Oscars » Academy Award Winner » Oscar Winner: Best Sound Mixing

Oscar Winner: Best Sound Mixing | 19 Titles

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1917 (2019) 2019 : 92nd Academy Awards

Aspect Ratio: 1.90:1, 2.39:1

119 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Sam MendesCinematography by ~ Roger DeakinsEdited by ~ Lee SmithWritten by ~ Sam Mendes, Krysty Wilson-Cairns
Starring | Dean-Charles Chapman George MacKay Daniel Mays Colin Firth

Editing System | Avid Editing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Bohemian Rhapsody (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 2.39:1

134 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Bryan SingerCinematography by ~ Newton Thomas SigelEdited by ~ John OttmanWritten by ~ Anthony McCarten, Peter Morgan, Anthony McCarten
Starring | Rami Malek Lucy Boynton Gwilym Lee Ben Hardy

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Dunkirk (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1

106 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Fionn Whitehead Barry Keoghan Mark Rylance Tom Hardy

Editing System | Avid Editing System

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Hacksaw Ridge (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.39:1

139 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Mel GibsonCinematography by ~ Simon DugganEdited by ~ John GilbertWritten by ~ Robert Schenkkan, Andrew Knight
Starring | Andrew Garfield Sam Worthington Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best Sound MixingDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Whiplash (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 2.39:1

106 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Damien ChazelleCinematography by ~ Sharone MeirEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Miles Teller J.K. Simmons Melissa Benoist Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

Gravity (2013) 2013 : 86th Academy Awards

3D

Converted 3D

Aspect Ratio: 2.39:1

91 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Alfonso CuarónCinematography by ~ Emmanuel LubezkiEdited by ~ Alfonso Cuarón, Mark SangerWritten by ~ Alfonso Cuarón, Jonás Cuarón, George Clooney
Starring | Sandra Bullock George Clooney Ed Harris Orto Ignatiussen

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Les Misérables (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 1.85:1

158 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Tom HooperCinematography by ~ Danny CohenEdited by ~ Chris Dickens, Melanie OliverWritten by ~ William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer, Alain Boublil, Claude-Michel Schönberg, Victor Hugo
Starring | Hugh Jackman Russell Crowe Anne Hathaway Amanda Seyfried

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Hugo (2011) 2011 : 84th Academy Awards

3D

Aspect Ratio: 1.85:1

126 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Martin ScorseseCinematography by ~ Robert RichardsonEdited by ~ Thelma SchoonmakerWritten by ~ John Logan, Brian Selznick
Starring | Asa Butterfield Chloë Grace Moretz Christopher Lee Ben Kingsley

Editing System | Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Finishing System | Filmlight Baselight Finishing System, Quantel Pablo

Cameras | ARRI ALEXA Camera

Lenses | Cooke 5/i Lenses, Cooke S4 Lenses

Inception (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

148 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Christopher NolanCinematography by ~ Wally PfisterEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Leonardo DiCaprio Joseph Gordon-Levitt Ellen Page Ken Watanabe

Editing System | Avid Editing System

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Slumdog Millionaire (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Danny Boyle, Loveleen TandanCinematography by ~ Anthony Dod MantleEdited by ~ Chris DickensWritten by ~ Simon Beaufoy, Vikas Swarup
Starring | Dev Patel Freida Pinto Saurabh Shukla Anil Kapoor

Editing System | Avid Editing System

Finishing System | Quantel Pablo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

The Hurt Locker (2008) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.78:1 (16x9), 1.85:1

131 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Kathryn BigelowCinematography by ~ Barry AckroydEdited by ~ Chris Innis, Bob MurawskiWritten by ~ Mark Boal
Starring | Jeremy Renner Anthony Mackie Brian Geraghty Guy Pearce

Editing System | Avid Editing System

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

The Bourne Ultimatum (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

115 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Paul GreengrassCinematography by ~ Oliver WoodEdited by ~ Christopher RouseWritten by ~ Tony Gilroy, Scott Z. Burns, George Nolfi, Tony Gilroy, Robert Ludlum
Starring | Matt Damon Edgar Ramírez Joan Allen Julia Stiles

Editing System | Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Dreamgirls (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Bill CondonCinematography by ~ Tobias A. SchliesslerEdited by ~ Virginia KatzWritten by ~ Tom Eyen, Bill Condon
Starring | Beyoncé Jamie Foxx Eddie Murphy Danny Glover

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

King Kong (2005) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

187 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jamie SelkirkWritten by ~ Fran Walsh, Philippa Boyens, Peter Jackson, Merian C. Cooper, Edgar Wallace
Starring | Naomi Watts Jack Black Adrien Brody Thomas Kretschmann

Editing System | Avid Editing System

Finishing System | Autodesk Finishing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Ray (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 1.85:1

152 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Taylor HackfordCinematography by ~ Pawel EdelmanEdited by ~ Paul HirschWritten by ~ Taylor Hackford, James L. White, James L. White
Starring | Jamie Foxx Regina King Kerry Washington Clifton Powell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Lord of the Rings: The Return of the King (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

201 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jamie SelkirkWritten by ~ J.R.R. Tolkien, Fran Walsh, Philippa Boyens, Peter Jackson
Starring | Elijah Wood Viggo Mortensen Ian McKellen Orlando Bloom

Editing System | Avid Editing System

Finishing System | Autodesk Finishing System

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Lawrence of Arabia (1962) 1962 : 35th Academy Awards

2D

Aspect Ratio: 2.20:1, 2.35:1

216 Minutes

Oscar Winner: Best Sound MixingDirected by ~ David LeanCinematography by ~ Freddie YoungEdited by ~ Anne V. CoatesWritten by ~ T.E. Lawrence, Robert Bolt, Michael Wilson
Starring | Peter O'Toole Alec Guinness Anthony Quinn Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

It’s a Wonderful Life (1946) 1946 : 19th Academy Awards

2D

130 Minutes

Oscar Winner: Best Sound MixingDirected by ~ Frank CapraCinematography by ~ Joseph F. Biroc, Joseph Walker, Victor MilnerEdited by ~ William HornbeckWritten by ~ Frances Goodrich, Albert Hackett, Frank Capra, Jo Swerling, Philip Van Doren Stern, Michael Wilson
Starring | James Stewart Donna Reed Lionel Barrymore Thomas Mitchell

Oscar Winner: Best Sound Mixing

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