Digital Intermediate Head Of Department
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Digital Intermediate Head Of Department
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Digital Intermediate Head Of Department
American Animals (2018)
Directed by: Bart Layton
Cinematography by: Ole Bratt Birkeland
Digital Intermediate Head Of Department
The Favourite (2018)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Digital Intermediate Head Of Department
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Digital Intermediate Head Of Department
The Killing of a Sacred Deer (2017)
Directed by: Yorgos Lanthimos
Cinematography by: Thimios Bakatakis
Edited by: Yorgos Mavropsaridis
Cameras: ARRICAM Lite (LT) Camera
Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Head Of Department
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Digital Intermediate Head Of Department
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Jon Gregory
Cameras: ARRI ALEXA XT Series Cameras
Digital Intermediate Head Of Department
Free Fire (2016)
Directed by: Ben Wheatley
Cinematography by: Laurie Rose
Digital Intermediate Head Of Department
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Digital Intermediate Head Of Department
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Intermediate Head Of Department
American Honey (2016)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Joe Bini
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Digital Intermediate Head Of Department
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Digital Intermediate Head Of Department
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Digital Intermediate Head Of Department
The Danish Girl (2015)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Intermediate Head Of Department
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Digital Intermediate Head Of Department
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Digital Intermediate Head Of Department
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Digital Intermediate Head Of Department: Company 3 London
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Digital Intermediate Head Of Department
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Digital Intermediate Head Of Department: Company 3 London
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Digital Intermediate Head Of Department
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Intermediate Head Of Department
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Digital Intermediate Head Of Department
Les Misérables (2012)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Digital Intermediate Head Of Department
Hyde Park on Hudson (2012)
Directed by: Roger Michell
Cinematography by: Lol Crawley
Edited by: Nicolas Gaster
Digital Intermediate Head Of Department: Company 3 London
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Digital Intermediate Head Of Department: Company 3 London
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Digital Intermediate Head Of Department
Frankenweenie (2012)
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Digital Intermediate Head Of Department
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Digital Intermediate Head Of Department
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Digital Intermediate Head Of Department
Marley (2012)
Directed by: Kevin Macdonald
Edited by: Dan Glendenning
Digital Intermediate Head Of Digital Lab
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Digital Intermediate Head Of Department
The Inbetweeners Movie (2011)
Directed by: Ben Palmer
Cinematography by: Ben Wheeler
Cameras: ARRI ALEXA Camera
Digital Intermediate Head Of Department
The Decoy Bride (2011)
Directed by: Sheree Folkson
Cinematography by: Nanu Segal
Edited by: Dan Farrell
Digital Intermediate Head Of Department: Deluxe 142 Features
Albert Nobbs (2011)
Directed by: Rodrigo García
Cinematography by: Michael McDonough
Edited by: Steven Weisberg
Cameras: Red One MX Camera
Digital Intermediate Head Of Department
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Digital Intermediate Head Of Department
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Digital Intermediate Head Of Department
Tyrannosaur (2011)
Directed by: Paddy Considine
Cinematography by: Erik Wilson
Edited by: Pia Di Ciaula
Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses: Cooke Speed Panchro Lenses
Digital Intermediate Head Of Department
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Digital Intermediate Head Of Department
The Best Exotic Marigold Hotel (2011)
Directed by: John Madden
Cinematography by: Ben Davis
Edited by: Chris Gill
Digital Intermediate Head Of Department: Deluxe 142
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Digital Intermediate Head Of Department
360 (2011)
Directed by: Fernando Meirelles
Cinematography by: Adriano Goldman
Edited by: Daniel Rezende
Digital Intermediate Head Of Department
The Veteran (2011)
Directed by: Matthew Hope
Cinematography by: Philipp Blaubach
Edited by: Emma Gaffney
Digital Intermediate Head Of Department
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Digital Intermediate Head Of Department
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Digital Intermediate Head Of Department
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Head Of Department
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Digital Intermediate Head Of Department
L'illusionniste (2010)
Directed by: Sylvain Chomet
Edited by: Sylvain Chomet
Digital Intermediate Head Of Production
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Digital Intermediate Head Of Department
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Head Of Department
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Digital Intermediate Head Of Department
The Disappearance of Alice Creed (2009)
Directed by: J Blakeson
Cinematography by: Philipp Blaubach
Edited by: Mark Eckersley
Digital Intermediate Head Of Department: Ascent 142 Features
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
Digital Intermediate Head Of Department
Glorious 39 (2009)
Directed by: Stephen Poliakoff
Cinematography by: Danny Cohen
Edited by: Jason Krasucki
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Head Of Department
Nine (2009)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Digital Intermediate Head Of Production
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Digital Intermediate Head Of Production
The Crimson Wing: Mystery of the Flamingos (2008)
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Digital Intermediate Director Of Production
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Digital Intermediate Head Of Production
The Escapist (2008)
Directed by: Rupert Wyatt
Cinematography by: Philipp Blaubach
Edited by: Joe Walker
Digital Intermediate: Director Of Production
Telstar: The Joe Meek Story (2008)
Directed by: Nick Moran
Cinematography by: Peter Wignall
Edited by: Alex Marsh
Digital Intermediate Head Of Department
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Head Of Department
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Senior Digital Intermediate Producer
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Facility Producer
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Project Coordinator
My Summer of Love (2004)
Directed by: Pawel Pawlikowski
Cinematography by: Ryszard Lenczewski
Edited by: David Charap
