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Oscar Nominee: Best Production Design | 62 Titles

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The Great Gatsby (2013) 2013 : 86th Academy Awards

3D

Native 3D

Aspect Ratio: 2.39:1

143 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Baz LuhrmannCinematography by ~ Simon DugganEdited by ~ Jason Ballantine, Jonathan Redmond, Matt VillaWritten by ~ Baz Luhrmann, Craig Pearce, F. Scott Fitzgerald
Starring | Leonardo DiCaprio Carey Mulligan Joel Edgerton Tobey Maguire

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

Gravity (2013) 2013 : 86th Academy Awards

3D

Converted 3D

Aspect Ratio: 2.39:1

91 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Alfonso CuarónCinematography by ~ Emmanuel LubezkiEdited by ~ Alfonso Cuarón, Mark SangerWritten by ~ Alfonso Cuarón, Jonás Cuarón, George Clooney
Starring | Sandra Bullock George Clooney Ed Harris Orto Ignatiussen

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Her (2013) 2013 : 86th Academy Awards

2D

Aspect Ratio: 1.85:1

126 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Spike JonzeCinematography by ~ Hoyte Van HoytemaEdited by ~ Jeff Buchanan, Eric ZumbrunnenWritten by ~ Spike Jonze
Starring | Joaquin Phoenix Amy Adams Scarlett Johansson Rooney Mara

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

Oscar Winner: Best Writing Original Screenplay

American Hustle (2013) 2013 : 86th Academy Awards

2D

Aspect Ratio: 2.39:1

138 Minutes

Oscar Nominee: Best Production DesignDirected by ~ David O. RussellCinematography by ~ Linus SandgrenEdited by ~ Alan Baumgarten, Jay Cassidy, Crispin StruthersWritten by ~ Eric Warren Singer, David O. Russell
Starring | Christian Bale Amy Adams Bradley Cooper Jennifer Lawrence

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

The Hobbit: An Unexpected Journey (2012) 2012 : 85th Academy Awards

3D

Digitally Created 3D, Native 3D

Aspect Ratio: 2.39:1

169 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jabez OlssenWritten by ~ Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro, J.R.R. Tolkien
Starring | Martin Freeman Ian McKellen Richard Armitage Andy Serkis

Editing System | Avid Editing System

Finishing System | SGO Mistika

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Anna Karenina (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 2.39:1

129 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Joe WrightCinematography by ~ Seamus McGarveyEdited by ~ Melanie OliverWritten by ~ Tom Stoppard, Leo Tolstoy
Starring | Keira Knightley Jude Law Aaron Taylor-Johnson Matthew Macfadyen

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oscar Winner: Best Costume Design

Lincoln (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 2.39:1

150 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Steven SpielbergCinematography by ~ Janusz KaminskiEdited by ~ Michael KahnWritten by ~ Tony Kushner, Doris Kearns Goodwin
Starring | Daniel Day-Lewis Sally Field David Strathairn Joseph Gordon-Levitt

Editing System | Avid Editing System

Finishing System | Autodesk Lustre Finishing System

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Life of Pi (2012) 2012 : 85th Academy Awards

3D

Aspect Ratio: 1.85:1

127 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Ang LeeCinematography by ~ Claudio MirandaEdited by ~ Tim SquyresWritten by ~ Yann Martel, David Magee
Starring | Suraj Sharma Irrfan Khan Adil Hussain Tabu

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Les Misérables (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 1.85:1

158 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Tom HooperCinematography by ~ Danny CohenEdited by ~ Chris Dickens, Melanie OliverWritten by ~ William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer, Alain Boublil, Claude-Michel Schönberg, Victor Hugo
Starring | Hugh Jackman Russell Crowe Anne Hathaway Amanda Seyfried

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Imaginarium of Doctor Parnassus (2009)

2D

Aspect Ratio: 1.85:1

123 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Terry GilliamCinematography by ~ Nicola PecoriniEdited by ~ Mick AudsleyWritten by ~ Terry Gilliam, Charles McKeown
Starring | Christopher Plummer Lily Cole Heath Ledger Andrew Garfield

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

201 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jamie SelkirkWritten by ~ J.R.R. Tolkien, Fran Walsh, Philippa Boyens, Peter Jackson
Starring | Elijah Wood Viggo Mortensen Ian McKellen Orlando Bloom

Editing System | Avid Editing System

Finishing System | Autodesk Finishing System

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Seabiscuit (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

140 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Gary RossCinematography by ~ John SchwartzmanEdited by ~ William GoldenbergWritten by ~ Laura Hillenbrand, Gary Ross
Starring | Tobey Maguire Jeff Bridges Elizabeth Banks Chris Cooper

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Master and Commander: The Far Side of the World (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

138 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Peter WeirCinematography by ~ Russell BoydEdited by ~ Lee SmithWritten by ~ Patrick O'Brian, Peter Weir, John Collee
Starring | Russell Crowe Paul Bettany Billy Boyd James D'Arcy

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Last Samurai (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

154 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Edward ZwickCinematography by ~ John TollEdited by ~ Victor Du Bois, Steven RosenblumWritten by ~ John Logan, John Logan, Edward Zwick, Marshall Herskovitz
Starring | Tom Cruise Ken Watanabe Billy Connolly William Atherton

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Chicago (2002) 2002 : 75th Academy Awards

2D

Aspect Ratio: 1.85:1

113 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Martin WalshWritten by ~ Bill Condon, Bob Fosse, Fred Ebb, Maurine Dallas Watkins
Starring | Renée Zellweger Catherine Zeta-Jones Richard Gere Taye Diggs

Editing System | Avid Editing System, Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Gandhi (1982) 1982 : 55th Academy Awards

2D

Aspect Ratio: 2.20:1, 2.39:1

191 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Richard AttenboroughCinematography by ~ Ronnie Taylor, Billy WilliamsEdited by ~ John BloomWritten by ~ John Briley
Starring | Ben Kingsley John Gielgud Rohini Hattangadi Roshan Seth

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Lawrence of Arabia (1962) 1962 : 35th Academy Awards

2D

Aspect Ratio: 2.20:1, 2.35:1

216 Minutes

Oscar Nominee: Best Production DesignDirected by ~ David LeanCinematography by ~ Freddie YoungEdited by ~ Anne V. CoatesWritten by ~ T.E. Lawrence, Robert Bolt, Michael Wilson
Starring | Peter O'Toole Alec Guinness Anthony Quinn Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Ben-Hur (1959) 1959 : 32nd Academy Awards

2D

Aspect Ratio: 2.55:1, 2.76:1

212 Minutes

Oscar Nominee: Best Production DesignDirected by ~ William WylerCinematography by ~ Robert SurteesEdited by ~ John D. Dunning, Ralph E. Winters, Margaret BoothWritten by ~ Lew Wallace, Karl Tunberg, Gore Vidal, Maxwell Anderson, S.N. Behrman, Christopher Fry
Starring | Charlton Heston Jack Hawkins Stephen Boyd Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

Gigi (1958) 1958 : 31th Academy Awards

2D

Aspect Ratio: 2.35:1

115 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Vincente MinnelliCinematography by ~ Joseph Ruttenberg, Georges Barsky, Ray JuneEdited by ~ Adrienne FazanWritten by ~ Alan Jay Lerner, Colette, Niven Busch
Starring | Leslie Caron Maurice Chevalier Louis Jourdan Hermione Gingold

On the Waterfront (1954) 1954 : 27th Academy Awards

2D

Aspect Ratio: 1.37:1, 1.66:1, 1.85:1

108 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Elia KazanCinematography by ~ Boris KaufmanEdited by ~ Gene MilfordWritten by ~ Budd Schulberg, Budd Schulberg, Malcolm Johnson, Robert Siodmak
Starring | Marlon Brando Karl Malden Lee J. Cobb Rod Steiger

Cameras | Mitchell BNC Camera