Quantel | 37 Titles
Star Wars: Episode II – Attack of the Clones (2002)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas
Cameras | Sony HDW-F900 Camera
Lenses | Panavision Primo Anamorphic Lenses
Star Wars: Episode III – Revenge of the Sith (2005)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
Avatar (2009)
Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin
Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses
Set Fire to the Stars (2014)
Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones
Cameras | ARRI ALEXA Series Cameras
Wild for the Night (2016)
Directed by | Benny Boom | Cinematography by | Tommy Maddox-Upshaw | Editing by | Dan O'Brien
Cameras | Red Epic Dragon Camera
Sette opere di misericordia (2011)
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Gone Girl (2014)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter
Cameras | Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses
The Expendables 3 (2014)
Directed by | Patrick Hughes | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson, Paul Harb
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Snitch (2013)
Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Jonathan Chibnall
Cameras | Red Epic Camera
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Eagleheart (2010)
| Cinematography by | Christian Sprenger | Editing by | Eric Notarnicola, Benjamin Berman, Seth Clark, Daniel Haworth, Michael Giambra, Steve Welch, Kabir Akhtar
Cameras | Red One Camera
Texas Chainsaw 3D (2013)
Directed by | John Luessenhop | Cinematography by | Anastas N. Michos | Editing by | Randy Bricker
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Flight (2012)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Jeremiah O'Driscoll
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
Tornado Alley (2011)
Directed by | Sean C. Casey | Cinematography by | Sean C. Casey, Peter Rubi | Editing by | Sean C. Casey, Peter Rubi
Cameras | IMAX Cameras, VistaVision Cameras
Se Puder… Dirija! (2013)
Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes
Cameras | Red Epic Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens
Jackass 3D (2010)
Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich, Rick Kosick | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst
