Leslie Shatz

| USA

Directed by: John Hillcoat

Cinematography by: Nicolas Karakatsanis

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Re-recording Mixer

Carol (2015)

| UK, USA

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: Affonso Gonçalves

Cameras: ARRIFLEX 416 Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Re-recording Mixer

Still Alice (2014)

| USA, UK, France

Directed by: Richard Glatzer, Wash Westmoreland

Cinematography by: Denis Lenoir

Edited by: Nicolas Chaudeurge

Cameras: ARRI ALEXA Camera

Re-recording Mixer

'True Detective' The Long Bright Dark (2014)

| USA

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

Re-recording Mixer / Sound Designer

If I Stay (2014)

| USA

Directed by: R.J. Cutler

Cinematography by: John de Borman

Edited by: Keith Henderson

Cameras: ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Hawk V-Lite Lenses

Re-recording Mixer

'True Detective' The Locked Room (2014)

| USA

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

Re-recording Mixer

Beyond the Lights (2014)

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

| USA

Directed by: Gina Prince-Bythewood

Cinematography by: Tami Reiker

Edited by: Terilyn A. Shropshire

Cameras: ARRI ALEXA M Camera

Re-recording Mixer - 3 Episodes, 2014

True Detective (2014)

Television Series

| USA

Directed by: Cary Joji Fukunaga, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker

Cameras: Panavision Panaflex Millennium XL2 Camera

Re-recording Mixer

'True Detective' Seeing Things (2014)

| USA

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

Sound Designer

Warm Bodies (2013)

| USA, Canada

Directed by: Jonathan Levine

Cinematography by: Javier Aguirresarobe

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Re-recording Mixer

The Spectacular Now (2013)

| USA

Directed by: James Ponsoldt

Cinematography by: Jess Hall

Edited by: Darrin Navarro

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Re-recording Mixer

Out of the Furnace (2013)

| UK, USA

Directed by: Scott Cooper

Cinematography by: Masanobu Takayanagi

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Re-recording Mixer

21 & Over (2013)

| USA

Directed by: Jon Lucas, Scott Moore

Cinematography by: Terry Stacey

Edited by: John Refoua

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Supervising Re-recording Mixer

Dead Man Down (2013)

| USA

Directed by: Niels Arden Oplev

Cinematography by: Paul Cameron

Edited by: Timothy A. Good, Frédéric Thoraval

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

Re-recording Mixer

Escape Plan (2013)

| USA

Directed by: Mikael Håfström

Cinematography by: Brendan Galvin

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera

Re-recording Mixer

Odd Thomas (2013)

| USA, UK

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: David Checel

Cameras: Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Re-recording Mixer / Sound Designer

12 Years a Slave (2013)

| USA, UK

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Re-recording Mixer

Promised Land (2012)

| USA, United Arab Emirates

Directed by: Gus Van Sant

Cinematography by: Linus Sandgren

Edited by: Billy Rich

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses

Sound Designer

Lawless (2012)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses

| USA

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Sound Mixer

On the Road (2012)

| France, USA, UK, Brazil, Canada, Argentina, Germany, Netherlands, Mexico

Directed by: Walter Salles

Cinematography by: Eric Gautier

Edited by: François Gédigier

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76mm T2.6 Lens

Re-recording Mixer / Sound Designer

Killing Them Softly (2012)

| USA

Directed by: Andrew Dominik

Cinematography by: Greig Fraser

Edited by: John Paul Horstmann, Brian A. Kates

Cameras: Pan-Arri 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision HS50 50 mm T1.1 Lens

Re-recording Mixer

Mirror Mirror (2012)

| USA, Canada

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Re-recording Mixer

Stand Up Guys (2012)

| USA

Directed by: Fisher Stevens

Cinematography by: Michael Grady

Edited by: Mark Livolsi

Cameras: Red Epic Camera

Re-recording Mixer

Playing for Keeps (2012)

| USA

Directed by: Gabriele Muccino

Cinematography by: Peter Menzies Jr.

Edited by: Padraic McKinley

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Re-recording Mixer

Liberal Arts (2012)

| USA

Directed by: Josh Radnor

Cinematography by: Seamus Tierney

Edited by: Michael R. Miller

Cameras: Red Epic Camera

Re-recording Mixer / Sound Designer

Immortals (2011)

| USA, Canada, UK

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Re-recording Mixer

'Boss' Remembered (2011)

Directed by: Jean de Segonzac

Cinematography by: Kasper Tuxen

Edited by: Stephen Mark

Re-recording Mixer

Seeking Justice (2011)

| USA

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Re-recording Mixer

Take Me Home Tonight (2011)

| USA, Germany

Directed by: Michael Dowse

Cinematography by: Terry Stacey

Edited by: Lee Haxall

Re-recording Mixer

'Boss' Listen (2011)

| USA

Directed by: Gus Van Sant

Cinematography by: Kasper Tuxen

Edited by: Elliot Graham, Stephen Mark

Re-recording Mixer - 2 Episodes, 2011

Boss (2011)

Television Series

| USA

Directed by: Jean de Segonzac, Mario Van Peebles, Jim McKay, Gus Van Sant, Phil Abraham, Lesli Linka Glatter, Nelson McCormick

Cinematography by: Richard Rutkowski, Kasper Tuxen

Edited by: Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Re-recording Mixer

Rampart (2011)

| USA

Directed by: Oren Moverman

Cinematography by: Bobby Bukowski

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Re-recording Mixer / Sound Designer

Beginners (2010)

| USA

Directed by: Mike Mills

Cinematography by: Kasper Tuxen

Edited by: Olivier Bugge Coutté

Cameras: Red One Camera

Re-recording Mixer

Death Race 2 (2010)

Direct to Video

| South Africa, Germany

Directed by: Roel Reiné

Cinematography by: John Mckay, Roel Reiné

Edited by: Radu Ion, Herman P. Koerts

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Re-recording Mixer

The Twilight Saga: Eclipse (2010)

| USA

Directed by: David Slade

Cinematography by: Javier Aguirresarobe

Edited by: Art Jones, Nancy Richardson

Cameras: Panavision Cameras

Supervising Sound Editor

Welcome to the Rileys (2010)

| UK, USA

Directed by: Jake Scott

Cinematography by: Christopher Soos

Edited by: Nicolas Gaster

Sound Designer

The Ward (2010)

| USA

Directed by: John Carpenter

Cinematography by: Yaron Orbach

Edited by: Patrick McMahon

Cameras: Moviecam Compact MK2 Camera

Lenses: Zeiss Ultra Prime Lenses

Re-recording Mixer

All Good Things (2010)

| USA

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

Re-recording Mixer

Biutiful (2010)

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

| Mexico, Spain

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL2 Camera

Re-recording Mixer / Sound Designer

Meek's Cutoff (2010)

| USA

Directed by: Kelly Reichardt

Cinematography by: Christopher Blauvelt

Edited by: Kelly Reichardt

Re-recording Mixer / Sound Designer

Leap Year (2010)

| USA, Ireland

Directed by: Anand Tucker

Cinematography by: Newton Thomas Sigel

Edited by: Nick Moore

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Re-recording Sound Mixer / Supervising Sound Editor

The Messenger (2009)

| USA

Directed by: Oren Moverman

Cinematography by: Bobby Bukowski

Edited by: Alex Hall

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Style Lenses, Cooke S4 Lenses

Re-recording Mixer / Sound Designer

A Single Man (2009)

| USA

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Sound Designer

The Road (2009)

| USA

Directed by: John Hillcoat

Cinematography by: Javier Aguirresarobe

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Re-recording Mixer

G.I. Joe: The Rise of Cobra (2009)

| USA, Czech Republic

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Re-recording Mixer

Rambo (2008)

| Germany, USA

Directed by: Sylvester Stallone

Cinematography by: Glen MacPherson

Edited by: Sean Albertson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Ultra Prime Lenses

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Milk (2008)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Re-recording Mixer

Assassination of a High School President (2008)

| USA

Directed by: Brett Simon

Cinematography by: M. David Mullen

Edited by: William M. Anderson, Thomas J. Nordberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Re-recording Mixer

Twilight (2008)

| USA

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Re-recording Mixer / Sound Designer

Wendy and Lucy (2008)

| USA

Directed by: Kelly Reichardt

Cinematography by: Sam Levy

Edited by: Kelly Reichardt

Cameras: ARRIFLEX 16SR3 Camera

Re-recording Mixer

Nothing Like the Holidays (2008)

| USA

Directed by: Alfredo Rodriguez de Villa

Cinematography by: Scott Kevan

Edited by: John Coniglio, Amy E. Duddleston

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Traitor (2008)

| USA

Directed by: Jeffrey Nachmanoff

Cinematography by: James M. Muro

Edited by: Billy Fox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Final Cut Pro Editing System

Sound Designer / Sound Mixer

Gomorrah (2008)

| Italy

Directed by: Matteo Garrone

Cinematography by: Marco Onorato

Edited by: Marco Spoletini

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Sound Designer: Japan

The Assassination of Jesse James by the Coward Robert Ford (2007)

| USA, Canada, UK

Directed by: Andrew Dominik

Cinematography by: Roger Deakins

Edited by: Curtiss Clayton, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Re-recording Mixer / Sound Designer

I'm Not There (2007)

| Germany, Canada, USA

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: Jay Rabinowitz

Cameras: Aaton LTR Camera, Moviecam Compact Camera

Lenses: Angenieux Lenses, Canon Lenses, Cooke Lenses

Re-recording Mixer

Martian Child (2007)

| USA

Directed by: Menno Meyjes

Cinematography by: Robert D. Yeoman

Edited by: Bruce Green

Supervising Sound Editor

Before the Rains (2007)

| USA, India, UK

Directed by: Santosh Sivan

Cinematography by: Santosh Sivan

Edited by: Steven Cohen, A. Sreekar Prasad

Sound Designer

Paranoid Park (2007)

| France, USA

Directed by: Gus Van Sant

Cinematography by: Christopher Doyle, Rain Li

Edited by: Gus Van Sant

Re-recording Mixer / Sound Designer

Goya's Ghosts (2006)

| USA, Spain

Directed by: Milos Forman

Cinematography by: Javier Aguirresarobe

Edited by: Adam Boome

Re-recording Mixer / Sound Designer

Day Night Day Night (2006)

| USA, Germany, France

Directed by: Julia Loktev

Cinematography by: Benoît Debie

Edited by: Julia Loktev, Michael Taylor

Sound Designer

Last Days (2005)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Gus Van Sant

Re-recording Mixer / Sound Designer

Sahara (2005)

| UK, Spain, Germany, USA

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Re-recording Mixer

Around the World in 80 Days (2004)

| USA, Germany, Ireland, UK

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Re-recording Mixer / Sound Effects Editor

Hidalgo (2004)

| USA, Morocco

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Re-recording Mixer

Van Helsing (2004)

| USA, Czech Republic, Romania

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Re-recording Mixer / Sound Designer

Masked and Anonymous (2003)

| UK, USA

Directed by: Larry Charles

Cinematography by: Rogier Stoffers

Edited by: Luis Alvarez y Alvarez, Pietro Scalia

Sound Designer

Elephant (2003)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Gus Van Sant

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Super Speed Lenses

Re-recording Mixer

The Hot Chick (2002)

| USA

Directed by: Tom Brady

Cinematography by: Tim Suhrstedt

Edited by: Peck Prior

Re-recording Mixer / Sound Designer

Reign of Fire (2002)

| USA, UK, Ireland

Directed by: Rob Bowman

Cinematography by: Adrian Biddle

Edited by: Thom Noble, Declan McGrath

Cameras: Panavision Cameras

Re-recording Mixer

The Count of Monte Cristo (2002)

| UK, USA, Ireland, Switzerland

Directed by: Kevin Reynolds

Cinematography by: Andrew Dunn

Edited by: Stephen Semel, Christopher Womack

Sound Designer / Supervising Sound Editor

Gerry (2002)

| USA, Argentina, Jordan

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Casey Affleck, Matt Damon, Gus Van Sant

Re-recording Mixer

Far from Heaven (2002)

| USA, France

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: James Lyons

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Sound Mixer

Brotherhood of the Wolf (2001)

| France

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Xavier Loutreuil, Sébastien Prangère, David Wu

Sound Designer

The Mummy Returns (2001)

| USA

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Design Effects Editor / Re-recording Mixer

Out Cold (2001)

| USA

Directed by: Brendan Malloy, Emmett Malloy

Cinematography by: Richard Crudo

Edited by: Jeffrey Wolf

Re-recording Mixer / Sound Designer

15 Minutes (2001)

| USA, Germany

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

Re-recording Mixer

Finding Forrester (2000)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Valdís Óskarsdóttir

Re-recording Mixer / Sound Designer

Where the Money Is (2000)

| Germany, USA, UK, Canada

Directed by: Marek Kanievska

Cinematography by: Thomas Burstyn

Edited by: Garth Craven, Samuel Craven, Dan Lebental

Re-recording Mixer

Dungeons & Dragons (2000)

| USA, Czech Republic, Canada

Directed by: Courtney Solomon

Cinematography by: Douglas Milsome

Edited by: Caroline Ross

Re-recording Mixer

Timecode (2000)

| USA

Directed by: Mike Figgis

Cinematography by: Patrick Alexander Stewart

Re-recording Mixer

About Adam (2000)

| Ireland, UK, USA

Directed by: Gerard Stembridge

Cinematography by: Bruno de Keyzer

Edited by: Mary Finlay

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Re-recording Mixer / Sound Designer

The Mummy (1999)

| USA

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Re-recording Mixer

The Other Sister (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Bruce Green

Re-recording Mixer / Sound Designer

In Dreams (1999)

| USA

Directed by: Neil Jordan

Cinematography by: Darius Khondji

Edited by: Tony Lawson

Re-recording Mixer / Sound Designer

Deep Rising (1998)

| USA, Canada

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

Re-recording Mixer

I Still Know What You Did Last Summer (1998)

| USA, Mexico

Directed by: Danny Cannon

Cinematography by: Vernon Layton

Edited by: Peck Prior

Re-recording Mixer

Psycho (1998)

| USA

Directed by: Gus Van Sant

Cinematography by: Christopher Doyle

Edited by: Amy E. Duddleston

Re-recording Mixer

Good Will Hunting (1997)

| USA

Directed by: Gus Van Sant

Cinematography by: Jean-Yves Escoffier

Edited by: Pietro Scalia

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Re-recording Mixer / Sound Designer

Alien Resurrection (1997)

| USA

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Re-recording Mixer

Scream (1996)

| USA

Directed by: Wes Craven

Cinematography by: Mark Irwin

Edited by: Patrick Lussier

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses

Editing System: Lightworks Editing System

Re-recording Mixer / Sound: Design

Blood and Wine (1996)

| USA, UK

Directed by: Bob Rafelson

Cinematography by: Newton Thomas Sigel

Edited by: Steven Cohen

Re-recording Mixer

Johnny Mnemonic (1995)

| Canada, USA

Directed by: Robert Longo

Cinematography by: François Protat

Edited by: Ronald Sanders

Sound Designer

Three Wishes (1995)

| USA

Directed by: Martha Coolidge

Cinematography by: Johnny E. Jensen

Edited by: Steven Cohen

Re-recording Mixer / Sound Designer

Judge Dredd (1995)

| USA

Directed by: Danny Cannon

Cinematography by: Adrian Biddle

Edited by: Harry Keramidas, Alex Mackie

Re-recording Mixer

The Jungle Book (1994)

| USA

Directed by: Stephen Sommers

Cinematography by: Juan Ruiz Anchía

Edited by: Bob Ducsay

Re-recording Mixer

The Secret Garden (1993)

| UK, USA

Directed by: Agnieszka Holland

Cinematography by: Roger Deakins

Edited by: Isabelle Lorente

Cameras: Panavision Cameras

Re-recording Mixer

Indian Summer (1993)

| Canada, USA

Directed by: Mike Binder

Cinematography by: Newton Thomas Sigel

Edited by: Adam Weiss

Re-recording Mixer

Equinox (1992)

| USA, Canada

Directed by: Alan Rudolph

Cinematography by: Elliot Davis

Edited by: Michael Ruscio

Re-recording Mixer

The Opposite Sex and How to Live with Them (1992)

| USA

Directed by: Matthew Meshekoff

Cinematography by: Jacek Laskus

Edited by: Adam Weiss

Re-recording Mixer / Sound Designer

Dracula (1992)

| USA

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

Re-recording Mixer / Supervising Sound Editor

Rambling Rose (1991)

| USA

Directed by: Martha Coolidge

Cinematography by: Johnny E. Jensen

Edited by: Steven Cohen

Re-recording Mixer / Sound Designer

Don't Tell Mom the Babysitter's Dead (1991)

| USA

Directed by: Stephen Herek

Cinematography by: Tim Suhrstedt

Edited by: Larry Bock

Re-recording Mixer / Supervising Sound Editor

Ghost (1990)

| USA

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

Cameras: ARRI ARRIFLEX Series Cameras

Re-recording Mixer: Lorimar Studios / Supervising Sound Editor

The War of the Roses (1989)

| USA

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman

Cameras: Panavision Cameras

Re-recording Mixer / Sound Designer

The Fly II (1989)

| USA

Directed by: Chris Walas

Cinematography by: Robin Vidgeon

Edited by: Sean Barton

Music Mixer

Winter People (1989)

| USA

Directed by: Ted Kotcheff

Cinematography by: François Protat

Edited by: Thom Noble

Cameras: Panavision Cameras

Re-recording Mixer / Sound Designer

Heart of Midnight (1988)

| USA

Directed by: Matthew Chapman

Cinematography by: Ray Rivas

Edited by: Penelope Shaw

Sound Editor

Dune (1984)

| USA, Mexico

Directed by: David Lynch

Cinematography by: Freddie Francis

Edited by: Antony Gibbs

Cameras: ARRIFLEX 35 BL2 Camera, Photo-Sonics 35mm-4ER Camera

Supervising Sound Editor

One from the Heart (1981)

| USA

Directed by: Francis Ford Coppola

Cinematography by: Ronald Víctor García, Vittorio Storaro

Edited by: Rudi Fehr, Anne Goursaud, Randy Roberts

Cameras: ARRIFLEX 35 BL Camera

Lenses: Cooke Super Cine Varotal 25-250mm f2.8 Lens

Dialogue Editor

Star Wars: Episode V - The Empire Strikes Back (1980)

| USA

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera

Lenses: Panavision C Series Anamorphic Lenses

Dialogue Editor

Apocalypse Now (1979)