Oscars » Academy Award Winner » Oscar Winner: Best Film Editing

Oscar Winner: Best Film Editing | 55 Titles

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Oppenheimer (2023) 2023 : 96th Academy Awards

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1

180 Minutes

Oscar Winner: Best Film EditingDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Jennifer LameWritten by ~ Christopher Nolan, Kai Bird, Martin Sherwin
Starring | Cillian Murphy Emily Blunt Matt Damon

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Everything Everywhere All at Once (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1

139 Minutes

Oscar Winner: Best Film EditingDirected by ~ Daniel Kwan, Daniel ScheinertCinematography by ~ Larkin SeipleEdited by ~ Paul RogersWritten by ~ Daniel Kwan, Daniel Scheinert
Starring | Michelle Yeoh Stephanie Hsu Jamie Lee Curtis

Editing System | Adobe Premiere Editing System

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

Bohemian Rhapsody (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 2.39:1

134 Minutes

Oscar Winner: Best Film EditingDirected by ~ Bryan SingerCinematography by ~ Newton Thomas SigelEdited by ~ John OttmanWritten by ~ Anthony McCarten, Peter Morgan, Anthony McCarten
Starring | Rami Malek Lucy Boynton Gwilym Lee Ben Hardy

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best Film EditingDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Whiplash (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 2.39:1

106 Minutes

Oscar Winner: Best Film EditingDirected by ~ Damien ChazelleCinematography by ~ Sharone MeirEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Miles Teller J.K. Simmons Melissa Benoist Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

Gravity (2013) 2013 : 86th Academy Awards

3D

Converted 3D

Aspect Ratio: 2.39:1

91 Minutes

Oscar Winner: Best Film EditingDirected by ~ Alfonso CuarónCinematography by ~ Emmanuel LubezkiEdited by ~ Alfonso Cuarón, Mark SangerWritten by ~ Alfonso Cuarón, Jonás Cuarón, George Clooney
Starring | Sandra Bullock George Clooney Ed Harris Orto Ignatiussen

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Argo (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best Film EditingDirected by ~ Ben AffleckCinematography by ~ Rodrigo PrietoEdited by ~ William GoldenbergWritten by ~ Chris Terrio, Tony Mendez, Joshuah Bearman
Starring | Ben Affleck Bryan Cranston John Goodman Alan Arkin

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Girl with the Dragon Tattoo (2011) 2011 : 84th Academy Awards

2D

Aspect Ratio: 2.39:1

158 Minutes

Oscar Winner: Best Film EditingDirected by ~ David FincherCinematography by ~ Jeff CronenwethEdited by ~ Kirk Baxter, Angus WallWritten by ~ Steven Zaillian, Stieg Larsson
Starring | Daniel Craig Rooney Mara Christopher Plummer Stellan Skarsgård

Editing System | Final Cut Pro Editing System, Sony Vegas Editing System

Finishing System | Quantel Pablo

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Zeiss Master Prime Lenses

Oscar Winner: Best Film Editing

The Social Network (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best Film EditingDirected by ~ David FincherCinematography by ~ Jeff CronenwethEdited by ~ Kirk Baxter, Angus WallWritten by ~ Aaron Sorkin, Ben Mezrich
Starring | Jesse Eisenberg Andrew Garfield Justin Timberlake Rooney Mara

Editing System | Adobe Premiere Editing System

Finishing System | Quantel

Cameras | Red One MX Camera

Slumdog Millionaire (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best Film EditingDirected by ~ Danny Boyle, Loveleen TandanCinematography by ~ Anthony Dod MantleEdited by ~ Chris DickensWritten by ~ Simon Beaufoy, Vikas Swarup
Starring | Dev Patel Freida Pinto Saurabh Shukla Anil Kapoor

Editing System | Avid Editing System

Finishing System | Quantel Pablo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

The Hurt Locker (2008) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.78:1 (16x9), 1.85:1

131 Minutes

Oscar Winner: Best Film EditingDirected by ~ Kathryn BigelowCinematography by ~ Barry AckroydEdited by ~ Chris Innis, Bob MurawskiWritten by ~ Mark Boal
Starring | Jeremy Renner Anthony Mackie Brian Geraghty Guy Pearce

Editing System | Avid Editing System

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

The Bourne Ultimatum (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

115 Minutes

Oscar Winner: Best Film EditingDirected by ~ Paul GreengrassCinematography by ~ Oliver WoodEdited by ~ Christopher RouseWritten by ~ Tony Gilroy, Scott Z. Burns, George Nolfi, Tony Gilroy, Robert Ludlum
Starring | Matt Damon Edgar Ramírez Joan Allen Julia Stiles

Editing System | Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Departed (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 2.39:1

151 Minutes

Oscar Winner: Best Film EditingDirected by ~ Martin ScorseseCinematography by ~ Michael BallhausEdited by ~ Thelma SchoonmakerWritten by ~ William Monahan, Alan Mak, Felix Chong
Starring | Leonardo DiCaprio Matt Damon Jack Nicholson Mark Wahlberg

Editing System | Lightworks Editing System

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

The Aviator (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 2.39:1

170 Minutes

Oscar Winner: Best Film EditingDirected by ~ Martin ScorseseCinematography by ~ Robert RichardsonEdited by ~ Thelma SchoonmakerWritten by ~ John Logan
Starring | Leonardo DiCaprio Cate Blanchett Kate Beckinsale John C. Reilly

Editing System | Lightworks Editing System

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Crash (2004) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

112 Minutes

Oscar Winner: Best Film EditingDirected by ~ Paul HaggisCinematography by ~ James M. MuroEdited by ~ Hughes WinborneWritten by ~ Paul Haggis, Paul Haggis, Bobby Moresco
Starring | Don Cheadle Sandra Bullock Thandie Newton Karina Arroyave

Editing System | Avid Editing System

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

The Lord of the Rings: The Return of the King (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

201 Minutes

Oscar Winner: Best Film EditingDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jamie SelkirkWritten by ~ J.R.R. Tolkien, Fran Walsh, Philippa Boyens, Peter Jackson
Starring | Elijah Wood Viggo Mortensen Ian McKellen Orlando Bloom

Editing System | Avid Editing System

Finishing System | Autodesk Finishing System

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Chicago (2002) 2002 : 75th Academy Awards

2D

Aspect Ratio: 1.85:1

113 Minutes

Oscar Winner: Best Film EditingDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Martin WalshWritten by ~ Bill Condon, Bob Fosse, Fred Ebb, Maurine Dallas Watkins
Starring | Renée Zellweger Catherine Zeta-Jones Richard Gere Taye Diggs

Editing System | Avid Editing System, Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Black Hawk Down (2001) 2001 : 74th Academy Awards

2D

Aspect Ratio: 2.39:1

144 Minutes

Oscar Winner: Best Film EditingDirected by ~ Ridley ScottCinematography by ~ Slawomir IdziakEdited by ~ Pietro ScaliaWritten by ~ Mark Bowden, Ken Nolan
Starring | Josh Hartnett Ewan McGregor Tom Sizemore Eric Bana

Editing System | Avid Editing System

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Traffic (2000) 2000 : 73rd Academy Awards

2D

Aspect Ratio: 1.85:1

147 Minutes

Oscar Winner: Best Film EditingDirected by ~ Steven SoderberghCinematography by ~ Steven SoderberghEdited by ~ Stephen MirrioneWritten by ~ Simon Moore, Stephen Gaghan
Starring | Michael Douglas Benicio Del Toro Catherine Zeta-Jones Jacob Vargas

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Matrix (1999) 1999 : 72nd Academy Awards

2D

Aspect Ratio: 2.39:1

136 Minutes

Oscar Winner: Best Film EditingDirected by ~ Lana Wachowski, Lilly WachowskiCinematography by ~ Bill PopeEdited by ~ Zach StaenbergWritten by ~ Lilly Wachowski, Lana Wachowski
Starring | Keanu Reeves Laurence Fishburne Carrie-Anne Moss Hugo Weaving

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses | Panavision Lenses

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