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Oscar Nominee: Best Writing Adapted Screenplay | 158 Titles

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Poor Things (2023) 2023 : 96th Academy Awards

Aspect Ratio: 1.66:1

141 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Tony McNamara, Alasdair Gray
Starring | Emma Stone Mark Ruffalo Willem Dafoe

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

American Fiction (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 2.39:1

117 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Cord JeffersonCinematography by ~ Cristina DunlapEdited by ~ Hilda RasulaWritten by ~ Cord Jefferson, Percival Everett
Starring | Jeffrey Wright Tracee Ellis Ross John Ortiz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Tribe7 Blackwing7 Lenses

Oscar Winner: Best Writing Adapted Screenplay

Oppenheimer (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1

180 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Jennifer LameWritten by ~ Christopher Nolan, Kai Bird, Martin Sherwin
Starring | Cillian Murphy Emily Blunt Matt Damon

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Barbie (2023) 2023 : 96th Academy Awards

2D

Aspect Ratio: 1.90:1, 2.0:1

114 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Greta GerwigCinematography by ~ Rodrigo PrietoEdited by ~ Nick HouyWritten by ~ Greta Gerwig, Noah Baumbach
Starring | Margot Robbie Ryan Gosling Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

Oscar Winner: Best Music Original Song

Living (2022) 2022 : 95th Academy Awards

2D

102 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Oliver HermanusCinematography by ~ Jamie RamsayEdited by ~ Chris WyattWritten by ~ Kazuo Ishiguro, Akira Kurosawa, Shinobu Hashimoto, Hideo Oguni
Starring | Bill Nighy Aimee Lou Wood Alex Sharp

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

Glass Onion (2022) 2022 : 95th Academy Awards

2D

Aspect Ratio: 1.85:1

139 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Rian JohnsonCinematography by ~ Steve YedlinEdited by ~ Bob DucsayWritten by ~ Rian Johnson
Starring | Daniel Craig Edward Norton Kate Hudson

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Zeiss Supreme Prime Series Lenses

Oscar Nominee: Best Writing Adapted Screenplay

The Power of the Dog (2021) 2021 : 94th Academy Awards

2D

Aspect Ratio: 2.39:1

126 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Jane CampionCinematography by ~ Ari WegnerEdited by ~ Peter SciberrasWritten by ~ Jane Campion, Thomas Savage
Starring | Benedict Cumberbatch Kirsten Dunst Jesse Plemons

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Fujinon Alura Lenses, Panavision Ultra Panatar Anamorphic Lenses

Oscar Winner: Best Director

CODA (2021) 2021 : 94th Academy Awards

2D

Aspect Ratio: 1.85:1

111 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Sian HederCinematography by ~ Paula HuidobroEdited by ~ Geraud BrissonWritten by ~ Sian Heder, Victoria Bedos, Stanislas Carré de Malberg, Éric Lartigau, Thomas Bidegain
Starring | Emilia Jones Marlee Matlin Troy Kotsur

Cameras | Sony CineAlta VENICE Camera

Lenses | ARRI Signature Prime Lenses

The Father (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 2.39:1

97 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Florian ZellerCinematography by ~ Ben SmithardEdited by ~ Yorgos LamprinosWritten by ~ Christopher Hampton, Florian Zeller, Florian Zeller
Starring | Anthony Hopkins Olivia Colman Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

Dune (2021) 2021 : 94th Academy Awards

2D, 3D

Aspect Ratio: 1.43:1, 1.90:1, 2.39:1

155 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Denis VilleneuveCinematography by ~ Greig FraserEdited by ~ Joe WalkerWritten by ~ Jon Spaihts, Denis Villeneuve, Eric Roth, Frank Herbert
Starring | Timothée Chalamet Rebecca Ferguson Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Nomadland (2020) 2020 : 93rd Academy Awards

2D

Aspect Ratio: 1.90:1, 2.39:1

107 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Chloé ZhaoCinematography by ~ Joshua James RichardsWritten by ~ Chloé Zhao, Jessica Bruder
Starring | Frances McDormand David Strathairn Linda May

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

Joker (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

122 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Todd PhillipsCinematography by ~ Lawrence SherEdited by ~ Jeff GrothWritten by ~ Todd Phillips, Scott Silver, Bob Kane, Bill Finger, Jerry Robinson
Starring | Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy

Editing System | Avid Editing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

The Irishman (2019)

2D

Aspect Ratio: 1.37:1, 1.66:1, 1.85:1

209 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Martin ScorseseCinematography by ~ Rodrigo PrietoEdited by ~ Thelma SchoonmakerWritten by ~ Steven Zaillian, Charles Brandt
Starring | Robert De Niro Al Pacino Joe Pesci Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

BlacKkKlansman (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

135 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Spike LeeCinematography by ~ Chayse IrvinEdited by ~ Barry Alexander BrownWritten by ~ Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee, Ron Stallworth
Starring | John David Washington Adam Driver Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Oscar Winner: Best Writing Adapted Screenplay

If Beale Street Could Talk (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.0:1

119 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Barry JenkinsCinematography by ~ James LaxtonEdited by ~ Joi McMillon, Nat SandersWritten by ~ Barry Jenkins, James Baldwin
Starring | KiKi Layne Stephan James Regina King Teyonah Parris

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses

Oscar Winner: Best Actress in a Supporting Role

A Star Is Born (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

136 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Bradley CooperCinematography by ~ Matthew LibatiqueEdited by ~ Jay CassidyWritten by ~ Eric Roth, Bradley Cooper, Will Fetters, Moss Hart, John Gregory Dunne, Joan Didion, Frank Pierson, William A. Wellman, Robert Carson
Starring | Lady Gaga Bradley Cooper Sam Elliott Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Oscar Winner: Best Music Original Song

Can You Ever Forgive Me? (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

106 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Marielle HellerCinematography by ~ Brandon TrostEdited by ~ Anne McCabeWritten by ~ Nicole Holofcener, Jeff Whitty
Starring | Melissa McCarthy Richard E. Grant Dolly Wells Ben Falcone

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Primo 70 Lenses

The Ballad of Buster Scruggs (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

133 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Ethan Coen, Joel CoenCinematography by ~ Bruno DelbonnelEdited by ~ Ethan Coen, Joel CoenWritten by ~ Joel Coen, Ethan Coen, Jack London, Stewart Edward White
Starring | Tim Blake Nelson Willie Watson Clancy Brown Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Mudbound (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

134 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Dee ReesCinematography by ~ Rachel MorrisonEdited by ~ Mako KamitsunaWritten by ~ Virgil Williams, Dee Rees, Hillary Jordan
Starring | Jason Mitchell Carey Mulligan Jason Clarke

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Moonlight (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.39:1

111 Minutes

Oscar Nominee: Best Writing Adapted ScreenplayDirected by ~ Barry JenkinsCinematography by ~ James LaxtonEdited by ~ Joi McMillon, Nat SandersWritten by ~ Barry Jenkins, Tarell Alvin McCraney
Starring | Mahershala Ali Naomie Harris Trevante Rhodes

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

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