
Directed by: Mark L. Lester
Cinematography by: Fred Schuler
First Assistant Camera: Additional Camera
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
First Assistant Camera: "b" Camera
Commando (1985)
Directed by: Mark L. Lester
Cinematography by: Matthew F. Leonetti
First Assistant Camera
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
First Assistant Cameraman
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
First Assistant Camera: "a" Camera, Steadicam
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
First Assistant Camera: Additional First Assistant
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
First Assistant Camera: Additional Camera
Rocky III (1982)
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
First Assistant Camera: "b" Camera
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera
Poltergeist (1982)
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
Assistant Camera: Second Unit
Bustin' Loose (1981)
Cinematography by: Dennis Dalzell
Cameras: Panavision Cameras
First Assistant Camera: "b"camera
Heart Beat (1980)
Directed by: John Byrum
Cinematography by: László Kovács
Edited by: Eric Jenkins
First Assistant Camera
The End (1978)
Directed by: Burt Reynolds
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
First Assistant Camera: Additional Camera
Hooper (1978)
Directed by: Hal Needham
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
First Assistant Camera: Additional Camera
Foul Play (1978)
Directed by: Colin Higgins
Cinematography by: David M. Walsh
Edited by: Pembroke J. Herring
First Assistant Camera
The Last Waltz (1978)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
First Assistant Camera: "b" Camera / Steadicam
Straight Time (1978)
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
First Assistant Camera: "a"camera, Steadicam
The Bad News Bears Go to Japan (1978)
Directed by: John Berry
Cameras: Panavision Cameras
First Assistant Camera: "a"camera, 2nd Unit
The Swarm (1978)
Directed by: Irwin Allen
Cinematography by: Fred J. Koenekamp
Edited by: Harold F. Kress
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera
The Late Show (1977)
Directed by: Robert Benton
Cinematography by: Charles Rosher Jr.
First Assistant Camera: Additional Camera
MacArthur (1977)
Directed by: Joseph Sargent
Cinematography by: Mario Tosi
Edited by: George Jay Nicholson
First Assistant Camera: Shared "a" Camera
Smokey and the Bandit (1977)
Directed by: Hal Needham
Cinematography by: Bobby Byrne
Cameras: Panavision Cameras
First Assistant Camera: Additional First Assistant
New York, New York (1977)
Directed by: Martin Scorsese
Cinematography by: László Kovács
Cameras: Panavision Cameras
First Assistant Camera: "a"camera
Ants! (1977)
Directed by: Robert Scheerer
Cinematography by: Bernie Abramson
Edited by: George Folsey Jr.
Cameras: Panavision Cameras
Second Assistant Camera
'Kolchak: The Night Stalker' The Sentry (1975)
Directed by: Seymour Robbie
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' The Youth Killer (1975)
Directed by: Don McDougall
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' The Knightly Murders (1975)
Directed by: Vincent McEveety
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' Legacy of Terror (1975)
Directed by: Don McDougall
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' Demon in Lace (1975)
Directed by: Don Weis
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' Chopper (1975)
Directed by: Bruce Kessler
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' The Trevi Collection (1975)
Directed by: Don Weis
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' Primal Scream (1975)
Directed by: Robert Scheerer
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' Mr. R.I.N.G. (1975)
Directed by: Gene Levitt
Cinematography by: Ronald W. Browne
Second Assistant Camera - 20 Episodes, 1974-1975
Kolchak: The Night Stalker (1974)
Directed by: Don Weis, Allen Baron, Alexander Grasshoff, Don McDougall, Michael Caffey, Gordon Hessler, Bruce Kessler, Gene Levitt, Vincent McEveety, Seymour Robbie, Robert Scheerer
Edited by: Robert M. Leeds, John Elias, Anthony Redman, Larry Strong, Howard Terrill, Edward W. Williams, Ted Rich
Second Assistant Camera
'Kolchak: The Night Stalker' Horror in the Heights (1974)
Directed by: Michael Caffey
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' The Energy Eater (1974)
Directed by: Alexander Grasshoff
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' The Spanish Moss Murders (1974)
Directed by: Gordon Hessler
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' Bad Medicine (1974)
Directed by: Alexander Grasshoff
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' The Devil's Platform (1974)
Directed by: Allen Baron
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' Firefall (1974)
Directed by: Don Weis
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' The Werewolf (1974)
Directed by: Allen Baron
Cinematography by: Ronald W. Browne
Edited by: Robert M. Leeds
Second Assistant Camera
'Kolchak: The Night Stalker' The Vampire (1974)
Directed by: Don Weis
Cinematography by: Ronald W. Browne
Second Assistant Camera
'Kolchak: The Night Stalker' They Have Been, They Are, They Will Be... (1974)
Directed by: Allen Baron
Cinematography by: Eduardo Ricci
Edited by: Robert M. Leeds
Second Assistant Camera
'Kolchak: The Night Stalker' The Zombie (1974)
Directed by: Alexander Grasshoff
Cinematography by: Alric Edens
Edited by: Ted Rich
Second Assistant Camera
'Kolchak: The Night Stalker' The Ripper (1974)
Directed by: Allen Baron
Cinematography by: Donald Peterman
Edited by: Robert M. Leeds