Precision Driver
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Over Excited Guy
'House of Lies' Power(less) (2014)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tod Feuerman
Stunt Driver - 10 Episodes, 2013
Ray Donovan (2013)
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Stunt Driver
'Ray Donovan' A Mouth Is a Mouth (2013)
Directed by: Allen Coulter
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Stunt Driver
'Ray Donovan' Black Cadillac (2013)
Directed by: John Dahl
Cinematography by: Matthew Jensen
Edited by: Lynne Willingham
Stunt Driver
'Ray Donovan' The Golem (2013)
Directed by: Daniel Attias
Cinematography by: Loren S. Yaconelli
Edited by: Sidney Wolinsky
Stunt Driver
'Ray Donovan' Housewarming (2013)
Directed by: Michael Uppendahl
Cinematography by: Matthew Jensen
Edited by: Peter B. Ellis
Stunt Driver
'Ray Donovan' New Birthday (2013)
Directed by: Lesli Linka Glatter
Edited by: Lynne Willingham
Stunt Driver
'Ray Donovan' Bridget (2013)
Directed by: Guy Ferland
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Stunt Driver
'Ray Donovan' Road Trip (2013)
Directed by: Jeremy Podeswa
Cinematography by: Matthew Jensen
Edited by: Peter B. Ellis
Stunt Driver
'Ray Donovan' Fite Nite (2013)
Directed by: Tucker Gates
Cinematography by: Matthew Jensen
Edited by: Lynne Willingham
Stunt Driver
'Ray Donovan' Bucky Fuckin' Dent (2013)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Stunt Driver
'Ray Donovan' Same Exactly (2013)
Directed by: Michael Apted
Cinematography by: Matthew Jensen
Edited by: Peter B. Ellis
Over Excited Guy
House of Lies (2012)
Directed by: Stephen Hopkins, Matthew Carnahan, Daisy von Scherler Mayer, Don Cheadle, Adam Bernstein, John Dahl, Michael Uppendahl, Miguel Arteta, Seith Mann, Beth McCarthy-Miller, Anton Cropper, David Von Ancken, Uta Briesewitz, Michael Lehmann, Victor Nelli Jr., Jessika Borsiczky, Gary B. Goldman, Helen Hunt, Craig Zisk
Edited by: Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras: ARRI ALEXA Camera
Extras Coordinator
Bucky Larson: Born to Be a Star (2011)
Directed by: Tom Brady
Cinematography by: Michael Barrett
Edited by: Jason Gourson
Extras Coordinator
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Stunt Driver
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Precision Driver
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Extras Coordinator
Just Go with It (2011)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Precision Driver
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Extras Coordinator
Judy Moody and the Not Bummer Summer (2011)
Directed by: John Schultz
Cinematography by: Shawn Maurer
Edited by: John Pace
Extras Coordinator
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Extras Coordinator
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Extras Coordinator, Las Vegas Paparazzi, Stunt Driver
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Extras Coordinator
Sympathy for Delicious (2010)
Directed by: Mark Ruffalo
Cinematography by: Christopher Norr
Edited by: Pete Beaudreau
Extras Coordinator, Stunt Driver
Date Night (2010)
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Extras Coordinator, Stunt Driver
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Extras Coordinator
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Extras Coordinator
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Extras Coordinator
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Photo Double: Jon Favreau, Stunt Driver
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Extras Coordinator
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Precision Driver
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Photo Double: Jon Favreau
I Love You, Man (2009)
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Extras Coordinator
He's Just Not That Into You (2009)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Extras Coordinator
All About Steve (2009)
Directed by: Phil Traill
Cinematography by: Tim Suhrstedt
Cameras: Panavision Cameras
Utility Stunts
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Extras Coordinator
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Extras Coordinator, Stunt Driver
The Hangover (2009)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Extras Coordinator / Photo Double-jon Favreau, Stunt Performer
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Extras Coordinator, Stunt Driver
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
On-set Background Wrangler
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Extras Coordinator
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Extras Coordinator
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Extras Coordinator
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Extras Coordinator
The Comebacks (2007)
Directed by: Tom Brady
Cinematography by: Anthony B. Richmond
Edited by: Alan Edward Bell
Extras Coordinator
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Extras Coordinator
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Extras Coordinator
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Extras Coordinator
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Extras Coordinator
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Extras Coordinator
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Extras Coordinator
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Extras Coordinator
The Benchwarmers (2006)
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Extras Coordinator
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Extras Coordinator
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Extras Coordinator
The Astronaut Farmer (2006)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: James Haygood
Extras Coordinator
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Extras Coordinator
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Extras Coordinator
Big Momma's House 2 (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly
Extras Coordinator
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Extras Coordinator , Stunt Driver
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Background Coordinator
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Extras Coordinator
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Extras Coordinator
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
On-set Extras Coordinator
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Extras Coordinator
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Extras Coordinator
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Extras Coordinator
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Extras Coordinator
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Extras Coordinator
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Extras Coordinator
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Extras Coordinator, Stunt Driver
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Extras Coordinator
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Extras Coordinator
National Security (2003)
Directed by: Dennis Dugan
Cinematography by: Oliver Wood
Edited by: Debra Neil-Fisher
Extras Coordinator
View from the Top (2003)
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Photo Double-jon Favreau
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Extras Coordinator
Masked and Anonymous (2003)
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Photo Double-jon Lovitz
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Extras Coordinator
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad
Extras Coordinator
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Bartender, Extras Coordinator
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Extras Coordinator
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Extras Coordinator
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Extras Coordinator
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Extras Coordinator
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Extras Coordinator
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
Extras Coordinator
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Photo Double-jon Lovitz
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Extras Coordinator
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Extras Coordinator
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Photo Double: Andrew Dice Clay
One Night at McCool's (2001)
Directed by: Harald Zwart
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Platinum Camera
Extras Coordinator
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Extras Coordinator
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Extras Coordinator
Meat Loaf: To Hell and Back (2000)
Directed by: Jim McBride
Cinematography by: Denis Lenoir
Edited by: Milton Moses Ginsberg
Bartender #2, Photo Double-jon Favreau
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Stand-in
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Photo Double-jon Lovitz
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Extras Coordinator
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Extras Set Coordinator
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Extras Coordinator
Blue Streak (1999)
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Extras Coordinator
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Photo Double-jon Favreau
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
GBSN Electrician
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Extras Casting Associate
Ringmaster (1998)
Directed by: Neil Abramson
Cinematography by: Russell j Lyster
Edited by: Suzanne Hines
Cast Production Assistant
Very Bad Things (1998)
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Stand-in
High School High (1996)
Directed by: Hart Bochner
Cinematography by: Vernon Layton
Edited by: James R. Symons
