Oscars » Academy Award Nominee » Oscar Nominee: Best Film Editing

Oscar Nominee: Best Film Editing | 165 Titles

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Joker (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

122 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Todd PhillipsCinematography by ~ Lawrence SherEdited by ~ Jeff GrothWritten by ~ Todd Phillips, Scott Silver, Bob Kane, Bill Finger, Jerry Robinson
Starring | Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy

Editing System | Avid Editing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

BlacKkKlansman (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

135 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Spike LeeCinematography by ~ Chayse IrvinEdited by ~ Barry Alexander BrownWritten by ~ Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee, Ron Stallworth
Starring | John David Washington Adam Driver Laura Harrier Topher Grace

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Oscar Winner: Best Writing Adapted Screenplay

Green Book (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.0:1

130 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Peter FarrellyCinematography by ~ Sean PorterEdited by ~ Patrick J. Don VitoWritten by ~ Nick Vallelonga, Brian Hayes Currie, Peter Farrelly
Starring | Viggo Mortensen Mahershala Ali Linda Cardellini Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summilux-C Series Lenses

Bohemian Rhapsody (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 2.39:1

134 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Bryan SingerCinematography by ~ Newton Thomas SigelEdited by ~ John OttmanWritten by ~ Anthony McCarten, Peter Morgan, Anthony McCarten
Starring | Rami Malek Lucy Boynton Gwilym Lee Ben Hardy

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Vice (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Adam McKayCinematography by ~ Greig FraserEdited by ~ Hank CorwinWritten by ~ Adam McKay
Starring | Christian Bale Amy Adams Steve Carell Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Oscar Winner: Best Makeup & Hairstyling

The Favourite (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Deborah Davis, Tony McNamara
Starring | Olivia Colman Emma Stone Rachel Weisz Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Oscar Winner: Best Actress in a Leading Role

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Film EditingDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Star Wars: The Force Awakens (2015) 2015 : 88th Academy Awards

3D

Converted 3D

Aspect Ratio: 2.39:1

136 Minutes

Oscar Nominee: Best Film EditingDirected by ~ J.J. AbramsCinematography by ~ Dan MindelEdited by ~ Maryann Brandon, Mary Jo MarkeyWritten by ~ Lawrence Kasdan, J.J. Abrams, Michael Arndt, George Lucas
Starring | Daisy Ridley John Boyega Oscar Isaac Domhnall Gleeson

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter Domhnall Gleeson

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Big Short (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Adam McKayCinematography by ~ Barry AckroydEdited by ~ Hank CorwinWritten by ~ Charles Randolph, Adam McKay, Michael Lewis
Starring | Christian Bale Steve Carell Ryan Gosling Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Oscar Winner: Best Writing Adapted Screenplay

Spotlight (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 1.85:1

129 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Tom McCarthyCinematography by ~ Masanobu TakayanagiEdited by ~ Tom McArdleWritten by ~ Josh Singer, Tom McCarthy
Starring | Mark Ruffalo Michael Keaton Rachel McAdams Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Whiplash (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 2.39:1

106 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Damien ChazelleCinematography by ~ Sharone MeirEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Miles Teller J.K. Simmons Melissa Benoist Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leica Summilux-C Series Lenses

American Sniper (2014) 2014 : 87th Academy Awards

2D

133 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Clint EastwoodCinematography by ~ Tom SternEdited by ~ Joel Cox, Gary RoachWritten by ~ Jason Hall, Chris Kyle, Scott McEwen, Jim DeFelice
Starring | Bradley Cooper Sienna Miller Kyle Gallner Cole Konis

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oscar Winner: Best Sound Editing

Boyhood (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.85:1

165 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Richard LinklaterCinematography by ~ Lee Daniel, Shane F. KellyEdited by ~ Sandra AdairWritten by ~ Richard Linklater
Starring | Ellar Coltrane Patricia Arquette Ethan Hawke Elijah Smith

Editing System | Avid Editing System

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Oscar Winner: Best Actress in a Supporting Role

The Imitation Game (2014) 2014 : 87th Academy Awards

2D

114 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Morten TyldumCinematography by ~ Oscar FauraEdited by ~ William GoldenbergWritten by ~ Graham Moore, Andrew Hodges
Starring | Benedict Cumberbatch Keira Knightley Matthew Goode Allen Leech

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Oscar Winner: Best Writing Adapted Screenplay

The Grand Budapest Hotel (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.37:1, 1.85:1, 2.39:1

99 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Wes AndersonCinematography by ~ Robert D. YeomanEdited by ~ Barney PillingWritten by ~ Stefan Zweig, Wes Anderson, Wes Anderson, Hugo Guinness
Starring | Ralph Fiennes F. Murray Abraham Mathieu Amalric Adrien Brody

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

12 Years a Slave (2013) 2013 : 86th Academy Awards

2D

Aspect Ratio: 2.39:1

134 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Steve McQueenCinematography by ~ Sean BobbittEdited by ~ Joe WalkerWritten by ~ John Ridley, Solomon Northup
Starring | Chiwetel Ejiofor Michael Kenneth Williams Michael Fassbender Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dallas Buyers Club (2013) 2013 : 86th Academy Awards

2D

Aspect Ratio: 1.78:1 (16x9), 2.39:1

117 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Jean-Marc ValléeCinematography by ~ Yves BélangerEdited by ~ Martin Pensa, Jean-Marc ValléeWritten by ~ Craig Borten, Melisa Wallack
Starring | Matthew McConaughey Jennifer Garner Jared Leto Steve Zahn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Zeiss Lenses

Gravity (2013) 2013 : 86th Academy Awards

3D

Converted 3D

Aspect Ratio: 2.39:1

91 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Alfonso CuarónCinematography by ~ Emmanuel LubezkiEdited by ~ Alfonso Cuarón, Mark SangerWritten by ~ Alfonso Cuarón, Jonás Cuarón, George Clooney
Starring | Sandra Bullock George Clooney Ed Harris Orto Ignatiussen

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Captain Phillips (2013) 2013 : 86th Academy Awards

2D

Aspect Ratio: 2.39:1

134 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Paul GreengrassCinematography by ~ Barry AckroydEdited by ~ Christopher RouseWritten by ~ Billy Ray, Richard Phillips, Stephan Talty
Starring | Tom Hanks Barkhad Abdi Barkhad Abdirahman Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leica Summilux-C Series Lenses, Zeiss Super Speed Lenses