Oscars » Academy Award Winner » Oscar Winner: Best Cinematography

Oscar Winner: Best Cinematography | 100 Titles

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Oppenheimer (2023) 2023 : 96th Academy Awards

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1

180 Minutes

Oscar Winner: Best CinematographyDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Jennifer LameWritten by ~ Christopher Nolan, Kai Bird, Martin Sherwin
Starring | Cillian Murphy Emily Blunt Matt Damon

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

All Quiet on the Western Front (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 2.39:1

148 Minutes

Oscar Winner: Best CinematographyDirected by ~ Edward BergerCinematography by ~ James FriendEdited by ~ Sven BudelmannWritten by ~ Edward Berger, Lesley Paterson, Ian Stokell, Erich Maria Remarque
Starring | Felix Kammerer Albrecht Schuch Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Mank (2020) 2020 : 93rd Academy Awards

Aspect Ratio: 2.20:1

131 Minutes

Oscar Winner: Best CinematographyDirected by ~ David FincherCinematography by ~ Erik MesserschmidtEdited by ~ Kirk BaxterWritten by ~ Jack Fincher
Starring | Gary Oldman Amanda Seyfried Lily Collins Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leitz Summilux-C Series Lenses

Dune (2021) 2021 : 94th Academy Awards

2D, 3D

Aspect Ratio: 1.43:1, 1.90:1, 2.39:1

155 Minutes

Oscar Winner: Best CinematographyDirected by ~ Denis VilleneuveCinematography by ~ Greig FraserEdited by ~ Joe WalkerWritten by ~ Jon Spaihts, Denis Villeneuve, Eric Roth, Frank Herbert
Starring | Timothée Chalamet Rebecca Ferguson Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

1917 (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

119 Minutes

Oscar Winner: Best CinematographyDirected by ~ Sam MendesCinematography by ~ Roger DeakinsEdited by ~ Lee SmithWritten by ~ Sam Mendes, Krysty Wilson-Cairns
Starring | Dean-Charles Chapman George MacKay Daniel Mays Colin Firth

Editing System | Avid Editing System

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Roma (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.20:1, 2.39:1

135 Minutes

Oscar Winner: Best CinematographyDirected by ~ Alfonso CuarónCinematography by ~ Alfonso CuarónEdited by ~ Alfonso Cuarón, Adam GoughWritten by ~ Alfonso Cuarón
Starring | Yalitza Aparicio Marina de Tavira Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

Blade Runner 2049 (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

164 Minutes

Oscar Winner: Best CinematographyDirected by ~ Denis VilleneuveCinematography by ~ Roger DeakinsEdited by ~ Joe WalkerWritten by ~ Hampton Fancher, Michael Green, Hampton Fancher, Philip K. Dick
Starring | Harrison Ford Ryan Gosling Ana de Armas Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

La La Land (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.55:1

128 Minutes

Oscar Winner: Best CinematographyDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Ryan Gosling Emma Stone Rosemarie DeWitt J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Winner: Best CinematographyDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter

Editing System | Avid Editing System

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Birdman or (The Unexpected Virtue of Ignorance) (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Winner: Best CinematographyDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Douglas Crise, Stephen MirrioneWritten by ~ Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo, Raymond Carver
Starring | Michael Keaton Zach Galifianakis Edward Norton Andrea Riseborough

Editing System | Avid Editing System

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Gravity (2013) 2013 : 86th Academy Awards

3D

Converted 3D

Aspect Ratio: 2.39:1

91 Minutes

Oscar Winner: Best CinematographyDirected by ~ Alfonso CuarónCinematography by ~ Emmanuel LubezkiEdited by ~ Alfonso Cuarón, Mark SangerWritten by ~ Alfonso Cuarón, Jonás Cuarón, George Clooney
Starring | Sandra Bullock George Clooney Ed Harris Orto Ignatiussen

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Life of Pi (2012) 2012 : 85th Academy Awards

3D

Aspect Ratio: 1.85:1

127 Minutes

Oscar Winner: Best CinematographyDirected by ~ Ang LeeCinematography by ~ Claudio MirandaEdited by ~ Tim SquyresWritten by ~ Yann Martel, David Magee
Starring | Suraj Sharma Irrfan Khan Adil Hussain Tabu

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Hugo (2011) 2011 : 84th Academy Awards

3D

Aspect Ratio: 1.85:1

126 Minutes

Oscar Winner: Best CinematographyDirected by ~ Martin ScorseseCinematography by ~ Robert RichardsonEdited by ~ Thelma SchoonmakerWritten by ~ John Logan, Brian Selznick
Starring | Asa Butterfield Chloë Grace Moretz Christopher Lee Ben Kingsley

Editing System | Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Finishing System | Filmlight Baselight Finishing System, Quantel Pablo

Cameras | ARRI ALEXA Camera

Lenses | Cooke 5/i Lenses, Cooke S4 Lenses

Inception (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

148 Minutes

Oscar Winner: Best CinematographyDirected by ~ Christopher NolanCinematography by ~ Wally PfisterEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Leonardo DiCaprio Joseph Gordon-Levitt Ellen Page Ken Watanabe

Editing System | Avid Editing System

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Avatar (2009) 2009 : 82nd Academy Awards

3D

Aspect Ratio: 1.78:1 (16x9), 2.39:1

162 Minutes

Oscar Winner: Best CinematographyDirected by ~ James CameronCinematography by ~ Mauro FioreEdited by ~ James Cameron, John Refoua, Stephen E. RivkinWritten by ~ James Cameron
Starring | Sam Worthington Zoe Saldana Sigourney Weaver Michelle Rodriguez

Editing System | Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Finishing System | DaVinci Finishing System, Quantel Pablo

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Slumdog Millionaire (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Winner: Best CinematographyDirected by ~ Danny Boyle, Loveleen TandanCinematography by ~ Anthony Dod MantleEdited by ~ Chris DickensWritten by ~ Simon Beaufoy, Vikas Swarup
Starring | Dev Patel Freida Pinto Saurabh Shukla Anil Kapoor

Editing System | Avid Editing System

Finishing System | Quantel Pablo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

There Will Be Blood (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

158 Minutes

Oscar Winner: Best CinematographyDirected by ~ Paul Thomas AndersonCinematography by ~ Robert ElswitEdited by ~ Dylan TichenorWritten by ~ Paul Thomas Anderson, Upton Sinclair
Starring | Daniel Day-Lewis Paul Dano Ciarán Hinds Martin Stringer

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Pan’s Labyrinth (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 1.85:1

118 Minutes

Oscar Winner: Best CinematographyDirected by ~ Guillermo del ToroCinematography by ~ Guillermo NavarroEdited by ~ Bernat VilaplanaWritten by ~ Guillermo del Toro
Starring | Ivana Baquero Ariadna Gil Sergi López Maribel Verdú

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Memoirs of a Geisha (2005) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

145 Minutes

Oscar Winner: Best CinematographyDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Pietro ScaliaWritten by ~ Robin Swicord, Arthur Golden
Starring | Ziyi Zhang Ken Watanabe Michelle Yeoh Suzuka Ohgo

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Aviator (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 2.39:1

170 Minutes

Oscar Winner: Best CinematographyDirected by ~ Martin ScorseseCinematography by ~ Robert RichardsonEdited by ~ Thelma SchoonmakerWritten by ~ John Logan
Starring | Leonardo DiCaprio Cate Blanchett Kate Beckinsale John C. Reilly

Editing System | Lightworks Editing System

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

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