Visual Effects Artist
'The Flash' The Trial of The Flash (2018)
Directed by: Philip Chipera
Edited by: Mike Jackson
Visual Effects Artist
'The Flash' The Elongated Knight Rises (2018)
Directed by: Alexandra La Roche
Edited by: Felicia Mignon Livingston
Visual Effects Artist
'The Flash' Honey, I Shrunk Team Flash (2018)
Directed by: Chris Peppe
Cinematography by: Alwyn Kumst
Edited by: Christopher Oakes
Visual Effects Artist
'The Flash' True Colors (2018)
Directed by: Tara Nicole Weyr
Cinematography by: Brenton Spencer
Visual Effects Artist
'The Flash' Enter Flashtime (2018)
Directed by: Gregory Smith
Cinematography by: Brenton Spencer
Edited by: Christopher Oakes
Visual Effects Artist
'The Flash' Run, Iris, Run (2018)
Directed by: Harry Jierjian
Cinematography by: Alwyn Kumst
Edited by: Chris Peppe
Visual Effects Artist
'The Flash' Lose Yourself (2018)
Directed by: Hanelle M. Culpepper
Cinematography by: Alwyn Kumst
Edited by: Christopher Oakes
Visual Effects Artist
'The Flash' Fury Rogue (2018)
Directed by: Rachel Talalay
Cinematography by: Brenton Spencer
Edited by: Chris Peppe
Visual Effects Artist
'The Flash' Therefore She Is (2018)
Directed by: Rob Greenlea
Cinematography by: Alwyn Kumst
Edited by: Mike Jackson
Visual Effects Artist
'The Flash' Harry and the Harrisons (2018)
Directed by: Kevin Mock
Cinematography by: Brenton Spencer
Edited by: Christopher Oakes
Visual Effects Artist
'The Flash' Think Fast (2018)
Directed by: Viet Nguyen
Cinematography by: Alwyn Kumst
Edited by: Chris Peppe
Visual Effects Artist
'The Flash' We Are the Flash (2018)
Directed by: David McWhirter
Cinematography by: Brenton Spencer
Visual Effects
'The Flash' Borrowing Problems from the Future (2017)
Directed by: Millicent Shelton
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Visual Effects
'The Flash' Dead or Alive (2017)
Directed by: Harry Jierjian
Cinematography by: C. Kim Miles
Visual Effects
'The Flash' Attack on Gorilla City (2017)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Visual Effects
'The Flash' Attack on Central City (2017)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Visual Effects
'The Flash' Into the Speed Force (2017)
Directed by: Gregory Smith
Cinematography by: Stewart Whelan
Edited by: Mike Jackson
Visual Effects
'The Flash' Duet (2017)
Directed by: Dermott Downs
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Visual Effects
'The Flash' Abra Kadabra (2017)
Directed by: Nina Lopez-Corrado
Cinematography by: Stewart Whelan
Visual Effects
'The Flash' The Once and Future Flash (2017)
Directed by: Tom Cavanagh
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Visual Effects
'The Flash' I Know Who You Are (2017)
Directed by: Hanelle M. Culpepper
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Visual Effects
'The Flash' Infantino Street (2017)
Directed by: Michael A. Allowitz
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Visual Effects
'The Flash' Finish Line (2017)
Directed by: David McWhirter
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Visual Effects Artist
'The Flash' The Flash Reborn (2017)
Directed by: Glen Winter
Cinematography by: Brenton Spencer
Visual Effects Artist
'The Flash' Mixed Signals (2017)
Directed by: Alexandra La Roche
Edited by: Felicia Mignon Livingston
Visual Effects Artist
'The Flash' Luck Be a Lady (2017)
Directed by: Armen V. Kevorkian
Cinematography by: Brenton Spencer
Edited by: Christopher Oakes
Visual Effects Artist
'The Flash' Therefore I Am (2017)
Directed by: David McWhirter
Cinematography by: Brenton Spencer
Visual Effects Artist
'Arrow' Crisis on Earth-X, Part 2 (2017)
Directed by: James Bamford
Cinematography by: Bruce Worrall
Edited by: Jessie Murray
Compositor / Digital Compositor - 5 Episodes, 2016
Fuller House (2016)
Directed by: Rich Correll, Mark Cendrowski, Katy Garretson, Dave Coulier, Jeff Franklin, Joanna Kerns, Joel Zwick, Christian Jensen, Jody Margolin Hahn, Rob Schiller, Eric Dean Seaton, Phill Lewis, Jean Sagal, Candace Cameron Bure, Lynn M. McCracken, Kimberly McCullough, Linda Mendoza
Cinematography by: Gregg Heschong
Digital Compositor
'Nashville' What I Cannot Change (2016)
Directed by: Lily Mariye
Cinematography by: Shawn Maurer
Edited by: Lizzy Calhoun
Digital Compositor
'Fuller House' Partnerships in the Night (2016)
Directed by: Katy Garretson
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Digital Compositor
'Fuller House' Save the Dates (2016)
Directed by: Jeff Franklin
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Compositor
'Fuller House' War of the Roses (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Compositor
'Fuller House' Ramona's Not-So-Epic Party (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Compositor
'Fuller House' Our Very First Show, Again (2016)
Directed by: Mark Cendrowski
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Visual Effects Artist
'The Flash' Flash Back (2016)
Directed by: Alice Troughton
Cinematography by: C. Kim Miles
Edited by: Chris Conlee
Visual Effects
'The Flash' Versus Zoom (2016)
Directed by: Stefan Pleszczynski
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Visual Effects
'The Flash' Rupture (2016)
Directed by: Armen V. Kevorkian
Cinematography by: Stewart Whelan
Edited by: Chris Conlee
Visual Effects
'The Flash' Flashpoint (2016)
Directed by: Jesse Warn
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Visual Effects
'The Flash' Paradox (2016)
Directed by: Ralph Hemecker
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Visual Effects
'The Flash' Killer Frost (2016)
Directed by: Kevin Smith
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Visual Effects
'The Flash' Invasion! (2016)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Visual Effects
'The Flash' The Present (2016)
Directed by: Rachel Talalay
Cinematography by: C. Kim Miles
Compositor / Digital Compositor - 2 Episodes, 2015
Limitless (2015)
Directed by: Douglas Aarniokoski, Peter Werner, Marc Webb, Steven A. Adelson, Joshua Butler, Leslie Libman, Aaron Lipstadt, Guillermo Navarro, Lexi Alexander, John Behring, Holly Dale, Paul A. Edwards, Guy Ferland, Rich Lee, Christine Moore, Edward Ornelas, Maja Vrvilo
Cinematography by: Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela
Compositor
'Limitless' This Is Your Brian on Drugs (2015)
Directed by: Steven A. Adelson
Cinematography by: Larry Reibman
Edited by: Christopher S. Capp
Digital Compositor
'Limitless' When Pirates Pirate Pirates (2015)
Directed by: Peter Werner
Cinematography by: Jimmy Lindsey
Edited by: Christopher S. Capp
Visual Effects Artist
'Sleepy Hollow' This Red Lady from Caribee (2015)
Directed by: Olatunde Osunsanmi
Cinematography by: Jan Richter-Friis
Edited by: Scott Gamzon
Digital Compositor
'Sleepy Hollow' Dead Men Tell No Tales (2015)
Directed by: Russell Lee Fine
Cinematography by: Bing Sokolsky
Edited by: Andrew Coutts
Visual Effects Artist
'Sleepy Hollow' The Sisters Mills (2015)
Directed by: Guillermo Navarro
Cinematography by: Jan Richter-Friis
Edited by: Steve Haugen
Visual Effects Artist
'Sleepy Hollow' Whispers in the Dark (2015)
Directed by: Russell Lee Fine
Cinematography by: Bing Sokolsky
Edited by: Steve Haugen
Compositor
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Opticals
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Artist
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Digital Artist
If I Stay (2014)
Directed by: R.J. Cutler
Cinematography by: John de Borman
Edited by: Keith Henderson
Visual Effects
'Nashville' I Feel Sorry for Me (2014)
Directed by: Elodie Keene
Cinematography by: Michael Lohmann
Digital Compositor
'Nashville' On the Other Hand (2014)
Directed by: Callie Khouri
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Digital Compositor
'Nashville' All or Nothing with Me (2014)
Directed by: Michael Waxman
Cinematography by: Michael Lohmann
Edited by: Lizzy Calhoun
Digital Compositor
'Nashville' Your Good Girl's Gonna Go Bad (2014)
Directed by: Mario Van Peebles
Cinematography by: Michael Lohmann
Digital Compositor
'Nashville' Crazy (2014)
Directed by: Jean de Segonzac
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Digital Compositor
'Nashville' Your Wild Life's Gonna Get You Down (2014)
Directed by: Julie Hébert
Cinematography by: Michael Lohmann
Edited by: Lizzy Calhoun
Digital Compositor
'Nashville' Too Far Gone (2014)
Directed by: Michael Waxman
Cinematography by: Michael Lohmann
Digital Compositor
'Nashville' It's All Wrong, But It's All Right (2014)
Directed by: Bethany Rooney
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Digital Artist
Freedom (2014)
Directed by: Peter Cousens
Cinematography by: Dean Cundey
Edited by: Ray Hubley
Visual Effects / Visual Effects Artist - 37 Episodes, 2016-2018
The Flash (2014)
Directed by: Dermott Downs, Ralph Hemecker, Stefan Pleszczynski, David McWhirter, Glen Winter, Jesse Warn, Rachel Talalay, Tom Cavanagh, Alexandra La Roche, Millicent Shelton, Kevin Tancharoen, Rob Hardy, J.J. Makaro, John F. Showalter, Hanelle M. Culpepper, Kevin Smith, Armen V. Kevorkian, Gregory Smith, David Nutter, Steve Shill, C. Kim Miles, Michael A. Allowitz, Brent Crowell, Harry Jierjian, Rob Greenlea, Viet Nguyen, Philip Chipera, Chris Peppe, Larry Shaw, Douglas Aarniokoski, John Behring, Nick Copus, Thor Freudenthal, Wendey Stanzler, Stephen Surjik, Antonio Negret, Alice Troughton, Laura Belsey, Nina Lopez-Corrado, Andi Armaganian, Sarah Boyd, Kevin Mock, Tara Nicole Weyr, Jeff Cassidy, Rebecca Johnson, Danielle Panabaker, Marcus Stokes, Kristin Windell
Cinematography by: C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard
Edited by: Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Visual Effects Artist
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Visual Effects Artist
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Digital Compositor
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Visual Effects Artist / Digital Compositor - 4 Episodes, 2015
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Visual Effects Artist
'Nashville' I Don't Wanna Talk About It Now (2013)
Directed by: Paul McCrane
Cinematography by: Michael Lohmann
Edited by: Lizzy Calhoun
Visual Effects Artist
'Nashville' I Fall to Pieces (2013)
Directed by: Michael Waxman
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Visual Effects Supervisor
Diary of a Wimpy Kid: Dog Days (2012)
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Opticals: Custom Film Effects
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects
The Vow (2012)
Directed by: Michael Sucsy
Cinematography by: Rogier Stoffers
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Compositor: XY & Z Visual Effects
Bachelorette (2012)
Directed by: Leslye Headland
Cinematography by: Doug Emmett
Edited by: Jeffrey Wolf
Cameras: Red One MX Camera
Compositor
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Digital Supervisor: Custom Film Effects / Visual Effects Artist
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Compositor: XY & Z Visual Effects
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Digital Compositor / Visual Effects Artist / Visual Effects - 11 Episodes, 2013-2016
Nashville (2012)
Directed by: Callie Khouri, Stephen Cragg, Michael Lohmann, Mike Listo, Paul McCrane, Julie Hébert, Michael Waxman, Allan Arkush, Dan Lerner, Mario Van Peebles, Eric Stoltz, Jean de Segonzac, Arlene Sanford, Lily Mariye, Mike Binder, Timothy Busfield, R.J. Cutler, Patrick R. Norris, Sanaa Hamri, Bethany Rooney, Eric Close, Ron Underwood, Jan Eliasberg, Jet Wilkinson, Devon Gummersall, Dawn Wilkinson, Jesse Zwick, Michael Engler, Lesli Linka Glatter, Mimi Leder, David Petrarca, Wendey Stanzler, Kevin Dowling, Paul A. Edwards, Michael Grossman, Jonathan Pontell, Kate Woods, Thomas Carter, Joe DeMaio, David Grossman, Elodie Keene, Joanna Kerns, Nelson McCormick, Steve Robin, John Carrafa, Michael Goi, Maggie Greenwald, Ron Lagomarsino, Ellen S. Pressman
Cinematography by: Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters
Edited by: Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson
Cameras: ARRI ALEXA Camera
Visual Effects Artist - 1 Episode, 2017
Arrow (2012)
Directed by: James Bamford, John Behring, Glen Winter, Michael Schultz, Wendey Stanzler, Gregory Smith, Laura Belsey, Guy Norman Bee, Nick Copus, Jesse Warn, Gordon Verheul, Antonio Negret, Kristin Windell, Thor Freudenthal, Eagle Egilsson, Rob Hardy, Dermott Downs, Kevin Tancharoen, Mark Bunting, Ben Hernandez Bray, Joel Novoa, Tara Miele, David Barrett, Kenneth Fink, Douglas Aarniokoski, Mairzee Almas, J.J. Makaro, Ken Shane, Andi Armaganian, Alexandra La Roche, David Ramsey, John Dahl, David Grossman, Vincent Misiano, David Nutter, Michael Offer, Bethany Rooney, Peter Leto, Stephen Surjik, Larry Teng, Lexi Alexander, John Badham, Dwight H. Little, Charlotte Brändström, Kevin Fair, John F. Showalter, Mary Lambert, Katie Cassidy, Ruba Nadda, Patia Prouty, Marcus Stokes, Avi Youabian
Cinematography by: Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett
Edited by: Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks
Cameras: ARRI ALEXA Camera
Lenses: Angenieux HP Zoom Lenses
Digital Supervisor
Diary of a Wimpy Kid: Rodrick Rules (2011)
Directed by: David Bowers
Cinematography by: Jack N. Green
Edited by: Troy Takaki
Cameras: Panavision Cameras
Compositor
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Compositor
Something Borrowed (2011)
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Compositor: XY&Z Visual Effects
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Compositor
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Visual Effects Supervisor: Custom Film Effects
Hesher (2010)
Directed by: Spencer Susser
Cinematography by: Morgan Susser
Digital Supervisor: Custom Film Effects
Diary of a Wimpy Kid (2010)
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Digital Compositor: Custom Film Effects
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Compositor: XY&Z Visual Effects / Matte Painter
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Digital Compositor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Digital Compositor: Custom Film Effects
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
3D Animator: XY&Z Visual Effects / Visual Effects
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Compositor: XYZ
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Digital Compositor
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Digital Compositor: Custom Film Effects
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Digital Artist / Flame Artist
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Digital Compositor
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Digital Compositor: Custom Film Effects
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Digital Compositor
Bride Wars (2009)
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
3d Supervisor: Custom Film Effects / Compositor: Custom Film Effects
Mother and Child (2009)
Directed by: Rodrigo García
Cinematography by: Xavier Grobet
Edited by: Steven Weisberg
Digital Compositor
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects
Meet the Browns (2008)
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Compositor: XY&Z Visual Effects
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Matte Painter
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Compositor: XY&Z Visual Effects / Digital Effects Artist
The Eye (2008)
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
Digital Art Director: Custom Film Effects
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Digital Compositor: Custom Film Effects
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Compositor: XY & Z Visual Effects
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Matte Painter: XY&Z Visual Effects
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Digital Artist
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Digital Compositor: Custom Film Effects
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Digital Compositor
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Matte Painter/compositor
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Compositor: XY&Z Visual Effects
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Digital Compositor
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Digital Compositor: Custom Film Effects
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Visual Effects Supervisor: Custom Film Effects
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Digital Compositor
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Digital Compositor: Custom Film Effects
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Compositor: XY&Z Visual Effects
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Digital Compositor: Custom Film Effects
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Visual Effects
Why Did I Get Married? (2007)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Compositor: X Y & Z Visual Effects
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Matte Painter/compositor
The Ron Clark Story (2006)
Directed by: Randa Haines
Cinematography by: Derick V. Underschultz
Edited by: Heather Persons
Digital Artist
The Omen (2006)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
Digital Compositor
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor: Eden Films
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Visual Effects
John Tucker Must Die (2006)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Digital Effects Artist
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Compositor
'Ghost Whisperer' Dead Man's Ridge (2006)
Directed by: James Frawley
Cinematography by: James Chressanthis
Edited by: Tom Walls
Compositor
'Ghost Whisperer' Melinda's First Ghost (2006)
Directed by: Peter Werner
Cinematography by: James Chressanthis
Edited by: Regis Kimble
Matte Painter
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Matte Painter
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Compositor
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Compositor
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Matte Painter
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Compositor: Captive Audience Productions
The Exorcism of Emily Rose (2005)
Directed by: Scott Derrickson
Cinematography by: Tom Stern
Edited by: Jeff Betancourt
Compositor - 2 Episodes, 2006
Ghost Whisperer (2005)
Directed by: Ian Sander, Eric Laneuville, John Gray, Peter Werner, Gloria Muzio, Peter O'Fallon, Frederick E.O. Toye, Kim Moses, James Frawley, James Chressanthis, Steven Robman, Jennifer Love Hewitt, Joanna Kerns, Mark Rosman, John Behring, Jefery Levy, Kevin Hooks, Ron Lagomarsino, Bill Norton, Victoria Hochberg, David Hugh Jones, John F. Showalter, Karen Gaviola, Kenny Leon, Jan Eliasberg, Ralph Hemecker
Cinematography by: James Chressanthis, Crescenzo G.P. Notarile, Bruce M. Pasternack, Scott E. Steele, Nancy Schreiber
Edited by: Neil Mandelberg, Anthony Miller, Michael N. Knue, Regis Kimble, John Duffy, Tom Walls, James Coblentz, William Flicker, Matthew Colonna, Scott Vickrey
Cameras: Panavision Cameras
Matte Painter: Hydraulx
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Matte Painter
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Digital Compositor
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Compositor
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Lead Artist: Digital Firepower
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Matte Artist: 2d & 3d, Digital Firepower
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Lead Artist: Digital Firepower
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
2D & 3D Matte Painter: Digital Firepower
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Visual Effects
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Digital Artist
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Digital Artist
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Digital Compositor: Matte Painter: Digital Firepower
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Visual Effects
Dungeons & Dragons (2000)
Directed by: Courtney Solomon
Cinematography by: Douglas Milsome
Edited by: Caroline Ross
Lead Artist: Digital Firepower
The Crew (2000)
Directed by: Michael Dinner
Cinematography by: Juan Ruiz Anchía
Edited by: Nicholas C. Smith
Digital Artist
I Still Know What You Did Last Summer (1998)
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Digital Artist
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
