Additional Visual Effects: Capital T
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Visual Effects
Mank (2020)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Cameras: Red Digital Cinema Cameras
Lenses: Leitz Summilux-C Series Lenses
Senior Compositor: Savage Visual Effects
'House of Cards' Chapter 72 (2018)
Directed by: Alik Sakharov
Cinematography by: David M. Dunlap
Edited by: Grant Surmi
Senior Compositor: Savage Visual Effects
'House of Cards' Chapter 73 (2018)
Directed by: Robin Wright
Cinematography by: Tim Norman
Digital Matte Painter: Savage Visual Effects
'Mindhunter' Episode #1.1 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Digital Matte Painter: Savage Visual Effects - 1 Episode, 2017
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Senior Compositor: VFX Legion
'Scandal' Vampires and Bloodsuckers (2017)
Directed by: Jann Turner
Cinematography by: Daryn Okada
Edited by: Jonathan Pledger
Senior Compositor: VFX Legion
'Scandal' Something Borrowed (2017)
Directed by: Sharat Raju
Edited by: Kyle Bond
Senior Compositor: VFX Legion
'Scandal' Extinction (2017)
Directed by: Tony Goldwyn
Edited by: Joe Mitacek
Senior Compositor: VFX Legion
'Scandal' Dead in the Water (2017)
Directed by: Nicole Rubio
Edited by: Matthew Pevic
Senior Compositor: VFX Legion
'Scandal' Pencils Down (2016)
Directed by: Regina King
Cinematography by: Daryn Okada
Edited by: Christal Khatib
Senior Compositor: VFX Legion
'Scandal' The Miseducation of Susan Ross (2016)
Directed by: Scott Foley
Edited by: Gregory T. Evans
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' The Magical Place (2014)
Directed by: Kevin Hooks
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' T.R.A.C.K.S. (2014)
Directed by: Paul A. Edwards
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' T.A.H.I.T.I. (2014)
Directed by: Bobby Roth
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' Yes Men (2014)
Directed by: John Terlesky
Sequence Supervisor: Luma Pictures
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Sequence Supervisor: Luma Pictures
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' Pilot (2013)
Directed by: Joss Whedon
Cinematography by: David Boyd
Sequence Supervisor: Luma Pictures
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Sequence Supervisor: Luma Pictures
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Sequence Supervisor: Luma Pictures
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Sequence Supervisor: Luma Pictures
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Sequence Supervisor: Luma Pictures
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Senior Compositor: Savage Visual Effects - 2 Episodes, 2018
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Sequence Supervisor: Luma Pictures - 10 Episodes, 2013-2014
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' Repairs (2013)
Directed by: Billy Gierhart
Cinematography by: Jeffrey C. Mygatt
Edited by: Joshua Charson
Sequence Supervisor: Luma Pictures
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' The Bridge (2013)
Directed by: Holly Dale
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Sequence Supervisor: Luma Pictures
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Sequence Supervisor: Luma Pictures
'Agents of S.H.I.E.L.D.' The Well (2013)
Directed by: Jonathan Frakes
Sequence Supervisor: Luma Pictures
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Senior Compositor: VFX Legion - 6 Episodes, 2016-2017
Scandal (2012)
Directed by: Tom Verica, Oliver Bokelberg, Allison Liddi-Brown, Tony Goldwyn, Randy Zisk, Jann Turner, Jeannot Szwarc, Steve Robin, Paul McCrane, Mark Tinker, Debbie Allen, Scott Foley, Sharat Raju, Stephen Cragg, Michael Katleman, Ron Underwood, Roxann Dawson, Julie Anne Robinson, Zetna Fuentes, Regina King, Steph Green, Nzingha Stewart, Nicole Rubio, Paul McGuigan, Bethany Rooney, Jessica Yu, Ava DuVernay, Kevin Bray, David Rodriguez, John Terlesky, Chandra Wilson, Paris Barclay, Salli Richardson-Whitfield, Millicent Shelton, Gregory T. Evans, Joe Morton, Daryn Okada, Darby Stanchfield, Kerry Washington, Valerie Weiss
Cinematography by: Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon
Edited by: Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland
Cameras: ARRI ALEXA Camera, Digital Bolex D16
Lenses: Angenieux Optimo Zoom Lenses
Sequence Supervisor: Luma Pictures
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Sequence Supervisor: Luma Pictures
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sequence Supervisor: Luma Pictures
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Sequence Supervisor: Luma Pictures
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Sequence Supervisor: Luma Pictures
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Sequence Supervisor: Luma Pictures
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Sequence Supervisor: Luma Pictures
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Sequence Supervisor: Luma Pictures
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Sequence Supervisor: Luma Pictures
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Sequence Supervisor: Luma Pictures
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sequence Supervisor: Luma Pictures
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Sequence Supervisor: Luma Pictures
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Sequence Supervisor: Luma Pictures
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Digital Artist: Luma , Sequence Supervisor: Luma
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Sequence Supervisor: Luma Pictures
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Sequence Supervisor: Luma Pictures
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Sequence Supervisor: Luma Pictures
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Sequence Supervisor: Luma Pictures
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Sequence Supervisor: Luma Pictures
Never Back Down (2008)
Directed by: Jeff Wadlow
Cinematography by: Lukas Ettlin
Sequence Supervisor: Luma Pictures
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Sequence Supervisor: Luma Pictures
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Digital Artist: Luma Pictures
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Compositor: Luma Pictures
Reign Over Me (2007)
Directed by: Mike Binder
Cinematography by: Russ T. Alsobrook
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Digital Artist
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Digital Compositor / Effects Animator
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Sequence Supervisor: Luma Pictures
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Digital Compositor: Luma Pictures
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Compositor: Luma Pictures
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Digital Animator: Luma Pictures / Digital Compositor: Luma Pictures
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Visual Effects: Luma Pictures
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Visual Effects: Luma Pictures
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Lead Animator: Luma Pictures
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects: Luma Pictures
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Compositor: Luma Pictures / Effects Animator: Luma Pictures
Crash (2004)
Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Lenses: Panavision Super Speed Lenses
Editing System: Avid Editing System
Visual Effects: Luma Pictures
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Visual Effects: Luma Pictures
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Visual Effects: Luma Pictures
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
