Robert Misetich

63 Titles

Is this you? Add a Profile

Once Upon a Time... in Hollywood | ShotOnWhat?

Set Painter Gang Boss

Once Upon a Time in Hollywood (2019)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Hail, Caesar! | ShotOnWhat?

Paint Gangboss

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Terminator Genisys | ShotOnWhat?

Paint Gang Boss

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Gone Girl | ShotOnWhat?

Painter

Gone Girl (2014)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Dawn of the Planet of the Apes | ShotOnWhat?

Paint Foreman

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Hangover Part III | ShotOnWhat?

Painter

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Avengers | ShotOnWhat?

Paint Foreman

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Green Lantern | ShotOnWhat?

Painter

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

X: First Class | ShotOnWhat?

Paint Foreman

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Secretariat | ShotOnWhat?

Paint Foreman

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Soloist | ShotOnWhat?

Set Paint Foreman

The Soloist (2009)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

This Is It | ShotOnWhat?

Paint Foreman

This Is It (2009)

Directed by: Kenny Ortega

Cinematography by: Sandrine Orabona, Tim Patterson

Edited by: Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt

Cameras: Red One Camera

Transformers: Revenge of the Fallen | ShotOnWhat?

Paint Foreman

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

G-Force | ShotOnWhat?

Set Painter

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Hancock | ShotOnWhat?

Set Paint Foreman

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Spider-Man 3 | ShotOnWhat?

Set Painter

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Set Painter

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Transformers | ShotOnWhat?

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Set Painter

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Memoirs of a Geisha | ShotOnWhat?

Set Paint Foreman

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Ring Two | ShotOnWhat?

Set Paint Foreman

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

A Series of Unfortunate Events | ShotOnWhat?

Paint Foreperson

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Rundown | ShotOnWhat?

Paint Foreman

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Hulk | ShotOnWhat?

Paint Foremen

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Jurassic Park III | ShotOnWhat?

Set Paint Foreman

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Big Momma's House | ShotOnWhat?

Paint Foreman

Big Momma's House (2000)

Directed by: Raja Gosnell

Cinematography by: Michael D. O'Shea

Edited by: Kent Beyda, Bruce Green

The Flintstones in Viva Rock Vegas | ShotOnWhat?

Paint Foreman

The Flintstones in Viva Rock Vegas (2000)

Directed by: Brian Levant

Cinematography by: Jamie Anderson

Edited by: Kent Beyda

Mystery Men | ShotOnWhat?

Set Paint Foreman

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Small Soldiers | ShotOnWhat?

Paint Foreman

Small Soldiers (1998)

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Sphere | ShotOnWhat?

Paint Foreman

Sphere (1998)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

Eraser | ShotOnWhat?

Paint Foreman

Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Executive Decision | ShotOnWhat?

Paint Foreman

Executive Decision (1996)

Directed by: Stuart Baird

Cinematography by: Alex Thomson

Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste

Casper | ShotOnWhat?

Set Paint Foreman

Casper (1995)

Directed by: Brad Silberling

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Cameras

Heat | ShotOnWhat?

Set Paint Foreman

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Disclosure | ShotOnWhat?

Paint Foreman

Disclosure (1994)

Directed by: Barry Levinson

Cinematography by: Tony Pierce-Roberts

Edited by: Stu Linder

Wolf | ShotOnWhat?

Set Paint Foreman

Wolf (1994)

Directed by: Mike Nichols

Cinematography by: Giuseppe Rotunno

Edited by: Sam O'Steen

Maverick | ShotOnWhat?

Stand-by Painter

Maverick (1994)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Stuart Baird, Michael Kelly

Demolition Man | ShotOnWhat?

Set Painter

Demolition Man (1993)

Directed by: Marco Brambilla

Cinematography by: Alex Thomson

Edited by: Stuart Baird

Hoffa | ShotOnWhat?

Set Paint Foreman

Hoffa (1992)

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman, Ronald Roose

Dracula | ShotOnWhat?

Paint Foreman

Dracula (1992)

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

Hook | ShotOnWhat?

Paint Foreman

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Terminator 2: Judgment Day | ShotOnWhat?

Set Paint Foreman

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Another 48 Hrs. | ShotOnWhat?

Set Paint Foreman

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

Ghost | ShotOnWhat?

Paint Forman

Ghost (1990)

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

Cameras: ARRI ARRIFLEX Series Cameras

Misery | ShotOnWhat?

Paint Foreman

Misery (1990)

Directed by: Rob Reiner

Cinematography by: Barry Sonnenfeld

Edited by: Robert Leighton

The War of the Roses | ShotOnWhat?

Set Paint Foreman

The War of the Roses (1989)

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman

Cameras: Panavision Cameras

Her Alibi | ShotOnWhat?

Head Paint Foreman

Her Alibi (1989)

Directed by: Bruce Beresford

Cinematography by: Freddie Francis

Edited by: Anne Goursaud

Rambo III | ShotOnWhat?

Paint Foreman

Rambo III (1988)

Directed by: Peter MacDonald

Cinematography by: John Stanier

Edited by: O. Nicholas Brown, Andrew London, James R. Symons, Edward Warschilka

Everybody's All-American | ShotOnWhat?

Stand-by Painter

Everybody's All-American (1988)

Directed by: Taylor Hackford

Cinematography by: Stephen Goldblatt

Edited by: Don Zimmerman

The Lost Boys | ShotOnWhat?

Paint Foreman

The Lost Boys (1987)

Directed by: Joel Schumacher

Cinematography by: Michael Chapman

Edited by: Robert Brown

Down and Out in Beverly Hills | ShotOnWhat?

Paint Foreman

Down and Out in Beverly Hills (1986)

Directed by: Paul Mazursky

Cinematography by: Donald McAlpine

Edited by: Richard Halsey

Back to the Future | ShotOnWhat?

Paint Foreman

Back to the Future (1985)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Explorers | ShotOnWhat?

Painter

Explorers (1985)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Cameras: Panavision Cameras

The Goonies | ShotOnWhat?

Painter

The Goonies (1985)

Directed by: Richard Donner

Cinematography by: Nick McLean

Edited by: Michael Kahn, Steven Spielberg

Cameras: ARRIFLEX 35 III Camera

Editing System: Steenbeck Editing System

Streets of Fire | ShotOnWhat?

Painter

Streets of Fire (1984)

Directed by: Walter Hill

Cinematography by: Andrew Laszlo

Edited by: James Coblentz, Freeman A. Davies, Michael Ripps

Psycho II | ShotOnWhat?

Painter

Psycho II (1983)

Directed by: Richard Franklin

Cinematography by: Dean Cundey

Edited by: Andrew London

Cameras: Panavision Cameras

Scarface | ShotOnWhat?

Painter

Scarface (1983)

Directed by: Brian De Palma

Cinematography by: John A. Alonzo

Edited by: Gerald B. Greenberg, David Ray

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Cat People | ShotOnWhat?

Painter

Cat People (1982)

Directed by: Paul Schrader

Cinematography by: John Bailey

Edited by: Jacqueline Cambas, Jere Huggins, Ned Humphreys

The Thing | ShotOnWhat?

Painter

The Thing (1982)

Directed by: John Carpenter

Cinematography by: Dean Cundey

Edited by: Todd C. Ramsay

All Night Long | ShotOnWhat?

Painter

All Night Long (1981)

Directed by: Jean-Claude Tramont

Cinematography by: Philip H. Lathrop

Edited by: Marion Rothman

Continental Divide | ShotOnWhat?

Painter

Continental Divide (1981)

Directed by: Michael Apted

Cinematography by: John Bailey

Edited by: Dennis Virkler

Coal Miner's Daughter | ShotOnWhat?

Painter

Coal Miner's Daughter (1980)

Directed by: Michael Apted

Cinematography by: Ralf D. Bode

Edited by: Arthur Schmidt

The Blues Brothers | ShotOnWhat?

Painter

The Blues Brothers (1980)

Directed by: John Landis

Cinematography by: Stephen M. Katz

Edited by: George Folsey Jr.

©2012 - 2024 ShotOnWhat?

20254.20