Oscars » Academy Award Nominee » Oscar Nominee: Best Production Design

Oscar Nominee: Best Production Design | 62 Titles

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First Man (2018) 2018 : 91st Academy Awards

Aspect Ratio: 1.90:1, 2.39:1

141 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Josh Singer, James R. Hansen
Starring | Ryan Gosling Claire Foy Jason Clarke Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Oscar Winner: Best Visual Effects

The Favourite (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Yorgos LanthimosCinematography by ~ Robbie RyanEdited by ~ Yorgos MavropsaridisWritten by ~ Deborah Davis, Tony McNamara
Starring | Olivia Colman Emma Stone Rachel Weisz Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Oscar Winner: Best Actress in a Leading Role

Roma (2018) 2018 : 91st Academy Awards

2D

Aspect Ratio: 2.20:1, 2.39:1

135 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Alfonso CuarónCinematography by ~ Alfonso CuarónEdited by ~ Alfonso Cuarón, Adam GoughWritten by ~ Alfonso Cuarón
Starring | Yalitza Aparicio Marina de Tavira Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

Beauty and the Beast (2017) 2017 : 90th Academy Awards

2D, 3D

Aspect Ratio: 1.90:1, 2.39:1

129 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Bill CondonCinematography by ~ Tobias A. SchliesslerEdited by ~ Virginia KatzWritten by ~ Stephen Chbosky, Evan Spiliotopoulos, Linda Woolverton, Jeanne-Marie Leprince de Beaumont, Gabrielle-Suzanne Barbot de Villeneuve
Starring | Emma Watson Dan Stevens Luke Evans

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Blade Runner 2049 (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 2.39:1

164 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Denis VilleneuveCinematography by ~ Roger DeakinsEdited by ~ Joe WalkerWritten by ~ Hampton Fancher, Michael Green, Hampton Fancher, Philip K. Dick
Starring | Harrison Ford Ryan Gosling Ana de Armas Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

The Shape of Water (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.85:1

123 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Guillermo del ToroCinematography by ~ Dan LaustsenEdited by ~ Sidney WolinskyWritten by ~ Guillermo del Toro, Vanessa Taylor, Guillermo del Toro
Starring | Sally Hawkins Octavia Spencer Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Dunkirk (2017) 2017 : 90th Academy Awards

2D

Aspect Ratio: 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1

106 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Fionn Whitehead Barry Keoghan Mark Rylance Tom Hardy

Editing System | Avid Editing System

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Hail, Caesar! (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 1.85:1

106 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Ethan Coen, Joel CoenCinematography by ~ Roger DeakinsEdited by ~ Ethan Coen, Joel CoenWritten by ~ Joel Coen, Ethan Coen
Starring | Josh Brolin George Clooney Alden Ehrenreich Ralph Fiennes

Editing System | Adobe Premiere Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Oscar Nominee: Best Production Design

La La Land (2016) 2016 : 89th Academy Awards

2D

Aspect Ratio: 2.55:1

128 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Damien ChazelleCinematography by ~ Linus SandgrenEdited by ~ Tom CrossWritten by ~ Damien Chazelle
Starring | Ryan Gosling Emma Stone Rosemarie DeWitt J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Mad Max: Fury Road (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Production DesignDirected by ~ George MillerCinematography by ~ John SealeEdited by ~ Margaret SixelWritten by ~ George Miller, Brendan McCarthy, Nick Lathouris
Starring | Tom Hardy Charlize Theron Nicholas Hoult Zoë Kravitz

Editing System | Avid Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Bridge of Spies (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

142 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Steven SpielbergCinematography by ~ Janusz KaminskiEdited by ~ Michael KahnWritten by ~ Matt Charman, Ethan Coen, Joel Coen
Starring | Tom Hanks Mark Rylance Alan Alda Amy Ryan

Editing System | Avid Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Oscar Winner: Best Actor in a Supporting Role

The Revenant (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 2.39:1

156 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Alejandro G. IñárrituCinematography by ~ Emmanuel LubezkiEdited by ~ Stephen MirrioneWritten by ~ Mark L. Smith, Alejandro G. Iñárritu, Michael Punke
Starring | Leonardo DiCaprio Tom Hardy Will Poulter

Editing System | Avid Editing System

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Martian (2015) 2015 : 88th Academy Awards

2D, 3D

Digitally Created 3D

Aspect Ratio: 2.39:1

144 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Ridley ScottCinematography by ~ Dariusz WolskiEdited by ~ Pietro ScaliaWritten by ~ Drew Goddard, Andy Weir
Starring | Matt Damon Jessica Chastain Kristen Wiig Kate Mara

Cameras | GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

The Danish Girl (2015) 2015 : 88th Academy Awards

2D

Aspect Ratio: 1.85:1

119 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Tom HooperCinematography by ~ Danny CohenEdited by ~ Melanie OliverWritten by ~ Lucinda Coxon, David Ebershoff
Starring | Eddie Redmayne Alicia Vikander Amber Heard Ben Whishaw

Editing System | Avid Editing System

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Oscar Winner: Best Actress in a Supporting Role

Into the Woods (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 2.39:1

125 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Wyatt SmithWritten by ~ James Lapine, James Lapine
Starring | Anna Kendrick Meryl Streep Chris Pine Emily Blunt

Editing System | Avid Editing System

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mr. Turner (2014) 2014 : 87th Academy Awards

2D

150 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Mike LeighCinematography by ~ Dick PopeEdited by ~ Jon GregoryWritten by ~ Mike Leigh
Starring | Timothy Spall Paul Jesson Dorothy Atkinson Marion Bailey

Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera

Lenses | Cooke Speed Panchro Lenses

Interstellar (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1

169 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Christopher NolanCinematography by ~ Hoyte Van HoytemaEdited by ~ Lee SmithWritten by ~ Jonathan Nolan, Christopher Nolan
Starring | Matthew McConaughey Anne Hathaway Jessica Chastain

Editing System | Avid Editing System

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oscar Winner: Best Visual Effects

The Imitation Game (2014) 2014 : 87th Academy Awards

2D

114 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Morten TyldumCinematography by ~ Oscar FauraEdited by ~ William GoldenbergWritten by ~ Graham Moore, Andrew Hodges
Starring | Benedict Cumberbatch Keira Knightley Matthew Goode Allen Leech

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Oscar Winner: Best Writing Adapted Screenplay

The Grand Budapest Hotel (2014) 2014 : 87th Academy Awards

2D

Aspect Ratio: 1.37:1, 1.85:1, 2.39:1

99 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Wes AndersonCinematography by ~ Robert D. YeomanEdited by ~ Barney PillingWritten by ~ Stefan Zweig, Wes Anderson, Wes Anderson, Hugo Guinness
Starring | Ralph Fiennes F. Murray Abraham Mathieu Amalric

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

12 Years a Slave (2013) 2013 : 86th Academy Awards

2D

Aspect Ratio: 2.39:1

134 Minutes

Oscar Nominee: Best Production DesignDirected by ~ Steve McQueenCinematography by ~ Sean BobbittEdited by ~ Joe WalkerWritten by ~ John Ridley, Solomon Northup
Starring | Chiwetel Ejiofor Michael Kenneth Williams Michael Fassbender Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses