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Oscar Nominee: Best Makeup & Hairstyling | 31 Titles

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Golda (2023) 2023 : 96th Academy Awards

Aspect Ratio: 1.85:1

100 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Guy NattivCinematography by ~ Jasper WolfEdited by ~ Arik Lahav-LeibovichWritten by ~ Nicholas Martin
Starring | Helen Mirren Zed Josef Henry Goodman

Oscar Nominee: Best Makeup & Hairstyling

Poor Things (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.66:1

141 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Tony McNamara, Alasdair Gray
Starring | Emma Stone Mark Ruffalo Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

Society of the Snow (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 2.55:1

144 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ J.A. BayonaCinematography by ~ Pedro LuqueEdited by ~ Andrés Gil, Jaume MartíWritten by ~ J.A. Bayona, Bernat Vilaplana, Jaime Marques, Nicolás Casariego, Pablo Vierci
Starring | Enzo Vogrincic Agustín Pardella Matías Recalt

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Maestro (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

129 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Bradley CooperCinematography by ~ Matthew LibatiqueEdited by ~ Michelle TesoroWritten by ~ Bradley Cooper, Josh Singer
Starring | Carey Mulligan Bradley Cooper Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

Oppenheimer (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1

180 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Jennifer LameWritten by ~ Christopher Nolan, Kai Bird, Martin Sherwin
Starring | Cillian Murphy Emily Blunt Matt Damon

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Elvis (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 2.39:1

159 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Baz LuhrmannCinematography by ~ Mandy WalkerEdited by ~ Jonathan Redmond, Matt VillaWritten by ~ Baz Luhrmann, Sam Bromell, Craig Pearce, Jeremy Doner, Baz Luhrmann, Jeremy Doner
Starring | Tom Hanks Austin Butler Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Black Panther: Wakanda Forever (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

161 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Ryan CooglerCinematography by ~ Autumn Durald ArkapawEdited by ~ Kelley Dixon, Jennifer Lame, Michael P. ShawverWritten by ~ Ryan Coogler, Joe Robert Cole, Ryan Coogler, Stan Lee, Jack Kirby
Starring | Letitia Wright Lupita Nyong'o Danai Gurira

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Anamorphic Macro Panatar Lenses, Panavision B Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Oscar Winner: Best Costume Design

Dune (2021) 2021 : 94th Academy Awards

2D, 3D

Aspect Ratio: 1.43:1, 1.90:1, 2.39:1

155 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Denis VilleneuveCinematography by ~ Greig FraserEdited by ~ Joe WalkerWritten by ~ Jon Spaihts, Denis Villeneuve, Eric Roth, Frank Herbert
Starring | Timothée Chalamet Rebecca Ferguson Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Mank (2020) 2020 : 93rd Academy Awards

Aspect Ratio: 2.20:1

131 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ David FincherCinematography by ~ Erik MesserschmidtEdited by ~ Kirk BaxterWritten by ~ Jack Fincher
Starring | Gary Oldman Amanda Seyfried Lily Collins Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leitz Summilux-C Series Lenses

Joker (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

122 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Todd PhillipsCinematography by ~ Lawrence SherEdited by ~ Jeff GrothWritten by ~ Todd Phillips, Scott Silver, Bob Kane, Bill Finger, Jerry Robinson
Starring | Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy

Editing System | Avid Editing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

1917 (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

119 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Sam MendesCinematography by ~ Roger DeakinsEdited by ~ Lee SmithWritten by ~ Sam Mendes, Krysty Wilson-Cairns
Starring | Dean-Charles Chapman George MacKay Daniel Mays Colin Firth

Editing System | Avid Editing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Border (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

110 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Ali AbbasiCinematography by ~ Nadim CarlsenEdited by ~ Olivia Neergaard-Holm, Anders SkovWritten by ~ John Ajvide Lindqvist, Ali Abbasi, Isabella Eklöf, John Ajvide Lindqvist
Starring | Eva Melander Eero Milonoff Jörgen Thorsson Ann Petrén

Cameras | Red Digital Cinema Cameras

Oscar Nominee: Best Makeup & Hairstyling

Mary Queen of Scots (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

124 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Josie RourkeCinematography by ~ John MathiesonEdited by ~ Chris DickensWritten by ~ Beau Willimon, John Guy
Starring | Saoirse Ronan Margot Robbie Jack Lowden Joe Alwyn

Cameras | Panavision Millennium DXL Camera, Red Epic Helium Camera

Vice (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Adam McKayCinematography by ~ Greig FraserEdited by ~ Hank CorwinWritten by ~ Adam McKay
Starring | Christian Bale Amy Adams Steve Carell Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Oscar Winner: Best Makeup & Hairstyling

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter

Editing System | Avid Editing System

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Guardians of the Galaxy (2014) 2014 : 87th Academy Awards

2D, 3D

Aspect Ratio: 1.90:1, 2.39:1

121 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ James GunnCinematography by ~ Ben DavisEdited by ~ Fred Raskin, Hughes Winborne, Craig WoodWritten by ~ James Gunn, Nicole Perlman, Dan Abnett, Andy Lanning, Bill Mantlo, Keith Giffen, Jim Starlin, Steve Englehart, Steve Gan, Steve Gerber, Val Mayerik
Starring | Chris Pratt Vin Diesel Bradley Cooper Zoe Saldana

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Foxcatcher (2014) 2014 : 87th Academy Awards

2D

134 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Bennett MillerCinematography by ~ Greig FraserEdited by ~ Jay Cassidy, Stuart Levy, Conor O'NeillWritten by ~ E. Max Frye, Dan Futterman
Starring | Steve Carell Channing Tatum Mark Ruffalo Vanessa Redgrave

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Grand Budapest Hotel (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.37:1, 1.85:1, 2.39:1

99 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Wes AndersonCinematography by ~ Robert D. YeomanEdited by ~ Barney PillingWritten by ~ Stefan Zweig, Wes Anderson, Wes Anderson, Hugo Guinness
Starring | Ralph Fiennes F. Murray Abraham Mathieu Amalric

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

The 100 Year-Old Man Who Climbed Out the Window and Disappeared (2013) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

114 Minutes

Oscar Nominee: Best Makeup & HairstylingDirected by ~ Felix HerngrenCinematography by ~ Göran HallbergEdited by ~ Henrik KällbergWritten by ~ Felix Herngren, Hans Ingemansson, Jonas Jonasson
Starring | Robert Gustafsson Iwar Wiklander David Wiberg Mia Skäringer

Cameras | ARRI ALEXA Camera

Oscar Nominee: Best Makeup & Hairstyling

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