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Oscar Nominee: Best Production Design | 53 Titles

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Killers of the Flower Moon (2023) 2023 : 96th Academy Awards

206 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Martin ScorseseCinematography by ~ Rodrigo PrietoEdited by ~ Thelma SchoonmakerWritten by ~ Eric Roth, Martin Scorsese, David Grann
Starring | Leonardo DiCaprio Robert De Niro Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Poor Things (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.66:1

141 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Tony McNamara, Alasdair Gray
Starring | Emma Stone Mark Ruffalo Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Zoom Lenses

Napoleon (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 2.39:1

158 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Ridley ScottCinematography by ~ Dariusz WolskiEdited by ~ Sam Restivo, Claire SimpsonWritten by ~ David Scarpa
Starring | Joaquin Phoenix Vanessa Kirby Tahar Rahim

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Lenses, Panavision Lenses

Oppenheimer (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1

180 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Jennifer LameWritten by ~ Christopher Nolan, Kai Bird, Martin Sherwin
Starring | Cillian Murphy Emily Blunt Matt Damon

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Barbie (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.90:1, 2.0:1

114 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Greta GerwigCinematography by ~ Rodrigo PrietoEdited by ~ Nick HouyWritten by ~ Greta Gerwig, Noah Baumbach
Starring | Margot Robbie Ryan Gosling Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

Oscar Winner: Best Music Original Song

All Quiet on the Western Front (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 2.39:1

148 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Edward BergerCinematography by ~ James FriendEdited by ~ Sven BudelmannWritten by ~ Edward Berger, Lesley Paterson, Ian Stokell, Erich Maria Remarque
Starring | Felix Kammerer Albrecht Schuch Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

The Fabelmans (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.85:1

151 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Steven SpielbergCinematography by ~ Janusz KaminskiEdited by ~ Sarah Broshar, Michael KahnWritten by ~ Steven Spielberg, Tony Kushner
Starring | Michelle Williams Gabriel LaBelle Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Babylon (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 2.39:1

189 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Brad Pitt Margot Robbie Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

The Father (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 2.39:1

97 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Florian ZellerCinematography by ~ Ben SmithardEdited by ~ Yorgos LamprinosWritten by ~ Christopher Hampton, Florian Zeller, Florian Zeller
Starring | Anthony Hopkins Olivia Colman Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

Once Upon a Time… in Hollywood (2019) 2019 : 92nd Academy Awards

2D

161 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Quentin TarantinoCinematography by ~ Robert RichardsonEdited by ~ Fred RaskinWritten by ~ Quentin Tarantino
Starring | Leonardo DiCaprio Brad Pitt Margot Robbie

Editing System | Avid Editing System

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Parasite (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Bong Joon HoCinematography by ~ Kyung-pyo HongEdited by ~ Jinmo YangWritten by ~ Bong Joon Ho, Bong Joon Ho, Jin Won Han
Starring | Kang-ho Song Sun-kyun Lee Yeo-jeong Jo Woo-sik Choi

Editing System | Apple Final Cut Pro 7

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

The Irishman (2019)

2D

Aspect Ratio: 1.37:1, 1.66:1, 1.85:1

209 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Martin ScorseseCinematography by ~ Rodrigo PrietoEdited by ~ Thelma SchoonmakerWritten by ~ Steven Zaillian, Charles Brandt
Starring | Robert De Niro Al Pacino Joe Pesci Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

1917 (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

119 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Sam MendesCinematography by ~ Roger DeakinsEdited by ~ Lee SmithWritten by ~ Sam Mendes, Krysty Wilson-Cairns
Starring | Dean-Charles Chapman George MacKay Daniel Mays Colin Firth

Editing System | Avid Editing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Black Panther (2018) 2018 : 91st Academy Awards

3D

Aspect Ratio: 1.90:1, 2.39:1

134 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Ryan CooglerCinematography by ~ Rachel MorrisonEdited by ~ Debbie Berman, Michael P. ShawverWritten by ~ Ryan Coogler, Joe Robert Cole, Stan Lee, Jack Kirby
Starring | Chadwick Boseman Michael B. Jordan Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Mary Poppins Returns (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Wyatt SmithWritten by ~ P.L. Travers, David Magee, Rob Marshall, John DeLuca, David Magee
Starring | Emily Blunt Lin-Manuel Miranda Ben Whishaw Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

First Man (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

141 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Josh Singer, James R. Hansen
Starring | Ryan Gosling Claire Foy Jason Clarke Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Oscar Winner: Best Visual Effects

The Favourite (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Deborah Davis, Tony McNamara
Starring | Olivia Colman Emma Stone Rachel Weisz Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Oscar Winner: Best Actress in a Leading Role

Blade Runner 2049 (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

164 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Denis VilleneuveCinematography by ~ Roger DeakinsEdited by ~ Joe WalkerWritten by ~ Hampton Fancher, Michael Green, Hampton Fancher, Philip K. Dick
Starring | Harrison Ford Ryan Gosling Ana de Armas Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Hail, Caesar! (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 1.85:1

106 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Ethan Coen, Joel CoenCinematography by ~ Roger DeakinsEdited by ~ Ethan Coen, Joel CoenWritten by ~ Joel Coen, Ethan Coen
Starring | Josh Brolin George Clooney Alden Ehrenreich Ralph Fiennes

Editing System | Adobe Premiere Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Oscar Nominee: Best Production Design

La La Land (2016)

2D

Aspect Ratio: 2.55:1

128 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Ryan Gosling Emma Stone Rosemarie DeWitt J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens