Oscars » Academy Award Winner » Oscar Winner: Best Sound Editing

Oscar Winner: Best Sound Editing | 21 Titles

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Bohemian Rhapsody (2018) 2018 : 91st Academy Awards

134 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Bryan SingerCinematography by ~ Newton Thomas SigelEdited by ~ John OttmanWritten by ~ Anthony McCarten, Peter Morgan, Anthony McCarten
Starring | Rami Malek Lucy Boynton Gwilym Lee Ben Hardy

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Dunkirk (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1

106 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Fionn Whitehead Barry Keoghan Mark Rylance Tom Hardy

Editing System | Avid Editing System

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best Sound EditingDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

American Sniper (2014) 2014 : 87th Academy Awards

2D

133 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Clint EastwoodCinematography by ~ Tom SternEdited by ~ Joel Cox, Gary RoachWritten by ~ Jason Hall, Chris Kyle, Scott McEwen, Jim DeFelice
Starring | Bradley Cooper Sienna Miller Kyle Gallner Cole Konis

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oscar Winner: Best Sound Editing

Gravity (2013) 2013 : 86th Academy Awards

3D

Converted 3D

Aspect Ratio: 2.39:1

91 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Alfonso CuarónCinematography by ~ Emmanuel LubezkiEdited by ~ Alfonso Cuarón, Mark SangerWritten by ~ Alfonso Cuarón, Jonás Cuarón, George Clooney
Starring | Sandra Bullock George Clooney Ed Harris Orto Ignatiussen

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Skyfall (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

143 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Sam MendesCinematography by ~ Roger DeakinsEdited by ~ Stuart BairdWritten by ~ Neal Purvis, Robert Wade, John Logan, Ian Fleming
Starring | Daniel Craig Javier Bardem Naomie Harris Judi Dench

Editing System | Avid Editing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Zero Dark Thirty (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 1.85:1

157 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Kathryn BigelowCinematography by ~ Greig FraserEdited by ~ William Goldenberg, Dylan TichenorWritten by ~ Mark Boal
Starring | Jessica Chastain Joel Edgerton Chris Pratt Mark Strong

Editing System | Avid Editing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Oscar Winner: Best Sound Editing

Hugo (2011) 2011 : 84th Academy Awards

3D

Aspect Ratio: 1.85:1

126 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Martin ScorseseCinematography by ~ Robert RichardsonEdited by ~ Thelma SchoonmakerWritten by ~ John Logan, Brian Selznick
Starring | Asa Butterfield Chloë Grace Moretz Christopher Lee Ben Kingsley

Editing System | Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Finishing System | Filmlight Baselight Finishing System, Quantel Pablo

Cameras | ARRI ALEXA Camera

Lenses | Cooke 5/i Lenses, Cooke S4 Lenses

Inception (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

148 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Christopher NolanCinematography by ~ Wally PfisterEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Leonardo DiCaprio Joseph Gordon-Levitt Ellen Page Ken Watanabe

Editing System | Avid Editing System

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

The Dark Knight (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 1.44:1, 2.39:1

152 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Christopher NolanCinematography by ~ Wally PfisterEdited by ~ Lee SmithWritten by ~ Jonathan Nolan, Christopher Nolan, Christopher Nolan, David S. Goyer, Bob Kane
Starring | Christian Bale Heath Ledger Aaron Eckhart Michael Caine

Editing System | Avid Editing System

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Hurt Locker (2008) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.78:1 (16x9), 1.85:1

131 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Kathryn BigelowCinematography by ~ Barry AckroydEdited by ~ Chris Innis, Bob MurawskiWritten by ~ Mark Boal
Starring | Jeremy Renner Anthony Mackie Brian Geraghty Guy Pearce

Editing System | Avid Editing System

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

The Bourne Ultimatum (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

115 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Paul GreengrassCinematography by ~ Oliver WoodEdited by ~ Christopher RouseWritten by ~ Tony Gilroy, Scott Z. Burns, George Nolfi, Tony Gilroy, Robert Ludlum
Starring | Matt Damon Edgar Ramírez Joan Allen Julia Stiles

Editing System | Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Letters from Iwo Jima (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 2.39:1

141 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Clint EastwoodCinematography by ~ Tom SternEdited by ~ Joel Cox, Gary RoachWritten by ~ Iris Yamashita, Iris Yamashita, Paul Haggis, Tadamichi Kuribayashi, Tsuyoko Yoshido
Starring | Ken Watanabe Kazunari Ninomiya Tsuyoshi Ihara Ryo Kase

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oscar Winner: Best Sound Editing

King Kong (2005) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

187 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jamie SelkirkWritten by ~ Fran Walsh, Philippa Boyens, Peter Jackson, Merian C. Cooper, Edgar Wallace
Starring | Naomi Watts Jack Black Adrien Brody Thomas Kretschmann

Editing System | Avid Editing System

Finishing System | Autodesk Finishing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Incredibles (2004) 2004 : 77th Academy Awards

3D

Aspect Ratio: 2.39:1

115 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Brad BirdCinematography by ~ Andrew Jimenez, Patrick Lin, Janet LucroyEdited by ~ Stephen SchafferWritten by ~ Brad Bird
Starring | Craig T. Nelson Samuel L. Jackson Holly Hunter Jason Lee

Master and Commander: The Far Side of the World (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

138 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Peter WeirCinematography by ~ Russell BoydEdited by ~ Lee SmithWritten by ~ Patrick O'Brian, Peter Weir, John Collee
Starring | Russell Crowe Paul Bettany Billy Boyd James D'Arcy

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Lord of the Rings: The Two Towers (2002) 2002 : 75th Academy Awards

2D

Aspect Ratio: 2.39:1

179 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Michael HortonWritten by ~ J.R.R. Tolkien, Fran Walsh, Philippa Boyens, Stephen Sinclair, Peter Jackson
Starring | Elijah Wood Ian McKellen Viggo Mortensen Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

Pearl Harbor (2001) 2001 : 74th Academy Awards

2D

Aspect Ratio: 2.20:1, 2.39:1

183 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Michael BayCinematography by ~ John SchwartzmanEdited by ~ Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven RosenblumWritten by ~ Randall Wallace
Starring | Ben Affleck Kate Beckinsale Josh Hartnett William Lee Scott

Editing System | Avid Editing System

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Oscar Winner: Best Sound Editing

U-571 (2000) 2000 : 73rd Academy Awards

2D

Aspect Ratio: 2.39:1

116 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Jonathan MostowCinematography by ~ Oliver WoodEdited by ~ Wayne WahrmanWritten by ~ Jonathan Mostow, Jonathan Mostow, Sam Montgomery, David Ayer
Starring | Matthew McConaughey Bill Paxton Harvey Keitel Jon Bon Jovi

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses

Oscar Winner: Best Sound Editing

Braveheart (1995) 1995 : 68th Academy Awards

2D

Aspect Ratio: 2.39:1

178 Minutes

Oscar Winner: Best Sound EditingDirected by ~ Mel GibsonCinematography by ~ John TollEdited by ~ Steven RosenblumWritten by ~ Randall Wallace
Starring | Mel Gibson Sophie Marceau Patrick McGoohan Angus Macfadyen

Editing System | Lightworks Editing System

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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