Patrick Blackett
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Thomas Anson
'Homeland' Active Measures (2018)
Directed by: Charlotte Sieling
Cinematography by: Giorgio Scali
Edited by: Jordan Goldman
Thomas Anson
'Homeland' Andante (2018)
Directed by: Lesli Linka Glatter
Cinematography by: Giorgio Scali
Edited by: Harvey Rosenstock
Thomas Anson
'Homeland' Species Jump (2018)
Directed by: Michael Offer
Cinematography by: David Klein
Edited by: Philip Carr Neel
Thomas Anson
'Homeland' All In (2018)
Directed by: Alex Graves
Cinematography by: Giorgio Scali
Edited by: Philip Carr Neel
Thomas Anson
'Homeland' Clarity (2018)
Directed by: Daniel Attias
Cinematography by: David Klein
Edited by: Harvey Rosenstock
Thomas Anson
'Homeland' Paean to the People (2018)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Colonel Winnant
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Mossi
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Young Rufus Sixsmith / Old Rufus Sixsmith / Nurse James / Archivist
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Anthony Perkins
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Bobby
In Their Skin (2012)
Directed by: Jeremy Power Regimbal
Cinematography by: Norm Li
Edited by: Austin Andrews
Thomas Anson
Homeland (2011)
Directed by: Lesli Linka Glatter, Michael Cuesta, Daniel Attias, Alex Graves, Keith Gordon, Tucker Gates, Clark Johnson, Seith Mann, Guy Ferland, Michael Offer, Michael Klick, Jeffrey Nachmanoff, Carl Franklin, Charlotte Sieling, Brad Turner, John Dahl, Lodge Kerrigan, Jeremy Podeswa, David Semel, Daniel Minahan, David Nutter, Jeffrey Reiner, John David Coles, Nelson McCormick
Edited by: Jordan Goldman, Philip Carr Neel, Harvey Rosenstock, Joe Hobeck, Terry Kelley, Michael Ruscio, Sarah Zeitlin, Garret Donnelly, Victoria Grimsley, David Latham
Cameras: ARRI ALEXA Camera, Red Epic Camera
Edward
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Fleming
Age of Heroes (2011)
Directed by: Adrian Vitoria
Cinematography by: Mark Hamilton
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Richard Powell
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
1st Lt. Tom Pullings
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Sherlock Holmes
Sherlock (2002)
Directed by: Graham Theakston
Cinematography by: Lukas Strebel
Edited by: Pamela Power
Jake Martel
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Young Groom
Guest House Paradiso (1999)
Directed by: Adrian Edmondson
Cinematography by: Alan Almond
Edited by: Sean Barton
Pte. Colin Daventry
The Trench (1999)
Directed by: William Boyd
Cinematography by: Tony Pierce-Roberts
First Friend
Wilde (1997)
Directed by: Brian Gilbert
Cinematography by: Martin Fuhrer
Edited by: Michael Bradsell
