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Oscar Nominee: Best Director | 181 Titles

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Promising Young Woman (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 2.39:1

113 Minutes

Oscar Nominee: Best DirectorDirected by ~ Emerald FennellCinematography by ~ Benjamin KracunEdited by ~ Frédéric ThoravalWritten by ~ Emerald Fennell
Starring | Carey Mulligan Bo Burnham Alison Brie Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

Oscar Winner: Best Writing Original Screenplay

Mank (2020)

Aspect Ratio: 2.20:1

131 Minutes

Oscar Nominee: Best DirectorDirected by ~ David FincherCinematography by ~ Erik MesserschmidtEdited by ~ Kirk BaxterWritten by ~ Jack Fincher
Starring | Gary Oldman Amanda Seyfried Lily Collins Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leica Summilux-C Series Lenses

Joker (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

122 Minutes

Oscar Nominee: Best DirectorDirected by ~ Todd PhillipsCinematography by ~ Lawrence SherEdited by ~ Jeff GrothWritten by ~ Todd Phillips, Scott Silver, Bob Kane, Bill Finger, Jerry Robinson
Starring | Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy

Editing System | Avid Editing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Parasite (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best DirectorDirected by ~ Bong Joon HoCinematography by ~ Kyung-pyo HongEdited by ~ Jinmo YangWritten by ~ Bong Joon Ho, Bong Joon Ho, Jin Won Han
Starring | Kang-ho Song Sun-kyun Lee Yeo-jeong Jo Woo-sik Choi

Editing System | Apple Final Cut Pro 7

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

The Irishman (2019)

2D

Aspect Ratio: 1.37:1, 1.66:1, 1.85:1

209 Minutes

Oscar Nominee: Best DirectorDirected by ~ Martin ScorseseCinematography by ~ Rodrigo PrietoEdited by ~ Thelma SchoonmakerWritten by ~ Steven Zaillian, Charles Brandt
Starring | Robert De Niro Al Pacino Joe Pesci Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Cold War (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.37:1

89 Minutes

Oscar Nominee: Best DirectorDirected by ~ Pawel PawlikowskiCinematography by ~ Lukasz ZalEdited by ~ Jaroslaw KaminskiWritten by ~ Pawel Pawlikowski, Pawel Pawlikowski, Janusz Glowacki, Piotr Borkowski
Starring | Joanna Kulig Tomasz Kot Borys Szyc Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

BlacKkKlansman (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

135 Minutes

Oscar Nominee: Best DirectorDirected by ~ Spike LeeCinematography by ~ Chayse IrvinEdited by ~ Barry Alexander BrownWritten by ~ Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee, Ron Stallworth
Starring | John David Washington Adam Driver Laura Harrier Topher Grace

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Oscar Winner: Best Writing Adapted Screenplay

Vice (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best DirectorDirected by ~ Adam McKayCinematography by ~ Greig FraserEdited by ~ Hank CorwinWritten by ~ Adam McKay
Starring | Christian Bale Amy Adams Steve Carell Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Oscar Winner: Best Makeup & Hairstyling

The Favourite (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best DirectorDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Deborah Davis, Tony McNamara
Starring | Olivia Colman Emma Stone Rachel Weisz Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Oscar Winner: Best Actress in a Leading Role

Phantom Thread (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.85:1

130 Minutes

Oscar Nominee: Best DirectorDirected by ~ Paul Thomas AndersonCinematography by ~ Paul Thomas AndersonEdited by ~ Dylan TichenorWritten by ~ Paul Thomas Anderson
Starring | Vicky Krieps Daniel Day-Lewis Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Oscar Winner: Best Costume Design

La La Land (2016)

2D

Aspect Ratio: 2.55:1

128 Minutes

Oscar Nominee: Best DirectorDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Ryan Gosling Emma Stone Rosemarie DeWitt J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Manchester by the Sea (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 1.85:1

137 Minutes

Oscar Nominee: Best DirectorDirected by ~ Kenneth LonerganCinematography by ~ Jody Lee LipesEdited by ~ Jennifer LameWritten by ~ Kenneth Lonergan
Starring | Casey Affleck Michelle Williams Kyle Chandler Lucas Hedges

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Lenses, Canon K35 Prime Lenses

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best DirectorDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Room (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

118 Minutes

Oscar Nominee: Best DirectorDirected by ~ Lenny AbrahamsonCinematography by ~ Danny CohenEdited by ~ Nathan NugentWritten by ~ Emma Donoghue, Emma Donoghue
Starring | Brie Larson Jacob Tremblay Sean Bridgers Wendy Crewson

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Oscar Winner: Best Actress in a Leading Role

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Nominee: Best DirectorDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter Domhnall Gleeson

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Big Short (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Nominee: Best DirectorDirected by ~ Adam McKayCinematography by ~ Barry AckroydEdited by ~ Hank CorwinWritten by ~ Charles Randolph, Adam McKay, Michael Lewis
Starring | Christian Bale Steve Carell Ryan Gosling Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Oscar Winner: Best Writing Adapted Screenplay

Spotlight (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 1.85:1

129 Minutes

Oscar Nominee: Best DirectorDirected by ~ Tom McCarthyCinematography by ~ Masanobu TakayanagiEdited by ~ Tom McArdleWritten by ~ Josh Singer, Tom McCarthy
Starring | Mark Ruffalo Michael Keaton Rachel McAdams Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Birdman or (The Unexpected Virtue of Ignorance) (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best DirectorDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Douglas Crise, Stephen MirrioneWritten by ~ Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo, Raymond Carver
Starring | Michael Keaton Zach Galifianakis Edward Norton Andrea Riseborough

Editing System | Avid Editing System

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses | Leica Summilux-C Series Lenses, Zeiss Master Prime Lenses

Foxcatcher (2014) 2014 : 87th Academy Awards

2D

134 Minutes

Oscar Nominee: Best DirectorDirected by ~ Bennett MillerCinematography by ~ Greig FraserEdited by ~ Jay Cassidy, Stuart Levy, Conor O'NeillWritten by ~ E. Max Frye, Dan Futterman
Starring | Steve Carell Channing Tatum Mark Ruffalo Vanessa Redgrave

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Boyhood (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.85:1

165 Minutes

Oscar Nominee: Best DirectorDirected by ~ Richard LinklaterCinematography by ~ Lee Daniel, Shane F. KellyEdited by ~ Sandra AdairWritten by ~ Richard Linklater
Starring | Ellar Coltrane Patricia Arquette Ethan Hawke Elijah Smith

Editing System | Avid Editing System

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses