Jack Mongovan

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Captain America: The Winter Soldier | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Now You See Me | ShotOnWhat?

Digital Artist: ILM

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Lone Ranger | ShotOnWhat?

Digital Artist: ILM

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Battleship | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Star Trek | ShotOnWhat?

Digital Artist: ILM

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Digital Artist: ILM

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Happening | ShotOnWhat?

Digital Artist: ILM

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Pirates of the Caribbean: At World's End | ShotOnWhat?

Rotoscope Supervisor: ILM

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Lions for Lambs | ShotOnWhat?

Digital Artist: ILM

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Sequence Supervisor: ILM

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Rotoscope Supervisor

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Harry Potter and the Goblet of Fire | ShotOnWhat?

Rotoscope Artist: ILM

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Master and Commander: The Far Side of the World | ShotOnWhat?

Digital Paint & Rotoscope Artist: ILM

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Digital Paint Supervisor: ILM / Rotoscope Supervisor: ILM

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Dreamcatcher | ShotOnWhat?

Lead Digital Paint & Roto Artist: ILM

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Rotoscope Supervisor: ILM

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Jurassic Park III | ShotOnWhat?

Lead Digital Paint & Rotoscope Artist: ILM

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

The Perfect Storm | ShotOnWhat?

Digital Paint And Roto Supervisor: ILM

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Sleepy Hollow | ShotOnWhat?

Lead Digital Paint & Roto Artist: ILM

Sleepy Hollow (1999)

Directed by: Tim Burton

Cinematography by: Emmanuel Lubezki

Edited by: Chris Lebenzon, Joel Negron

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Rotoscope And Paint Supervisor: ILM

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Meet Joe Black | ShotOnWhat?

Rotoscope Lead Artist: ILM

Meet Joe Black (1998)

Directed by: Martin Brest

Cinematography by: Emmanuel Lubezki

Edited by: Joe Hutshing, Michael Tronick

Titanic | ShotOnWhat?

Rotoscope Lead Artist: ILM

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Lost World: Jurassic Park | ShotOnWhat?

Lead Rotoscope Artist

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mars Attacks! | ShotOnWhat?

Chief Digital Paint & Roto Artist: ILM

Mars Attacks! (1996)

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Twister | ShotOnWhat?

Rotoscope Lead Artist

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Jumanji | ShotOnWhat?

Chief Digital Roto Artist: ILM

Jumanji (1995)

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

The Mask | ShotOnWhat?

Digital Artist: ILM

The Mask (1994)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Series Cameras

Lenses: Zeiss Lenses

In the Mouth of Madness | ShotOnWhat?

Rotoscope Artist

In the Mouth of Madness (1994)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

The Meteor Man | ShotOnWhat?

Rotoscope Supervisor

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

Schindler's List | ShotOnWhat?

Digital Artist: ILM

Schindler's List (1993)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Editing System: Moviola Editing System

Death Becomes Her | ShotOnWhat?

Rotoscope Artist: ILM

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Hook | ShotOnWhat?

Rotoscope Supervisor

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Terminator 2: Judgment Day | ShotOnWhat?

Rotoscoper: ILM

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Star Trek VI: The Undiscovered Country | ShotOnWhat?

Rotoscope Artist

Star Trek VI: The Undiscovered Country (1991)

Directed by: Nicholas Meyer

Cinematography by: Hiro Narita

Edited by: William Hoy, Ronald Roose

The Doors | ShotOnWhat?

Rotoscope Artist: ILM

The Doors (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Ghost | ShotOnWhat?

Rotoscope Artist: ILM

Ghost (1990)

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

Cameras: ARRI ARRIFLEX Series Cameras

Back to the Future Part III | ShotOnWhat?

Rotoscope Artist

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Indiana Jones and the Last Crusade | ShotOnWhat?

Rotoscoper: ILM

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Back to the Future Part II | ShotOnWhat?

Rotoscoper: ILM

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Who Framed Roger Rabbit | ShotOnWhat?

Rotoscope Supervisor

Who Framed Roger Rabbit (1988)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Camera, VistaVision Cameras

Lenses: Panavision Lenses

*batteries not included | ShotOnWhat?

Rotoscope Artist

*batteries not included (1987)

Directed by: Matthew Robbins

Cinematography by: John McPherson

Edited by: Cynthia Scheider

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Golden Child | ShotOnWhat?

Rotoscope Artist: ILM

The Golden Child (1986)

Directed by: Michael Ritchie

Cinematography by: Donald E. Thorin

Edited by: Richard A. Harris

Explorers | ShotOnWhat?

Visual Effects Animator

Explorers (1985)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Cameras: Panavision Cameras

The Goonies | ShotOnWhat?

Rotoscope Artist: ILM

The Goonies (1985)

Directed by: Richard Donner

Cinematography by: Nick McLean

Edited by: Michael Kahn, Steven Spielberg

Cameras: ARRIFLEX 35 III Camera

Editing System: Steenbeck Editing System

Back to the Future | ShotOnWhat?

Animator: ILM

Back to the Future (1985)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Cocoon | ShotOnWhat?

Rotoscope Artist

Cocoon (1985)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Young Sherlock Holmes | ShotOnWhat?

Effects Animator: ILM

Young Sherlock Holmes (1985)

Directed by: Barry Levinson

Cinematography by: Stephen Goldblatt

Edited by: Stu Linder

Indiana Jones and the Temple of Doom | ShotOnWhat?

Effects Animator: ILM

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Poltergeist | ShotOnWhat?

Assistant Animator: ILM

Poltergeist (1982)

Directed by: Tobe Hooper

Cinematography by: Matthew F. Leonetti

Edited by: Michael Kahn

Cameras: Ultracam 35 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

E.T. the Extra-Terrestrial | ShotOnWhat?

Animator: ILM

E.T. the Extra-Terrestrial (1982)

Directed by: Steven Spielberg

Cinematography by: Allen Daviau

Edited by: Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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