Oscars » Academy Award Nominee » Oscar Nominee: Best Writing Original Screenplay

Oscar Nominee: Best Writing Original Screenplay | 151 Titles

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The Holdovers (2023) 2023 : 96th Academy Awards

Aspect Ratio: 1.66:1

133 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Alexander PayneCinematography by ~ Eigil BryldEdited by ~ Kevin TentWritten by ~ David Hemingson
Starring | Paul Giamatti Da'Vine Joy Randolph Dominic Sessa

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Oscar Winner: Best Actress in a Leading Role

Past Lives (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.85:1

105 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Celine SongCinematography by ~ Shabier KirchnerEdited by ~ Keith FraaseWritten by ~ Celine Song
Starring | Greta Lee Teo Yoo John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Anatomy of a Fall (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.85:1

151 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Justine TrietCinematography by ~ Simon BeaufilsEdited by ~ Laurent SénéchalWritten by ~ Justine Triet, Arthur Harari
Starring | Sandra Hüller Swann Arlaud Milo Machado Graner

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses

Oscar Winner: Best Writing Original Screenplay

Maestro (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

129 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Bradley CooperCinematography by ~ Matthew LibatiqueEdited by ~ Michelle TesoroWritten by ~ Bradley Cooper, Josh Singer
Starring | Carey Mulligan Bradley Cooper Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

May December (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.85:1

117 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Todd HaynesCinematography by ~ Christopher BlauveltEdited by ~ Affonso GonçalvesWritten by ~ Samy Burch, Alex Mechanik, Samy Burch
Starring | Natalie Portman Chris Tenzis Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Oscar Nominee: Best Writing Original Screenplay

Tár (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 2.39:1

158 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Todd FieldCinematography by ~ Florian HoffmeisterEdited by ~ Monika WilliWritten by ~ Todd Field
Starring | Cate Blanchett Noémie Merlant Nina Hoss

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Triangle of Sadness (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.78:1 (16x9), 2.39:1

147 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Ruben ÖstlundCinematography by ~ Fredrik WenzelEdited by ~ Mikel Cee Karlsson, Ruben ÖstlundWritten by ~ Ruben Östlund
Starring | Thobias Thorwid Harris Dickinson Charlbi Dean

Cameras | ARRI ALEXA LF Camera, Red Gemini Camera, Red Helium 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

The Banshees of Inisherin (2022) 2022 : 95th Academy Awards

2D

114 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Martin McDonaghCinematography by ~ Ben DavisEdited by ~ Mikkel E.G. NielsenWritten by ~ Martin McDonagh
Starring | Colin Farrell Brendan Gleeson Kerry Condon

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

The Fabelmans (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.85:1

151 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Steven SpielbergCinematography by ~ Janusz KaminskiEdited by ~ Sarah Broshar, Michael KahnWritten by ~ Steven Spielberg, Tony Kushner
Starring | Michelle Williams Gabriel LaBelle Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Everything Everywhere All at Once (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1

139 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Daniel Kwan, Daniel ScheinertCinematography by ~ Larkin SeipleEdited by ~ Paul RogersWritten by ~ Daniel Kwan, Daniel Scheinert
Starring | Michelle Yeoh Stephanie Hsu Jamie Lee Curtis

Editing System | Adobe Premiere Editing System

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

Promising Young Woman (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 2.39:1

113 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Emerald FennellCinematography by ~ Benjamin KracunEdited by ~ Frédéric ThoravalWritten by ~ Emerald Fennell
Starring | Carey Mulligan Bo Burnham Alison Brie Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

Oscar Winner: Best Writing Original Screenplay

Marriage Story (2019)

2D

137 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Noah BaumbachCinematography by ~ Robbie RyanEdited by ~ Jennifer LameWritten by ~ Noah Baumbach
Starring | Adam Driver Scarlett Johansson Julia Greer Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Once Upon a Time… in Hollywood (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1, 2.39:1

161 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Quentin TarantinoCinematography by ~ Robert RichardsonEdited by ~ Fred RaskinWritten by ~ Quentin Tarantino
Starring | Leonardo DiCaprio Brad Pitt Margot Robbie

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Parasite (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Bong Joon HoCinematography by ~ Kyung-pyo HongEdited by ~ Jinmo YangWritten by ~ Bong Joon Ho, Bong Joon Ho, Jin Won Han
Starring | Kang-ho Song Sun-kyun Lee Yeo-jeong Jo Woo-sik Choi

Editing System | Apple Final Cut Pro 7

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

1917 (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

119 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Sam MendesCinematography by ~ Roger DeakinsEdited by ~ Lee SmithWritten by ~ Sam Mendes, Krysty Wilson-Cairns
Starring | Dean-Charles Chapman George MacKay Daniel Mays Colin Firth

Editing System | Avid Editing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Knives Out (2019)

2D

Aspect Ratio: 1.85:1

130 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Rian JohnsonCinematography by ~ Steve YedlinEdited by ~ Bob DucsayWritten by ~ Rian Johnson
Starring | Daniel Craig Chris Evans Ana de Armas

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Oscar Nominee: Best Writing Original Screenplay

Green Book (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.0:1

130 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Peter FarrellyCinematography by ~ Sean PorterEdited by ~ Patrick J. Don VitoWritten by ~ Nick Vallelonga, Brian Hayes Currie, Peter Farrelly
Starring | Viggo Mortensen Mahershala Ali Linda Cardellini Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

Vice (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Adam McKayCinematography by ~ Greig FraserEdited by ~ Hank CorwinWritten by ~ Adam McKay
Starring | Christian Bale Amy Adams Steve Carell Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Oscar Winner: Best Makeup & Hairstyling

The Favourite (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Deborah Davis, Tony McNamara
Starring | Olivia Colman Emma Stone Rachel Weisz Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Oscar Winner: Best Actress in a Leading Role

Roma (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.20:1, 2.39:1

135 Minutes

Oscar Nominee: Best Writing Original ScreenplayDirected by ~ Alfonso CuarónCinematography by ~ Alfonso CuarónEdited by ~ Alfonso Cuarón, Adam GoughWritten by ~ Alfonso Cuarón
Starring | Yalitza Aparicio Marina de Tavira Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

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