Steven Fagerquist

62 Titles

Is this you? Add a Profile

Black Panther | ShotOnWhat?

Digital Compositor

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Thor: Ragnarok | ShotOnWhat?

Digital Compositor

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Deadpool | ShotOnWhat?

Digital Compositor

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

X-Men: Apocalypse | ShotOnWhat?

Digital Compositor

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Entourage | ShotOnWhat?

Digital Compositor: Artemple Hollywood

Entourage (2015)

Directed by: Doug Ellin

Cinematography by: Steven Fierberg

Edited by: Jeff Groth

Cameras: ARRICAM Lite (LT) Camera

Furious 7 | ShotOnWhat?

Digital Compositor

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

X-Men: Days of Future Past | ShotOnWhat?

Digital Compositor

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Visual Effects Crew: Scanline VFX

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Jack the Giant Slayer | ShotOnWhat?

Digital Compositor

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ender's Game | ShotOnWhat?

Digital Compositor

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

The Girl with the Dragon Tattoo | ShotOnWhat?

Digital Compositor

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Compositor: Digital Domain

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Real Steel | ShotOnWhat?

Digital Compositor

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

Digital Compositor

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Digital Compositor

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Digital Compositor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Star Trek | ShotOnWhat?

Digital Compositor

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Digital Compositor

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Speed Racer | ShotOnWhat?

Digital Compositor

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

The Golden Compass | ShotOnWhat?

Digital Compositor: Digital Domain

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Digital Compositor

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Peaceful Warrior | ShotOnWhat?

Senior Compositor: Identity Studios Inc.

Peaceful Warrior (2006)

Directed by: Victor Salva

Cinematography by: Sharone Meir

Edited by: Ed Marx

The Texas Chainsaw Massacre: The Beginning | ShotOnWhat?

Digital Compositor

The Texas Chainsaw Massacre: The Beginning (2006)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

Sam's Lake | ShotOnWhat?

Digital Artist: Identity Studios, Inc.

Sam's Lake (2006)

Directed by: Andrew C. Erin

Cinematography by: David A. Armstrong

Edited by: Miklos Wright

Be Cool | ShotOnWhat?

Digital Compositor

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Coach Carter | ShotOnWhat?

Titles And Effects

Coach Carter (2005)

Directed by: Thomas Carter

Cinematography by: Sharone Meir

Edited by: Peter E. Berger

Into the Blue | ShotOnWhat?

Visual Effects Compositing Artist

Into the Blue (2005)

Directed by: John Stockwell

Cinematography by: Shane Hurlbut

Edited by: Nicolas De Toth, Dennis Virkler

The Russian Specialist | ShotOnWhat?

Digital Compositor

The Russian Specialist (2005)

Directed by: Dolph Lundgren

Cinematography by: Ross W. Clarkson

Edited by: Joe Plenys

Cameras: ARRI Cameras

A Sound of Thunder | ShotOnWhat?

Title Artist

A Sound of Thunder (2005)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Sylvie Landra

50 First Dates | ShotOnWhat?

Visual Effects

50 First Dates (2004)

Directed by: Peter Segal

Cinematography by: Jack N. Green

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Hidalgo | ShotOnWhat?

Digital Compositing Artist

Hidalgo (2004)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Mean Girls | ShotOnWhat?

Visual Effects Compositing Artist

Mean Girls (2004)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Team America: World Police | ShotOnWhat?

Digital Compositor: Howard Anderson Company

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Christmas with the Kranks | ShotOnWhat?

Digital Compositor

Christmas with the Kranks (2004)

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

Collateral | ShotOnWhat?

Digital Compositor

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Against the Ropes | ShotOnWhat?

Digital Compositor

Against the Ropes (2004)

Directed by: Charles S. Dutton

Cinematography by: Jack N. Green

Edited by: Eric L. Beason

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Paparazzi | ShotOnWhat?

Digital Compositing Artist

Paparazzi (2004)

Directed by: Paul Abascal

Cinematography by: Daryn Okada

Edited by: Robin Russell

I Heart Huckabees | ShotOnWhat?

Compositing Artist: Howard Anderson Company

I Heart Huckabees (2004)

Directed by: David O. Russell

Cinematography by: Peter Deming

Edited by: Robert K. Lambert

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Punisher | ShotOnWhat?

Compositing Artist: Howard Anderson Company

The Punisher (2004)

Directed by: Jonathan Hensleigh

Cinematography by: Conrad W. Hall

Edited by: Jeff Gullo, Steven Kemper, John Leonetti

Van Helsing | ShotOnWhat?

Digital Compositor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Man on Fire | ShotOnWhat?

Compositing Artist: Howard Anderson Company

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Radio | ShotOnWhat?

Digital Compositor

Radio (2003)

Directed by: Michael Tollin

Cinematography by: Don Burgess

Edited by: Chris Lebenzon, Harvey Rosenstock

Cameras: Panavision Cameras

Bad Santa | ShotOnWhat?

Visual Effects

Bad Santa (2003)

Directed by: Terry Zwigoff

Cinematography by: Jamie Anderson

Edited by: Robert Hoffman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Cradle 2 the Grave | ShotOnWhat?

Visual Effects Compositing Artist

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Hulk | ShotOnWhat?

Visual Effects

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Bulletproof Monk | ShotOnWhat?

Visual Effects

Bulletproof Monk (2003)

Directed by: Paul Hunter

Cinematography by: Stefan Czapsky

Edited by: Robert K. Lambert

Runaway Jury | ShotOnWhat?

Visual Effects Compositing Artist

Runaway Jury (2003)

Directed by: Gary Fleder

Cinematography by: Robert Elswit

Edited by: William Steinkamp

The League of Extraordinary Gentlemen | ShotOnWhat?

Digital Compositor: Howard Anderson Company

The League of Extraordinary Gentlemen (2003)

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Two Soldiers | ShotOnWhat?

Digital Compositor

Two Soldiers (2003)

Directed by: Aaron Schneider

Cinematography by: David Boyd

Edited by: Kelly Matsumoto, Aaron Schneider

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Holes | ShotOnWhat?

Digital Artist

Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Gothika | ShotOnWhat?

Visual Effects

Gothika (2003)

Directed by: Mathieu Kassovitz

Cinematography by: Matthew Libatique

Edited by: Yannick Kergoat

The Fighting Temptations | ShotOnWhat?

Digital Compositor

The Fighting Temptations (2003)

Directed by: Jonathan Lynn

Cinematography by: Affonso Beato

Edited by: Paul Hirsch

Basic | ShotOnWhat?

Visual Effects Compositing Artist

Basic (2003)

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: George Folsey Jr.

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Bourne Identity | ShotOnWhat?

Visual Effects

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Master of Disguise | ShotOnWhat?

Visual Effects Compositing Artist

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

Swimfan | ShotOnWhat?

Visual Effects Compositing Artist

Swimfan (2002)

Directed by: John Polson

Cinematography by: Giles Nuttgens

Edited by: Sarah Flack

Tortilla Soup | ShotOnWhat?

Titles And Effects

Tortilla Soup (2001)

Directed by: Maria Ripoll

Cinematography by: Xavier Grobet

Edited by: Andy Blumenthal

Pitch Black | ShotOnWhat?

Visual Effects Compositing Artist

Pitch Black (2000)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Rick Shaine

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Cookie's Fortune | ShotOnWhat?

Digital Effects Artist

Cookie's Fortune (1999)

Directed by: Robert Altman

Cinematography by: Toyomichi Kurita

Edited by: Abraham Lim

Desperate Measures | ShotOnWhat?

Digital Compositor

Desperate Measures (1998)

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Susan's Plan | ShotOnWhat?

Effects Crew: Optical Illusions, Inc.

Susan's Plan (1998)

Directed by: John Landis

Cinematography by: Ken Kelsch

Edited by: Nancy Morrison

The Terminator | ShotOnWhat?

Technical Assistant: Process Photography

The Terminator (1984)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

©2012 - 2025 ShotOnWhat?

20254.20