Makeup Effects Consultant: Vision
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Design Consultant: Spectral Motion - 1 Episode, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Design Consultant: Spectral Motion
'Altered Carbon' Out of the Past (2018)
Directed by: Miguel Sapochnik
Cinematography by: Martin Ahlgren
Edited by: Barry Alexander Brown
Creature Effects Supervisor: Spectral Motion
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Creature Effects Supervisor: Spectral Motion / Puppeteer: Spectral Motion - 6 Episodes, 2016
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Creature Effects Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter One: The Vanishing of Will Byers (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Creature Effects Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter Two: The Weirdo on Maple Street (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Creature Effects Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Creature Effects Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter Five: The Flea and the Acrobat (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Creature Effects Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Creature Effects Supervisor: Spectral Motion / Puppeteer: Spectral Motion
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Specialty Costume Consultant
'Sleepy Hollow' Paradise Lost (2015)
Directed by: Russell Lee Fine
Cinematography by: Tod Campbell
Edited by: Andrew Coutts
Specialty Costume Consultant
'Sleepy Hollow' Go Where I Send Thee... (2014)
Directed by: Douglas Aarniokoski
Cinematography by: Glen Keenan
Edited by: Andrew Coutts
Special Makeup Effects Artist , Specialty Costume Supervisor: Mike Elizalde's Spectral Motion
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Creature Effects Designer: Spectral Motion, Visual Effects
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Specialty Costume Consultant - 2 Episodes, 2014-2015
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Creature Effects
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Design Consultant
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Creature Design Consultant
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Makeup Effects Designer
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Creature And Makeup Effects Designer
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Makeup Effects Supervisor: Spectral Motion
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Makeup Effects Designer
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Creature Effects
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Special Makeup Designer
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Makeup Design Consultant
Big Mommas: Like Father, Like Son (2011)
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Design Consultant
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Design Consultant
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Design Consultant
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Creature Design Consultant, Creature Designer
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Creature And Makeup Effects Designer
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Creature & Makeup Effects Designer / Lead Prosthetic Makeup Artist / Prosthetic Makeup Department Head
Blood: The Last Vampire (2009)
Directed by: Chris Nahon
Cinematography by: Hang-Sang Poon
Edited by: Marco Cavé
Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Creature And Makeup Effects Designer
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Makeup Effects Supervisor: Mike Elizalde's Spectral Motion / Special Makeup Effects Designer And Creator
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Design Consultant
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Makeup Supervisor: Spectral Motion
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lead Artist: Spectral Motion, Inc. / Prosthetic Makeup Department Head: Spectral Motion, Inc. / Special Makeup Effects Designer
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Makeup Effects Supervisor: Spectral Motion, Inc.
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Creature Effects Supervisor, Makeup Effects Supervisor, Prosthetic Makeup Department Head
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Creature Effects Supervisor, Makeup Supervisor
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Makeup Supervisor, Puppeteer
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Mechanical Designer
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Mechanical Department: Cinovation , Puppeteer
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Lead Mechanical Engineer: Steve Johnson's XFX, Lead Puppeteer
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Key Animatronic Designer: "Mecha", Stan Winston Studio, Puppeteer
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Mechanical Designer / Puppeteer
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Giant Hamster
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Animatronics Engineer: Steve Johnson's XFX, Inc., Puppeteer
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Mechanical Department: Cinovation/Rick Baker Crew, Puppeteer
Mighty Joe Young (1998)
Directed by: Ron Underwood
Edited by: Paul Hirsch
Mechanic: Cinovation Studios, Puppeteer
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Puppeteer
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
"Sil" Puppet Mechanical Design: Steve Johnson's XFX, Inc., Puppeteer
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Mechanical Designer
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Mechanical Designer: Steve Johnson's XFX, Inc.
Lord of Illusions (1995)
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Lead Puppeteer , Lead Puppeteer: Amalgamated Dynamics, Inc. / Reindeer Mechanical Department: Amalgamated Dynamics, Inc.
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Mechanical Designer / Puppeteer
Clifford (1994)
Directed by: Paul Flaherty
Cinematography by: John A. Alonzo
Creature Art Department
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mechanical Designer
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Special Effects Makeup
Coneheads (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Special Effects Technician
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Puppet/makeup Effects: Kevin Yagher Productions, Puppeteer
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Effects Artist
The Naked Gun 2½: The Smell of Fear (1991)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Lead Puppeteer
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mechanical Designer
One Good Cop (1991)
Directed by: Heywood Gould
Cinematography by: Ralf D. Bode
Edited by: Richard Marks
Special Makeup Effects Artist
Nothing But Trouble (1991)
Directed by: Dan Aykroyd
Cinematography by: Dean Cundey
Puppeteer
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Special Effects Technician
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Mechanical Designer / Puppeteer
Look Who's Talking (1989)
Directed by: Amy Heckerling
Cinematography by: Thomas Del Ruth
Edited by: Debra Chiate
Special Effects Technician
Watchers (1988)
Directed by: Jon Hess
Cinematography by: Richard Leiterman
