Director Of Photography: Hong Kong
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Aerial Director Of Photography - 1 Episode, 2011
The Chicago Code (2011)
Directed by: Lesli Linka Glatter, Clark Johnson, Michael Offer, Adam Arkin, Paris Barclay, Jean de Segonzac, Guy Ferland, Billy Gierhart, Charles McDougall, Terrence O'Hara
Cameras: ARRI ALEXA Camera
Aerial Director Of Photography
'The Chicago Code' Pilot (2011)
Directed by: Charles McDougall
Cinematography by: M. David Mullen
Aerial Cinematographer
Colombiana (2011)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Edited by: Camille Delamarre
Aerial Director Of Photography
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Aerial Camera Operator: Additional Photography
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Aerial Cameraman, Aerial Photography
Home (2009)
Directed by: Yann Arthus-Bertrand
Edited by: Yen Le Van
Cameras: Cineflex V14HD Camera
Aerial Director Of Photography
'CSI: Crime Scene Investigation' Dead Doll (2007)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Aerial Cinematographer
'Planet Earth' From Pole to Pole (2006)
Cinematography by: Doug Allan, Martyn Colbeck, Wade Fairley, Michael Kelem, Simon King, Andrew Shillabeer, Paul Stewart
Edited by: Martin Elsbury
Aerial Cinematographer - 8 Episodes, 2006
Planet Earth (2006)
Directed by: Alastair Fothergill
Cinematography by: Michael Kelem, Doug Anderson, Andrew Shillabeer, Peter Kragh, Paul Stewart, Doug Allan, Martyn Colbeck, Wade Fairley, Simon King
Edited by: Andy Netley, Stuart Napier, David Pearce, Andrew Chastney, Martin Elsbury, Jill Garrett, Jo Payne, Thom Sulek
Cameras: Photron Cameras
Aerial Cinematographer
'Planet Earth' Shallow Seas (2006)
Directed by: Alastair Fothergill
Edited by: Stuart Napier
Aerial Cinematographer
'Planet Earth' Great Plains (2006)
Directed by: Alastair Fothergill
Cinematography by: Michael Kelem
Edited by: Andrew Chastney
Aerial Cinematographer
'Planet Earth' Deserts (2006)
Directed by: Alastair Fothergill
Cinematography by: Andrew Shillabeer
Edited by: David Pearce
Aerial Cinematographer
'Planet Earth' Ice Worlds (2006)
Directed by: Alastair Fothergill
Cinematography by: Doug Anderson
Edited by: Andy Netley
Aerial Cinematographer
'Planet Earth' Caves (2006)
Directed by: Alastair Fothergill
Cinematography by: Paul Stewart
Edited by: Andy Netley
Aerial Cinematographer
'Planet Earth' Fresh Water (2006)
Directed by: Alastair Fothergill
Cinematography by: Doug Anderson
Edited by: Stuart Napier
Aerial Camera Operator: High Definition Camera
Domino (2005)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Gyrosphere Technician: Aerial Unit
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Aerial First Assistant Camera
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Gyrosphere Camera Assistant
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Aerial Assistant: Second Unit
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Operator: Gyrosphere
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Aerial First Assistant Camera
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Aerial Technician
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Aerial First Assistant Camera
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
First Assistant Camera: Second Unit
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Aerial First Assistant Camera
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Gyrosphere Technician: Aerial Unit
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Gyrosphere Camera Operator
Bubble Boy (2001)
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin
Aerial First Assistant Gyrosphere Operator
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Aerial First Assistant Camera
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Aerial First Assistant Camera
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Gyrosphere Technician
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Aerial First Assistant Camera
The Adventures of Rocky & Bullwinkle (2000)
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Aerial Director Of Photography - 1 Episode, 2007
CSI: Crime Scene Investigation (2000)
Directed by: Kenneth Fink, Richard J. Lewis, Alec Smight, Danny Cannon, Brad Tanenbaum, Jeffrey G. Hunt, Louis Shaw Milito, Frank Waldeck, Philip Conserva, Martha Coolidge, David Grossman, Duane Clark, Bill Eagles, Terrence O'Hara, Paris Barclay, Michael Nankin, Eagle Egilsson, Lou Antonio, Thomas J. Wright, Charles Correll, Peter Markle, Deran Sarafian, Michael Slovis, Christopher Leitch, Karen Gaviola, Matt Earl Beesley, Rob Bailey, Quentin Tarantino, William Friedkin, Nathan Hope, Paul McCrane, Michael Shapiro, Michael W. Watkins, Jefery Levy, Allison Liddi-Brown, John Patterson, Oz Scott, Roy H. Wagner, Tucker Gates, Félix Enríquez Alcalá, Nelson McCormick, J. Miller Tobin, Andrew Baron, Jean de Segonzac, Bryan Spicer, Dean White, Jeff Woolnough, Andrew Bernstein, Naren Shankar, Charles Haid, Steven Felder, David Semel, Kevin Bray, Timothy Beavers, Alrick Riley, Claudia Yarmy
Cinematography by: Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona
Edited by: John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt
Additional Camera Operator / Aerial Camera Assistant
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Aerial First Assistant Camera, Camera Technician: Visual Effects Unit
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Aerial First Assistant Camera
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Aerial First Assistant Camera
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Gyrosphere Technician
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Gyrosphere Assistant Camera
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Aerial First Assistant Camera
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Gyrosphere Technician: Aerial Unit
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Aerial Camera Assistant
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Aerial Assistant Camera
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Gyrosphere Technician: Aerial Unit
Private Parts (1997)
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Gyrosphere Technician: Aerial Unit
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Aerial First Assistant Camera
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Aerial Assistant Camera: Second Unit
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Gyrosphere Technician: Aerial Unit
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Gyrosphere Technician: Blue Screen Unit
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Aerial First Assistant Camera
Tin Cup (1996)
Directed by: Ron Shelton
Cinematography by: Russell Boyd
Aerial First Assistant Camera
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Aerial First Assistant Camera
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Gyrosphere Technician: Aerial Unit
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Gyrosphere Technician: Aerial Unit
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Aerial First Assistant Camera
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Gyrosphere Technician: Aerial Unit
The Evening Star (1996)
Directed by: Robert Harling
Cinematography by: Don Burgess
Gyrosphere Technician: Blue Screen Unit
Casper (1995)
Directed by: Brad Silberling
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Cameras: Panavision Cameras
Gyrosphere Technician: Aerial Unit
Dolores Claiborne (1995)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Edited by: Mark Warner
Assistant Camera: Aerial Unit
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Aerial Assistant Camera
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Aerial Assistant Camera
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Gyrosphere Technician: Aerial Unit
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Aerial First Assistant Camera
On Deadly Ground (1994)
Directed by: Steven Seagal
Cinematography by: Ric Waite
Gyrosphere Assistant
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Aerial First Assistant Camera
Exit to Eden (1994)
Directed by: Garry Marshall
Cinematography by: Theo van de Sande
Edited by: David Finfer
Gyrosphere Technician
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Gyrosphere Technician: Aerial Unit
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Gyrosphere Technician: Aerial Unit
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Gyrosphere Technician: Blue Screen Unit
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Gyrosphere Technician: Blue Screen Unit
The Flintstones (1994)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Gyrosphere Technician: Aerial Unit
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Aerial Assistant Camera
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Aerial First Assistant Camera
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Gyrosphere Technician
The Beverly Hillbillies (1993)
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Aerial Assistant Camera
Unlawful Entry (1992)
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Aerial First Assistant Camera
White Sands (1992)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Nicholas Beauman
Cameras: Panavision Cameras
Gyrosphere Technician
Candyman (1992)
Directed by: Bernard Rose
Cinematography by: Anthony B. Richmond
Edited by: Dan Rae
Technician: Aerial Unit, Phototronics Inc.
Flight of Black Angel (1991)
Directed by: Jonathan Mostow
Cinematography by: Lee Redmond
Edited by: Barry Zetlin
Gyrosphere Technician: Los Angeles Bluescreen Unit
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Hi-speed Camera Operator
Shattered (1991)
Directed by: Wolfgang Petersen
Cinematography by: László Kovács
