Per Hallberg

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Skyscraper | ShotOnWhat?

Supervising Sound Editor

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

Supervising Sound Editor: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Child 44 | ShotOnWhat?

Sound Designer / Supervising Sound Editor

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

San Andreas | ShotOnWhat?

Supervising Sound Editor

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spectre | ShotOnWhat?

Supervising Sound Editor

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Into the Storm | ShotOnWhat?

Supervising Sound Editor

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Supervising Sound Editor

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Bourne Legacy | ShotOnWhat?

Supervising Sound Editor

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Safe House | ShotOnWhat?

Supervising Sound Editor

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

What's Your Number? | ShotOnWhat?

Supervising Sound Editor

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Green Lantern | ShotOnWhat?

Supervising Sound Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

I Am Number Four | ShotOnWhat?

Supervising Sound Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Wolfman | ShotOnWhat?

Supervising Sound Editor

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

London Boulevard | ShotOnWhat?

Supervising Sound Editor

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Love Ranch | ShotOnWhat?

Supervising Sound Editor

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Supervising Sound Editor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Body of Lies | ShotOnWhat?

Supervising Sound Editor

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Eagle Eye | ShotOnWhat?

Supervising Sound Editor

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

American Gangster | ShotOnWhat?

Supervising Sound Editor

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Things We Lost in the Fire | ShotOnWhat?

Supervising Sound Editor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

The Bourne Ultimatum | ShotOnWhat?

Supervising Sound Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Eight Below | ShotOnWhat?

Supervising Sound Editor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

A Good Year | ShotOnWhat?

Supervising Sound Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Island | ShotOnWhat?

Supervising Sound Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Kingdom of Heaven | ShotOnWhat?

Supervising Sound Editor

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Ray | ShotOnWhat?

Supervising Sound Editor

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Day After Tomorrow | ShotOnWhat?

Additional Sound

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Van Helsing | ShotOnWhat?

Supervising Sound Editor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Bourne Supremacy | ShotOnWhat?

Supervising Sound Editor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Matchstick Men | ShotOnWhat?

Supervising Sound Editor

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Beyond Borders | ShotOnWhat?

Supervising Sound Editor

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Seabiscuit | ShotOnWhat?

Supervising Sound Editor

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Paycheck | ShotOnWhat?

Supervising Sound Editor

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

The Bourne Identity | ShotOnWhat?

Supervising Sound Editor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Black Hawk Down | ShotOnWhat?

Supervising Sound Editor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Evolution | ShotOnWhat?

Supervising Sound Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Hannibal | ShotOnWhat?

Supervising Sound Editor

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

The Patriot | ShotOnWhat?

Supervising Sound Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Gladiator | ShotOnWhat?

Supervising Sound Editor

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Bait | ShotOnWhat?

Supervising Sound Editor

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

Proof of Life | ShotOnWhat?

Supervising Sound Editor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Tarzan | ShotOnWhat?

Supervising Sound Editor

Tarzan (1999)

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

Urban Legend | ShotOnWhat?

Sound Mixer / Supervising Sound Editor

Urban Legend (1998)

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

Dangerous Beauty | ShotOnWhat?

Supervising Sound Editor

Dangerous Beauty (1998)

Directed by: Marshall Herskovitz

Cinematography by: Bojan Bazelli

Edited by: Arthur Coburn, Steven Rosenblum

The Replacement Killers | ShotOnWhat?

Supervising Sound Editor

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Godzilla | ShotOnWhat?

Supervising Sound Editor

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Face/Off | ShotOnWhat?

Co-supervising Sound Editor

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Courage Under Fire | ShotOnWhat?

Supervising Sound Editor

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Albino Alligator | ShotOnWhat?

Supervising Sound Editor

Albino Alligator (1996)

Directed by: Kevin Spacey

Cinematography by: Mark Plummer

Edited by: Jay Cassidy

Heat | ShotOnWhat?

Supervising Sound Editor

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Crossing Guard | ShotOnWhat?

Supervising Sound Editor

The Crossing Guard (1995)

Directed by: Sean Penn

Cinematography by: Vilmos Zsigmond

Edited by: Jay Cassidy

Cameras: Panavision Cameras

Fair Game | ShotOnWhat?

Supervising Sound Editor

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Braveheart | ShotOnWhat?

Supervising Sound Editor: Soundelux

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Legends of the Fall | ShotOnWhat?

Supervising Sound Editor

Legends of the Fall (1994)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Lenses: Canon Lenses, Panavision Lenses

Junior | ShotOnWhat?

Supervising Sound Editor

Junior (1994)

Directed by: Ivan Reitman

Cinematography by: Adam Greenberg

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Beethoven's 2nd | ShotOnWhat?

Supervising Sound Editor

Beethoven's 2nd (1993)

Directed by: Rod Daniel

Cinematography by: Bill Butler

Edited by: William D. Gordean, Sheldon Kahn

Wrestling Ernest Hemingway | ShotOnWhat?

Sound Editor

Wrestling Ernest Hemingway (1993)

Directed by: Randa Haines

Cinematography by: Lajos Koltai

Edited by: Paul Hirsch

Dennis the Menace | ShotOnWhat?

Supervising Foley Editor

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

A Far Off Place | ShotOnWhat?

Foley Editor

A Far Off Place (1993)

Directed by: Mikael Salomon

Cinematography by: Juan Ruiz Anchía

Edited by: Ray Lovejoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

The Last of the Mohicans | ShotOnWhat?

Sound Editor

The Last of the Mohicans (1992)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

The Super | ShotOnWhat?

Sound Editor

The Super (1991)

Directed by: Rod Daniel

Cinematography by: Bruce Surtees

Edited by: Jack Hofstra

Madonna: Truth or Dare | ShotOnWhat?

Assistant Sound Editor

Madonna: Truth or Dare (1991)

Directed by: Alek Keshishian

Edited by: Barry Alexander Brown

Dutch | ShotOnWhat?

Sound Editor

Dutch (1991)

Directed by: Peter Faiman

Cinematography by: Charles Minsky

Edited by: Adam Bernardi, Paul Hirsch, Rick Shaine

Nothing But Trouble | ShotOnWhat?

Assistant Sound Editor

Nothing But Trouble (1991)

Directed by: Dan Aykroyd

Cinematography by: Dean Cundey

Edited by: Malcolm Campbell, James R. Symons

Narrow Margin | ShotOnWhat?

Assistant Sound Editor

Narrow Margin (1990)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: James Mitchell

Uncle Buck | ShotOnWhat?

Assistant Sound Editor

Uncle Buck (1989)

Directed by: John Hughes

Cinematography by: Ralf D. Bode

Edited by: Lou Lombardo, Tony Lombardo, Peck Prior

Honey, I Shrunk the Kids | ShotOnWhat?

Assistant Sound Editor

Honey, I Shrunk the Kids (1989)

Directed by: Joe Johnston

Cinematography by: Hiro Narita

Edited by: Michael A. Stevenson

Blade Runner | ShotOnWhat?

Supervising Sound Editor - 2007 Final Cut Version

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

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