Post-production Supervisor
Jason Bourne (2016)
| USA
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Post-production Supervisor
Spectre (2015)
| UK, USA
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Post-production Supervisor
Guardians of the Galaxy (2014)
| USA, UK
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Post-production Supervisor
The World's End (2013)
| UK, USA, Japan
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Post-production Supervisor
Belle (2013)
| UK
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
Post-production Supervisor
Captain Phillips (2013)
| USA
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Post-production Supervisor
Skyfall (2012)
| UK, USA
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Post-production Supervisor
The Iron Lady (2011)
| UK, France
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Post-production Supervisor
Jane Eyre (2011)
| UK, USA
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Post-production Supervisor
360 (2011)
| UK, Austria, France, Brazil, USA
Directed by: Fernando Meirelles
Cinematography by: Adriano Goldman
Edited by: Daniel Rezende
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus
Post Production Supervisor (uncredited)
Hugo (2011)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Post-production Supervisor
Attack the Block (2011)
| UK, France
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Post-production Supervisor
Ironclad (2011)
| UK, Switzerland, USA, Germany
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Post-production Supervisor
Green Zone (2010)
| France, USA, Spain, UK
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Post-production Supervisor
Scott Pilgrim vs. the World (2010)
| USA, UK, Canada, Japan
Directed by: Edgar Wright
Cinematography by: Bill Pope
Post-production Supervisor
L'illusionniste (2010)
| France, UK
Directed by: Sylvain Chomet
Edited by: Sylvain Chomet
Post-production Supervisor
Last Chance Harvey (2008)
| USA
Directed by: Joel Hopkins
Cinematography by: John de Borman
Edited by: Robin Sales
Post-production Supervisor
Quantum of Solace (2008)
| UK, USA
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Post-production Supervisor
Hellboy II: The Golden Army (2008)
| USA, Germany
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Post-production Supervisor
Virgin Territory (2007)
| Italy, UK, France, Luxembourg
Directed by: David Leland
Cinematography by: Ben Davis
Edited by: Jim Clark
Post-production Supervisor
The Golden Compass (2007)
| USA, UK
Directed by: Chris Weitz
Cinematography by: Henry Braham
Post-production Supervisor
Blood and Chocolate (2007)
| USA, UK, Germany, Romania
Directed by: Katja von Garnier
Cinematography by: Brendan Galvin
Edited by: Emma E. Hickox
Post-production Supervisor
Casino Royale (2006)
| UK, Czech Republic, USA, Germany, Bahamas
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Post-production Supervisor
United 93 (2006)
| USA, UK, France
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Associate Producer
Opal Dream (2006)
| Australia, UK
Directed by: Peter Cattaneo
Cinematography by: Robert Humphreys
Co-producer
The Brothers Grimm (2005)
| USA, Czech Republic, UK
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Post-production Supervisor
The Hitchhiker's Guide to the Galaxy (2005)
| USA, UK
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Post-production Supervisor
Agent Cody Banks 2: Destination London (2004)
| USA
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Post-production Supervisor
De-Lovely (2004)
| USA, UK
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Post-production Supervisor
Lara Croft Tomb Raider: The Cradle of Life (2003)
| USA, Germany, Japan, UK
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Post-production Supervisor
Die Another Day (2002)
| UK, USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Post-production Supervisor
Spy Game (2001)
| Germany, USA, Japan, France
Directed by: Tony Scott
Cinematography by: Daniel Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Supervisor
The 6th Day (2000)
| USA
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Post-production Consultant
The House of Mirth (2000)
| UK, USA, France, Germany
Directed by: Terence Davies
Cinematography by: Remi Adefarasin
Edited by: Michael Parker
Post-production Supervisor
Ravenous (1999)
| Czech Republic, UK, USA
Directed by: Antonia Bird
Cinematography by: Anthony B. Richmond
Edited by: Neil Farrell
Post-production Supervisor
The World Is Not Enough (1999)
| UK, USA
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Post-production Supervisor
Elizabeth (1998)
| UK
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Post-production Supervisor (as Mike Solinger)
Fear and Loathing in Las Vegas (1998)
| USA
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Post-production Supervisor
G.I. Jane (1997)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Post-production Supervisor
Tomorrow Never Dies (1997)
| UK, USA
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Supervisor
The Borrowers (1997)
| UK, USA
Directed by: Peter Hewitt
Edited by: David Freeman
Producer
Bent (1997)
| UK, Japan
Directed by: Sean Mathias
Cinematography by: Giorgos Arvanitis
Edited by: Isabelle Lorente
Post-production Supervisor
The Adventures of Pinocchio (1996)
| UK, USA, France, Germany, Czech Republic
Directed by: Steve Barron
Cinematography by: Juan Ruiz Anchía
Edited by: Sean Barton
Assistant Editor (as Mike Solinger)
Blue Sky (1994)
| USA
Directed by: Tony Richardson
Cinematography by: Steve Yaconelli
Edited by: Robert K. Lambert
Cameras: ARRI Cameras
