Dave Roddham

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All the Money in the World | ShotOnWhat?

Special Effects Floor Supervisor

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

The Lost City of Z | ShotOnWhat?

Second Unit Director, Special Effects Floor Supervisor

The Lost City of Z (2016)

Directed by: James Gray

Cinematography by: Darius Khondji

Edited by: John Axelrad, Lee Haugen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses

Hercules | ShotOnWhat?

Special Effects Technician

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coward | ShotOnWhat?

Director, Producer, Production Designer, Writer

Coward (2012)

Directed by: Dave Roddham

Cinematography by: Stephen Murphy

Edited by: Mark Talbot-Butler

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Wrath of the Titans | ShotOnWhat?

Special Effects Technician

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Snow White and the Huntsman | ShotOnWhat?

Special Effects Technician

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Special Effects Technician

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

War Horse | ShotOnWhat?

Special Effects Technician

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Prince of Persia: The Sands of Time | ShotOnWhat?

Special Effects Technician

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Doomsday | ShotOnWhat?

Special Effects Technician

Doomsday (2008)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Andrew MacRitchie, Neil Marshall

The Wind That Shakes the Barley | ShotOnWhat?

Special Effects Technician

The Wind that Shakes the Barley (2006)

Directed by: Ken Loach

Cinematography by: Barry Ackroyd

Edited by: Jonathan Morris

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Kingdom of Heaven | ShotOnWhat?

Special Effects Technician

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

The League of Gentlemen's Apocalypse | ShotOnWhat?

Special Effects Technician

The League of Gentlemen's Apocalypse (2005)

Directed by: Steve Bendelack

Cinematography by: Rob Kitzmann

Edited by: Tony Cranstoun

King Arthur | ShotOnWhat?

Special Effects Technician

King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Beyond Borders | ShotOnWhat?

Special Effects Technician

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Cold Mountain | ShotOnWhat?

Special Effects Technician

Cold Mountain (2003)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

The Four Feathers | ShotOnWhat?

Special Effects Technician

The Four Feathers (2002)

Directed by: Shekhar Kapur

Cinematography by: Robert Richardson

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision E Series Anamorphic Lenses

Black Hawk Down | ShotOnWhat?

Special Effects Technician

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Mummy Returns | ShotOnWhat?

Special Effects Technician

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Spy Game | ShotOnWhat?

Special Effects Technician

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Gladiator | ShotOnWhat?

Special Effects Technician

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Eyes Wide Shut | ShotOnWhat?

Special Effects Technician

Eyes Wide Shut (1999)

Directed by: Stanley Kubrick

Cinematography by: Larry Smith

Edited by: Nigel Galt

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Entrapment | ShotOnWhat?

Special Effects Trainee

Entrapment (1999)

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Saving Private Ryan | ShotOnWhat?

Special Effects Technician

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Event Horizon | ShotOnWhat?

Special Effects Trainee

Event Horizon (1997)

Directed by: Paul W.S. Anderson

Cinematography by: Adrian Biddle

Edited by: Martin Hunter

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Fifth Element | ShotOnWhat?

Special Effects Trainee

The Fifth Element (1997)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

Mission: Impossible | ShotOnWhat?

Special Effects Trainee

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

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