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Oscar Nominee: Best Film Editing | 222 Titles

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Killers of the Flower Moon (2023) 2023 : 96th Academy Awards

206 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Martin ScorseseCinematography by ~ Rodrigo PrietoEdited by ~ Thelma SchoonmakerWritten by ~ Eric Roth, Martin Scorsese, David Grann
Starring | Leonardo DiCaprio Robert De Niro Lily Gladstone

Editing System | Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Poor Things (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.66:1

141 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Tony McNamara, Alasdair Gray
Starring | Emma Stone Mark Ruffalo Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

The Holdovers (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.66:1

133 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Alexander PayneCinematography by ~ Eigil BryldEdited by ~ Kevin TentWritten by ~ David Hemingson
Starring | Paul Giamatti Da'Vine Joy Randolph Dominic Sessa

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Oscar Winner: Best Actress in a Leading Role

Anatomy of a Fall (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.85:1

151 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Justine TrietCinematography by ~ Simon BeaufilsEdited by ~ Laurent SénéchalWritten by ~ Justine Triet, Arthur Harari
Starring | Sandra Hüller Swann Arlaud Milo Machado Graner

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses

Oscar Winner: Best Writing Original Screenplay

Oppenheimer (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1

180 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Jennifer LameWritten by ~ Christopher Nolan, Kai Bird, Martin Sherwin
Starring | Cillian Murphy Emily Blunt Matt Damon

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Tár (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 2.39:1

158 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Todd FieldCinematography by ~ Florian HoffmeisterEdited by ~ Monika WilliWritten by ~ Todd Field
Starring | Cate Blanchett Noémie Merlant Nina Hoss

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

The Banshees of Inisherin (2022) 2022 : 95th Academy Awards

2D

114 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Martin McDonaghCinematography by ~ Ben DavisEdited by ~ Mikkel E.G. NielsenWritten by ~ Martin McDonagh
Starring | Colin Farrell Brendan Gleeson Kerry Condon

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Elvis (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 2.39:1

159 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Baz LuhrmannCinematography by ~ Mandy WalkerEdited by ~ Jonathan Redmond, Matt VillaWritten by ~ Baz Luhrmann, Sam Bromell, Craig Pearce, Jeremy Doner, Baz Luhrmann, Jeremy Doner
Starring | Tom Hanks Austin Butler Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Top Gun: Maverick (2022) 2022 : 95th Academy Awards

2D, 3D

Aspect Ratio: 1.90:1, 2.39:1

130 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Joseph KosinskiCinematography by ~ Claudio MirandaEdited by ~ Eddie HamiltonWritten by ~ Jim Cash, Jack Epps Jr., Peter Craig, Justin Marks, Ehren Kruger, Eric Warren Singer, Christopher McQuarrie
Starring | Tom Cruise Jennifer Connelly Miles Teller

Cameras | Sony CineAlta VENICE Camera

Lenses | Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Oscar Winner: Best Sound

Everything Everywhere All at Once (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1

139 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Daniel Kwan, Daniel ScheinertCinematography by ~ Larkin SeipleEdited by ~ Paul RogersWritten by ~ Daniel Kwan, Daniel Scheinert
Starring | Michelle Yeoh Stephanie Hsu Jamie Lee Curtis

Editing System | Adobe Premiere Editing System

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

The Power of the Dog (2021) 2021 : 94th Academy Awards

2D

Aspect Ratio: 2.39:1

126 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Jane CampionCinematography by ~ Ari WegnerEdited by ~ Peter SciberrasWritten by ~ Jane Campion, Thomas Savage
Starring | Benedict Cumberbatch Kirsten Dunst Jesse Plemons

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Fujinon Alura Lenses, Panavision Ultra Panatar Anamorphic Lenses

Oscar Winner: Best Director

Promising Young Woman (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 2.39:1

113 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Emerald FennellCinematography by ~ Benjamin KracunEdited by ~ Frédéric ThoravalWritten by ~ Emerald Fennell
Starring | Carey Mulligan Bo Burnham Alison Brie Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

Oscar Winner: Best Writing Original Screenplay

The Father (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 2.39:1

97 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Florian ZellerCinematography by ~ Ben SmithardEdited by ~ Yorgos LamprinosWritten by ~ Christopher Hampton, Florian Zeller, Florian Zeller
Starring | Anthony Hopkins Olivia Colman Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

Dune (2021) 2021 : 94th Academy Awards

2D, 3D

Aspect Ratio: 1.43:1, 1.90:1, 2.39:1

155 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Denis VilleneuveCinematography by ~ Greig FraserEdited by ~ Joe WalkerWritten by ~ Jon Spaihts, Denis Villeneuve, Eric Roth, Frank Herbert
Starring | Timothée Chalamet Rebecca Ferguson Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Nomadland (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

107 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Chloé ZhaoCinematography by ~ Joshua James RichardsWritten by ~ Chloé Zhao, Jessica Bruder
Starring | Frances McDormand David Strathairn Linda May

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

Joker (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

122 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Todd PhillipsCinematography by ~ Lawrence SherEdited by ~ Jeff GrothWritten by ~ Todd Phillips, Scott Silver, Bob Kane, Bill Finger, Jerry Robinson
Starring | Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy

Editing System | Avid Editing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Parasite (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Bong Joon HoCinematography by ~ Kyung-pyo HongEdited by ~ Jinmo YangWritten by ~ Bong Joon Ho, Bong Joon Ho, Jin Won Han
Starring | Kang-ho Song Sun-kyun Lee Yeo-jeong Jo Woo-sik Choi

Editing System | Apple Final Cut Pro 7

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

The Irishman (2019)

2D

Aspect Ratio: 1.37:1, 1.66:1, 1.85:1

209 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Martin ScorseseCinematography by ~ Rodrigo PrietoEdited by ~ Thelma SchoonmakerWritten by ~ Steven Zaillian, Charles Brandt
Starring | Robert De Niro Al Pacino Joe Pesci Harvey Keitel

Editing System | Lightworks Editing System

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

BlacKkKlansman (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

135 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Spike LeeCinematography by ~ Chayse IrvinEdited by ~ Barry Alexander BrownWritten by ~ Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee, Ron Stallworth
Starring | John David Washington Adam Driver Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Oscar Winner: Best Writing Adapted Screenplay

Green Book (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.0:1

130 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Peter FarrellyCinematography by ~ Sean PorterEdited by ~ Patrick J. Don VitoWritten by ~ Nick Vallelonga, Brian Hayes Currie, Peter Farrelly
Starring | Viggo Mortensen Mahershala Ali Linda Cardellini Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

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