Nikhil Ghoorbin

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John Wick: Chapter 4 | ShotOnWhat?

Visual Effects System Administrator: Oneofus

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Systems Administrator: One Of Us

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

The Matrix Resurrections | ShotOnWhat?

Software & Technology Developer: One Of Us

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Technical Support: One Of Us

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Knights of the Roundtable: King Arthur | ShotOnWhat?

Systems Administrator

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

A Cure for Wellness | ShotOnWhat?

Systems Administrator

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

System Administrator

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Assassin's Creed | ShotOnWhat?

Systems Administrator, Technical Support

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Pride and Prejudice and Zombies | ShotOnWhat?

Data I/o: Cinesite

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

Gods of Egypt | ShotOnWhat?

Technical Services: Cinesite

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Captain America: Civil War | ShotOnWhat?

Technical Support / Technical Support: Cinesite

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Revenant | ShotOnWhat?

Render Wrangler

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

San Andreas | ShotOnWhat?

Data Operator/render Wrangler: Cinesite

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Maggie | ShotOnWhat?

Data I/o: Cinesite

Maggie (2015)

Directed by: Henry Hobson

Cinematography by: Lukas Ettlin

Edited by: Jane Rizzo

Cameras: ARRI ALEXA Camera, Blackmagic Design Cameras, Red Epic Camera

Spectre | ShotOnWhat?

Technical Support: Cinesite

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Man from U.N.C.L.E. | ShotOnWhat?

Digital I/o: Cinesite

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Into the Storm | ShotOnWhat?

Data And Render Wrangler

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

Scanning And Recording Technician

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Data And Render Wrangler

Night at the Museum: Secret of the Tomb (2014)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Hercules | ShotOnWhat?

Data I/o: Cinesite

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Monuments Men | ShotOnWhat?

Data And Render Wrangler

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Jack Ryan: Shadow Recruit | ShotOnWhat?

Digital I/o: Cinesite

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

X-Men: Days of Future Past | ShotOnWhat?

Digital Artist: Cinesite

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Edge of Tomorrow | ShotOnWhat?

System Administrator

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

RoboCop | ShotOnWhat?

Data I/o: Cinesite

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

300: Rise of an Empire | ShotOnWhat?

Data And Render Wrangler

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Iron Man Three | ShotOnWhat?

World War Z | ShotOnWhat?

Scanning And Recording Technician

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

John Carter | ShotOnWhat?

Scanning Operator: Cinesite

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Wrath of the Titans | ShotOnWhat?

Scanning And Recording Technician

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

X: First Class | ShotOnWhat?

Scanning And Recording Technician

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Unknown | ShotOnWhat?

Scanning And Recording Technician

Unknown (2011)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Timothy Alverson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Scanning And Recording Technician

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Scanning And Recording Technician

Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Scanning And Recording Technician

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Scanning And Recording Technician

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Scott Pilgrim vs. the World | ShotOnWhat?

Scanning And Recording Technician

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Robin Hood | ShotOnWhat?

Scanning And Recording Technician

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Clash of the Titans | ShotOnWhat?

Scanning And Recording Technician

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Iron Man 2 | ShotOnWhat?

Scanning And Recording Technician

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Inception | ShotOnWhat?

Scanning And Recording Technician

Inception (2010)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Editing System: Avid Editing System

Planet 51 | ShotOnWhat?

Film Recordist: Cinesite

Planet 51 (2009)

Directed by: Jorge Blanco, Javier Abad, Marcos Martínez

Edited by: Alex Rodríguez

Editing System: Autodesk Smoke Editing System

X-Men Origins: Wolverine | ShotOnWhat?

Scanning And Recording Technician

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Scanning And Recording Technician

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Pirate Radio | ShotOnWhat?

Scanning And Recording Technician

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Sherlock Holmes | ShotOnWhat?

Scanning And Recording Technician

Sherlock Holmes (2009)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera

Lenses: Panavision Primo Classic Spherical Lenses

Brideshead Revisited | ShotOnWhat?

Scanning And Recording Technician

Brideshead Revisited (2008)

Directed by: Julian Jarrold

Cinematography by: Jess Hall

Edited by: Chris Gill

Cameras: Panavision Cameras

10,000 BC | ShotOnWhat?

Scanning And Recording Technician

10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

Hellboy II: The Golden Army | ShotOnWhat?

Scanning And Recording Technician

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Slumdog Millionaire | ShotOnWhat?

Scanning And Recording Technician

Slumdog Millionaire (2008)

Directed by: Danny Boyle, Loveleen Tandan

Cinematography by: Anthony Dod Mantle

Edited by: Chris Dickens

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

Editing System: Avid Editing System

The Golden Compass | ShotOnWhat?

Scanning And Recording Technician

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Sweeney Todd: The Demon Barber of Fleet Street | ShotOnWhat?

Scanning And Recording Technician

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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