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Oscar Nominee: Best Film Editing | 222 Titles

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Bohemian Rhapsody (2018) 2018 : 91st Academy Awards

134 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Bryan SingerCinematography by ~ Newton Thomas SigelEdited by ~ John OttmanWritten by ~ Anthony McCarten, Peter Morgan, Anthony McCarten
Starring | Rami Malek Lucy Boynton Gwilym Lee Ben Hardy

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Vice (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Adam McKayCinematography by ~ Greig FraserEdited by ~ Hank CorwinWritten by ~ Adam McKay
Starring | Christian Bale Amy Adams Steve Carell Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Oscar Winner: Best Makeup & Hairstyling

The Favourite (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Deborah Davis, Tony McNamara
Starring | Olivia Colman Emma Stone Rachel Weisz Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Oscar Winner: Best Actress in a Leading Role

The Shape of Water (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.85:1

123 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Guillermo del ToroCinematography by ~ Dan LaustsenEdited by ~ Sidney WolinskyWritten by ~ Guillermo del Toro, Vanessa Taylor, Guillermo del Toro
Starring | Sally Hawkins Octavia Spencer Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Dunkirk (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1

106 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Fionn Whitehead Barry Keoghan Mark Rylance Tom Hardy

Editing System | Avid Editing System

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Baby Driver (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

113 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Edgar WrightCinematography by ~ Bill PopeEdited by ~ Jonathan Amos, Paul MachlissWritten by ~ Edgar Wright
Starring | Ansel Elgort Jon Bernthal Jon Hamm Eiza González

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Three Billboards Outside Ebbing, Missouri (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

115 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Martin McDonaghCinematography by ~ Ben DavisEdited by ~ Jon GregoryWritten by ~ Martin McDonagh
Starring | Frances McDormand Woody Harrelson Sam Rockwell

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

La La Land (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.55:1

128 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Ryan Gosling Emma Stone Rosemarie DeWitt J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Hacksaw Ridge (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.39:1

139 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Mel GibsonCinematography by ~ Simon DugganEdited by ~ John GilbertWritten by ~ Robert Schenkkan, Andrew Knight
Starring | Andrew Garfield Sam Worthington Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

Moonlight (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.39:1

111 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Barry JenkinsCinematography by ~ James LaxtonEdited by ~ Joi McMillon, Nat SandersWritten by ~ Barry Jenkins, Tarell Alvin McCraney
Starring | Mahershala Ali Naomie Harris Trevante Rhodes

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Film EditingDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Star Wars: The Force Awakens (2015) 2015 : 88th Academy Awards

2D, 3D

Converted 3D

Aspect Ratio: 1.43:1, 1.90:1, 2.39:1

136 Minutes

Oscar Nominee: Best Film EditingDirected by ~ J.J. AbramsCinematography by ~ Dan MindelEdited by ~ Maryann Brandon, Mary Jo MarkeyWritten by ~ Lawrence Kasdan, J.J. Abrams, Michael Arndt, George Lucas
Starring | Daisy Ridley John Boyega Oscar Isaac Domhnall Gleeson

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter

Editing System | Avid Editing System

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Big Short (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Adam McKayCinematography by ~ Barry AckroydEdited by ~ Hank CorwinWritten by ~ Charles Randolph, Adam McKay, Michael Lewis
Starring | Christian Bale Steve Carell Ryan Gosling Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Oscar Winner: Best Writing Adapted Screenplay

Spotlight (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 1.85:1

129 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Tom McCarthyCinematography by ~ Masanobu TakayanagiEdited by ~ Tom McArdleWritten by ~ Josh Singer, Tom McCarthy
Starring | Mark Ruffalo Michael Keaton Rachel McAdams Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Whiplash (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 2.39:1

106 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Damien ChazelleCinematography by ~ Sharone MeirEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Miles Teller J.K. Simmons Melissa Benoist Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

American Sniper (2014) 2014 : 87th Academy Awards

2D

133 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Clint EastwoodCinematography by ~ Tom SternEdited by ~ Joel Cox, Gary RoachWritten by ~ Jason Hall, Chris Kyle, Scott McEwen, Jim DeFelice
Starring | Bradley Cooper Sienna Miller Kyle Gallner Cole Konis

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oscar Winner: Best Sound Editing

Boyhood (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.85:1

165 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Richard LinklaterCinematography by ~ Lee Daniel, Shane F. KellyEdited by ~ Sandra AdairWritten by ~ Richard Linklater
Starring | Ellar Coltrane Patricia Arquette Ethan Hawke Elijah Smith

Editing System | Avid Editing System

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Oscar Winner: Best Actress in a Supporting Role

The Imitation Game (2014) 2014 : 87th Academy Awards

2D

114 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Morten TyldumCinematography by ~ Oscar FauraEdited by ~ William GoldenbergWritten by ~ Graham Moore, Andrew Hodges
Starring | Benedict Cumberbatch Keira Knightley Matthew Goode Allen Leech

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Oscar Winner: Best Writing Adapted Screenplay

The Grand Budapest Hotel (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.37:1, 1.85:1, 2.39:1

99 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Wes AndersonCinematography by ~ Robert D. YeomanEdited by ~ Barney PillingWritten by ~ Stefan Zweig, Wes Anderson, Wes Anderson, Hugo Guinness
Starring | Ralph Fiennes F. Murray Abraham Mathieu Amalric

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens