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Oscar Nominee: Best Costume Design | 128 Titles

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Mank (2020)

Aspect Ratio: 2.20:1

131 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ David FincherCinematography by ~ Erik MesserschmidtEdited by ~ Kirk BaxterWritten by ~ Jack Fincher
Starring | Gary Oldman Amanda Seyfried Lily Collins Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leica Summilux-C Series Lenses

Joker (2019) 2019 : 92nd Academy Awards

2D

Aspect Ratio: 1.33:1 (4x3), 1.85:1

122 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Todd PhillipsCinematography by ~ Lawrence SherEdited by ~ Jeff GrothWritten by ~ Todd Phillips, Scott Silver, Bob Kane, Bill Finger, Jerry Robinson
Starring | Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy

Editing System | Avid Editing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Black Panther (2018) 2018 : 91st Academy Awards

3D

Aspect Ratio: 1.90:1, 2.39:1

134 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Ryan CooglerCinematography by ~ Rachel MorrisonEdited by ~ Debbie Berman, Michael P. ShawverWritten by ~ Ryan Coogler, Joe Robert Cole, Stan Lee, Jack Kirby
Starring | Chadwick Boseman Michael B. Jordan Lupita Nyong'o Danai Gurira

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Mary Poppins Returns (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Wyatt SmithWritten by ~ P.L. Travers, David Magee, Rob Marshall, John DeLuca, David Magee
Starring | Emily Blunt Lin-Manuel Miranda Ben Whishaw Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Mary Queen of Scots (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

124 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Josie RourkeCinematography by ~ John MathiesonEdited by ~ Chris DickensWritten by ~ Beau Willimon, John Guy
Starring | Saoirse Ronan Margot Robbie Jack Lowden Joe Alwyn

Cameras | Panavision Millennium DXL Camera, Red Epic Helium Camera

The Favourite (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Deborah Davis, Tony McNamara
Starring | Olivia Colman Emma Stone Rachel Weisz Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Oscar Winner: Best Actress in a Leading Role

The Ballad of Buster Scruggs (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

133 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Ethan Coen, Joel CoenCinematography by ~ Bruno DelbonnelEdited by ~ Ethan Coen, Joel CoenWritten by ~ Joel Coen, Ethan Coen, Jack London, Stewart Edward White
Starring | Tim Blake Nelson Willie Watson Clancy Brown Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

La La Land (2016)

2D

Aspect Ratio: 2.55:1

128 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Ryan Gosling Emma Stone Rosemarie DeWitt J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Cinderella (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

105 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Kenneth BranaghCinematography by ~ Haris ZambarloukosEdited by ~ Martin WalshWritten by ~ Chris Weitz, Charles Perrault
Starring | Lily James Cate Blanchett Richard Madden Helena Bonham Carter

Editing System | Avid Editing System

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oscar Nominee: Best Costume Design

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter Domhnall Gleeson

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Carol (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 1.85:1

118 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Todd HaynesCinematography by ~ Edward LachmanEdited by ~ Affonso GonçalvesWritten by ~ Phyllis Nagy, Patricia Highsmith
Starring | Cate Blanchett Rooney Mara Sarah Paulson Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

The Danish Girl (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Tom HooperCinematography by ~ Danny CohenEdited by ~ Melanie OliverWritten by ~ Lucinda Coxon, David Ebershoff
Starring | Eddie Redmayne Alicia Vikander Amber Heard Ben Whishaw

Editing System | Avid Editing System

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Master Prime Lenses

Oscar Winner: Best Actress in a Supporting Role

Into the Woods (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 2.39:1

125 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Wyatt SmithWritten by ~ James Lapine, James Lapine
Starring | Anna Kendrick Meryl Streep Chris Pine Emily Blunt

Editing System | Avid Editing System

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mr. Turner (2014) 2014 : 87th Academy Awards

2D

150 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Mike LeighCinematography by ~ Dick PopeEdited by ~ Jon GregoryWritten by ~ Mike Leigh
Starring | Timothy Spall Paul Jesson Dorothy Atkinson Marion Bailey

Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera

Lenses | Cooke Speed Panchro Lenses

Inherent Vice (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.85:1

148 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Paul Thomas AndersonCinematography by ~ Robert ElswitEdited by ~ Leslie JonesWritten by ~ Paul Thomas Anderson, Thomas Pynchon
Starring | Joaquin Phoenix Josh Brolin Owen Wilson Katherine Waterston

Editing System | Avid Editing System

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

The Grand Budapest Hotel (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.37:1, 1.85:1, 2.39:1

99 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Wes AndersonCinematography by ~ Robert D. YeomanEdited by ~ Barney PillingWritten by ~ Stefan Zweig, Wes Anderson, Wes Anderson, Hugo Guinness
Starring | Ralph Fiennes F. Murray Abraham Mathieu Amalric Adrien Brody

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Maleficent (2014) 2014 : 87th Academy Awards

3D

97 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Robert StrombergCinematography by ~ Dean SemlerEdited by ~ Chris Lebenzon, Richard PearsonWritten by ~ Linda Woolverton, Charles Perrault, Milt Banta, Winston Hibler, Bill Peet, Erdman Penner, Joe Rinaldi, Ted Sears, Ralph Wright
Starring | Angelina Jolie Elle Fanning Sharlto Copley Lesley Manville

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Oscar Nominee: Best Costume Design

The Great Gatsby (2013) 2013 : 86th Academy Awards

3D

Native 3D

Aspect Ratio: 2.39:1

143 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Baz LuhrmannCinematography by ~ Simon DugganEdited by ~ Jason Ballantine, Jonathan Redmond, Matt VillaWritten by ~ Baz Luhrmann, Craig Pearce, F. Scott Fitzgerald
Starring | Leonardo DiCaprio Carey Mulligan Joel Edgerton Tobey Maguire

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

12 Years a Slave (2013) 2013 : 86th Academy Awards

2D

Aspect Ratio: 2.39:1

134 Minutes

Oscar Nominee: Best Costume DesignDirected by ~ Steve McQueenCinematography by ~ Sean BobbittEdited by ~ Joe WalkerWritten by ~ John Ridley, Solomon Northup
Starring | Chiwetel Ejiofor Michael Kenneth Williams Michael Fassbender Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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