Neil Corbould

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The Creator | ShotOnWhat?

Special Effects Supervisor

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Napoleon | ShotOnWhat?

Special Effects Supervisor

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Special Effects Supervisor

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Terminator: Dark Fate | ShotOnWhat?

BBQ Host Dad, Special Effects Supervisor

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Mission: Impossible - Fallout | ShotOnWhat?

Special Effects Supervisor

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Ready Player One | ShotOnWhat?

Special Effects Supervisor

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Alien: Covenant | ShotOnWhat?

Special Visual Effects Supervisor

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Criminal | ShotOnWhat?

Special Effects Consultant

Criminal (2016)

Directed by: Ariel Vromen

Cinematography by: Dana Gonzales

Edited by: Danny Rafic

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Special Effects Supervisor

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

The Martian | ShotOnWhat?

Special Effects Supervisor

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Exodus: Gods and Kings | ShotOnWhat?

Special Effects Supervisor

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

Special Effects Consultant

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Hercules | ShotOnWhat?

Special Effects Supervisor

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

World War Z | ShotOnWhat?

Special Effects Supervisor

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

RED 2 | ShotOnWhat?

Special Effects Supervisor

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Gravity | ShotOnWhat?

Special Effects Supervisor

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Zero Dark Thirty | ShotOnWhat?

Special Effects: Stealth Helicopter, Jordan

Zero Dark Thirty (2012)

Directed by: Kathryn Bigelow

Cinematography by: Greig Fraser

Edited by: William Goldenberg, Dylan Tichenor

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Editing System: Avid Editing System

Coward | ShotOnWhat?

Producer

Coward (2012)

Directed by: Dave Roddham

Cinematography by: Stephen Murphy

Edited by: Mark Talbot-Butler

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Snow White and the Huntsman | ShotOnWhat?

Special Effects Supervisor

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wrath of the Titans | ShotOnWhat?

Special Effects Supervisor

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

The Devil's Double | ShotOnWhat?

Special Effects Consultant

The Devil's Double (2011)

Directed by: Lee Tamahori

Cinematography by: Sam McCurdy

Edited by: Luis Carballar

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

War Horse | ShotOnWhat?

Special Effects Supervisor

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Special Effects Supervisor: UK

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Clash of the Titans | ShotOnWhat?

Special Effects Supervisor

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Defiance | ShotOnWhat?

Special Effects Supervisor

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fred Claus | ShotOnWhat?

Special Effects Supervisor

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

National Treasure: Book of Secrets | ShotOnWhat?

Special Effects Supervisor: UK

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Blood Diamond | ShotOnWhat?

Special Effects Supervisor

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Superman Returns | ShotOnWhat?

Special Effects Supervisor

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Kingdom of Heaven | ShotOnWhat?

Prosthetics Supervisor / Special Effects Supervisor

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

King Arthur | ShotOnWhat?

Special Effects Coordinator

King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

The Day After Tomorrow | ShotOnWhat?

Special Effects Director

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Beyond Borders | ShotOnWhat?

Prosthetics And Animatronics Supervisor / Special Effects Coordinator

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Timeline | ShotOnWhat?

Animatronics Supervisor / Special Effects Coordinator, Prosthetics Supervisor

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

The Four Feathers | ShotOnWhat?

Special Effects Consultant / Special Effects Coordinator

The Four Feathers (2002)

Directed by: Shekhar Kapur

Cinematography by: Robert Richardson

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision E Series Anamorphic Lenses

The Mummy Returns | ShotOnWhat?

Special Effects Supervisor

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Black Hawk Down | ShotOnWhat?

Prosthetics Effects Supervisor / Special Effects Supervisor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Vertical Limit | ShotOnWhat?

Special Effects Supervisor

Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Gladiator | ShotOnWhat?

Special & Prosthetics Effects Supervisor

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Entrapment | ShotOnWhat?

Special Effects Supervisor

Entrapment (1999)

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Saving Private Ryan | ShotOnWhat?

Special Effects Supervisor

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Event Horizon | ShotOnWhat?

Special Effects Supervisor

Event Horizon (1997)

Directed by: Paul W.S. Anderson

Cinematography by: Adrian Biddle

Edited by: Martin Hunter

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Fifth Element | ShotOnWhat?

Special Effects Supervisor

The Fifth Element (1997)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

Cutthroat Island | ShotOnWhat?

Senior Special Effects Technician

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Léon: The Professional | ShotOnWhat?

Assistant Special Effects

Léon: The Professional (1994)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HR Zoom Lenses, Technovision Lenses

Cliffhanger | ShotOnWhat?

Special Effects

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Far and Away | ShotOnWhat?

Special Effects Senior Technician: Ireland

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

Highlander II: The Quickening | ShotOnWhat?

Special Effects Workshop Supervisor

Highlander II: The Quickening (1991)

Directed by: Russell Mulcahy

Cinematography by: Phil Meheux

Edited by: Hubert de La Bouillerie, Anthony Redman, Charles Simmons

Air America | ShotOnWhat?

Special Effects Senior Technician

Air America (1990)

Directed by: Roger Spottiswoode

Cinematography by: Roger Deakins

Edited by: John Bloom, Lois Freeman-Fox

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

The Old Man and the Sea | ShotOnWhat?

Special Effects Technician

The Old Man and the Sea (1990)

Television Movie

Directed by: Jud Taylor

Cinematography by: Tony Imi

Edited by: Fredric Steinkamp

Licence to Kill | ShotOnWhat?

Special Effects: First Unit

Licence to Kill (1989)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Willow | ShotOnWhat?

Special Effects Technician

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

The Living Daylights | ShotOnWhat?

Special Effects Technician

The Living Daylights (1987)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: Peter Davies, John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Little Shop of Horrors | ShotOnWhat?

Special Effects Technician

Little Shop of Horrors (1986)

Directed by: Frank Oz

Cinematography by: Robert Paynter

Edited by: Gillian L. Hutshing, John Jympson

A View to a Kill | ShotOnWhat?

Special Effects Technician

A View to a Kill (1985)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E Series Anamorphic Lenses

Amadeus | ShotOnWhat?

Special Effects

Amadeus (1984)

Directed by: Milos Forman

Cinematography by: Miroslav Ondrícek

Edited by: Michael Chandler, T.M. Christopher, Nena Danevic

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Victor Victoria | ShotOnWhat?

Special Effects

Victor Victoria (1982)

Directed by: Blake Edwards

Cinematography by: Dick Bush

Edited by: Ralph E. Winters

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Lenses

Pink Floyd The Wall | ShotOnWhat?

Special Effects Technician

Pink Floyd: The Wall (1982)

Directed by: Alan Parker

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

The Elephant Man | ShotOnWhat?

Special Effects

The Elephant Man (1980)

Directed by: David Lynch

Cinematography by: Freddie Francis

Edited by: Anne V. Coates

The Watcher in the Woods | ShotOnWhat?

Special Effects Assistant

The Watcher in the Woods (1980)

Directed by: John Hough, Vincent McEveety

Cinematography by: Alan Hume

Edited by: Geoffrey Foot

Cameras: Panavision Cameras

Superman | ShotOnWhat?

Special Effects Runner

Superman (1978)

Directed by: Richard Donner

Cinematography by: Geoffrey Unsworth

Edited by: Stuart Baird, Michael Ellis

Cameras: Panavision Silent Reflex PSR Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Moviola Editing System

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