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Oscar Nominee: Best Sound Editing | 83 Titles

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Joker (2019) 2019 : 92nd Academy Awards

122 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Todd PhillipsCinematography by ~ Lawrence SherEdited by ~ Jeff GrothWritten by ~ Todd Phillips, Scott Silver, Bob Kane, Bill Finger, Jerry Robinson
Starring | Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy

Editing System | Avid Editing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Once Upon a Time… in Hollywood (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1, 2.39:1

161 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Quentin TarantinoCinematography by ~ Robert RichardsonEdited by ~ Fred RaskinWritten by ~ Quentin Tarantino
Starring | Leonardo DiCaprio Brad Pitt Margot Robbie

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

1917 (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

119 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Sam MendesCinematography by ~ Roger DeakinsEdited by ~ Lee SmithWritten by ~ Sam Mendes, Krysty Wilson-Cairns
Starring | Dean-Charles Chapman George MacKay Daniel Mays Colin Firth

Editing System | Avid Editing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Star Wars: Episode IX – The Rise of Skywalker (2019) 2019 : 92nd Academy Awards

2D, 3D

Aspect Ratio: 2.39:1

141 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ J.J. AbramsCinematography by ~ Dan MindelEdited by ~ Maryann Brandon, Stefan GrubeWritten by ~ Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow, J.J. Abrams, Chris Terrio, George Lucas
Starring | Daisy Ridley John Boyega Oscar Isaac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Black Panther (2018) 2018 : 91st Academy Awards

3D

Aspect Ratio: 1.90:1, 2.39:1

134 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Ryan CooglerCinematography by ~ Rachel MorrisonEdited by ~ Debbie Berman, Michael P. ShawverWritten by ~ Ryan Coogler, Joe Robert Cole, Stan Lee, Jack Kirby
Starring | Chadwick Boseman Michael B. Jordan Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

A Quiet Place (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

90 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ John KrasinskiCinematography by ~ Charlotte Bruus ChristensenEdited by ~ Christopher TellefsenWritten by ~ Bryan Woods, Scott Beck, John Krasinski, Bryan Woods, Scott Beck
Starring | Emily Blunt John Krasinski Millicent Simmonds Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Oscar Nominee: Best Sound Editing

Bohemian Rhapsody (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 2.39:1

134 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Bryan SingerCinematography by ~ Newton Thomas SigelEdited by ~ John OttmanWritten by ~ Anthony McCarten, Peter Morgan, Anthony McCarten
Starring | Rami Malek Lucy Boynton Gwilym Lee Ben Hardy

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

First Man (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

141 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Josh Singer, James R. Hansen
Starring | Ryan Gosling Claire Foy Jason Clarke Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Oscar Winner: Best Visual Effects

Roma (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.20:1, 2.39:1

135 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Alfonso CuarónCinematography by ~ Alfonso CuarónEdited by ~ Alfonso Cuarón, Adam GoughWritten by ~ Alfonso Cuarón
Starring | Yalitza Aparicio Marina de Tavira Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

Blade Runner 2049 (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

164 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Denis VilleneuveCinematography by ~ Roger DeakinsEdited by ~ Joe WalkerWritten by ~ Hampton Fancher, Michael Green, Hampton Fancher, Philip K. Dick
Starring | Harrison Ford Ryan Gosling Ana de Armas Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

The Shape of Water (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.85:1

123 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Guillermo del ToroCinematography by ~ Dan LaustsenEdited by ~ Sidney WolinskyWritten by ~ Guillermo del Toro, Vanessa Taylor, Guillermo del Toro
Starring | Sally Hawkins Octavia Spencer Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Dunkirk (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1

106 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Fionn Whitehead Barry Keoghan Mark Rylance Tom Hardy

Editing System | Avid Editing System

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Baby Driver (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

113 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Edgar WrightCinematography by ~ Bill PopeEdited by ~ Jonathan Amos, Paul MachlissWritten by ~ Edgar Wright
Starring | Ansel Elgort Jon Bernthal Jon Hamm Eiza González

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Star Wars: Episode VIII – The Last Jedi (2017) 2017 : 90th Academy Awards

2D, 3D

Aspect Ratio: 2.39:1

152 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Rian JohnsonCinematography by ~ Steve YedlinEdited by ~ Bob DucsayWritten by ~ Rian Johnson, George Lucas
Starring | Daisy Ridley John Boyega Mark Hamill

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

La La Land (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.55:1

128 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Ryan Gosling Emma Stone Rosemarie DeWitt J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Hacksaw Ridge (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.39:1

139 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Mel GibsonCinematography by ~ Simon DugganEdited by ~ John GilbertWritten by ~ Robert Schenkkan, Andrew Knight
Starring | Andrew Garfield Sam Worthington Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Star Wars: The Force Awakens (2015) 2015 : 88th Academy Awards

2D, 3D

Converted 3D

Aspect Ratio: 1.43:1, 1.90:1, 2.39:1

136 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ J.J. AbramsCinematography by ~ Dan MindelEdited by ~ Maryann Brandon, Mary Jo MarkeyWritten by ~ Lawrence Kasdan, J.J. Abrams, Michael Arndt, George Lucas
Starring | Daisy Ridley John Boyega Oscar Isaac Domhnall Gleeson

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter

Editing System | Avid Editing System

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Martian (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

144 Minutes

Oscar Nominee: Best Sound EditingDirected by ~ Ridley ScottCinematography by ~ Dariusz WolskiEdited by ~ Pietro ScaliaWritten by ~ Drew Goddard, Andy Weir
Starring | Matt Damon Jessica Chastain Kristen Wiig Kate Mara

Cameras | GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses