Neil Harrison

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Outlaw King | ShotOnWhat?

Senior Digital Intermediate Administrator

Outlaw King (2018)

Directed by: David Mackenzie

Cinematography by: Barry Ackroyd

Edited by: Jake Roberts

Cameras: Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

American Animals | ShotOnWhat?

Senior Digital Intermediate Administrator

American Animals (2018)

Directed by: Bart Layton

Cinematography by: Ole Bratt Birkeland

Edited by: Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera

Lenses: Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses

The Favourite | ShotOnWhat?

Senior Di Administrator

The Favourite (2018)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Murder on the Orient Express | ShotOnWhat?

Senior Digital Intermediate Administrator

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

The Killing of a Sacred Deer | ShotOnWhat?

Senior Digital Intermediate Administrator

The Killing of a Sacred Deer (2017)

Directed by: Yorgos Lanthimos

Cinematography by: Thimios Bakatakis

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Victoria & Abdul | ShotOnWhat?

Senior Digital Intermediate Administrator

Victoria & Abdul (2017)

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Melanie Oliver

Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses

Three Billboards Outside Ebbing, Missouri | ShotOnWhat?

Senior Digital Intermediate Administrator

Three Billboards Outside Ebbing, Missouri (2017)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Jon Gregory

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Florence Foster Jenkins | ShotOnWhat?

Senior Digital Intermediate Administrator

Florence Foster Jenkins (2016)

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA XT Camera

Free Fire | ShotOnWhat?

Senior Digital Intermediate Administrator

Free Fire (2016)

Directed by: Ben Wheatley

Cinematography by: Laurie Rose

Edited by: Amy Jump, Ben Wheatley

The Danish Girl | ShotOnWhat?

Senior Digital Intermediate Administrator

The Danish Girl (2015)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Melanie Oliver

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Maleficent | ShotOnWhat?

Digital Intermediate Systems Administrator

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

World War Z | ShotOnWhat?

Digital Intermediate Systems Administrator: Company 3

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Philomena | ShotOnWhat?

Systems Administrator

Philomena (2013)

Directed by: Stephen Frears

Cinematography by: Robbie Ryan

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Camera

Rush | ShotOnWhat?

Systems Administrator: Company 3 London

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

The Counselor | ShotOnWhat?

Digital Intermediate Systems Administrator

The Counselor (2013)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The World's End | ShotOnWhat?

Systems Administrator: Company 3 London

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Captain Phillips | ShotOnWhat?

Digital Intermediate Systems Administrator

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Skyfall | ShotOnWhat?

Digital Intermediate Systems Administrator: Company 3 London

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Seven Psychopaths | ShotOnWhat?

Systems Administrator: Company 3 London

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Frankenweenie | ShotOnWhat?

Digital Intermediate Systems Administrator

Frankenweenie (2012)

Directed by: Tim Burton

Cinematography by: Peter Sorg

Edited by: Chris Lebenzon, Mark Solomon

Cameras: Canon EOS-5D Mark II Camera

Editing System: Avid Editing System

Hyde Park on Hudson | ShotOnWhat?

Digital Intermediate Systems Administrator

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Wrath of the Titans | ShotOnWhat?

Digital Intermediate Systems Administrator

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Anna Karenina | ShotOnWhat?

Digital Intermediate Systems Administrator

Anna Karenina (2012)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Melanie Oliver

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Woman in Black | ShotOnWhat?

Digital Intermediate Systems Administrator: Deluxe 142

The Woman in Black (2012)

Directed by: James Watkins

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

The Best Exotic Marigold Hotel | ShotOnWhat?

Digital Intermediate Systems Administrator

The Best Exotic Marigold Hotel (2011)

Directed by: John Madden

Cinematography by: Ben Davis

Edited by: Chris Gill

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Wuthering Heights | ShotOnWhat?

Digital Intermediate Systems Administrator

Wuthering Heights (2011)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

The Inbetweeners Movie | ShotOnWhat?

Digital Intermediate Systems Administrator

The Inbetweeners Movie (2011)

Directed by: Ben Palmer

Cinematography by: Ben Wheeler

Edited by: Charlie Fawcett, William Webb

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Iron Lady | ShotOnWhat?

Digital Intermediate Systems Administrator: Deluxe 142

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

One Day | ShotOnWhat?

Systems Administrator: Deluxe 142 Features

One Day (2011)

Directed by: Lone Scherfig

Cinematography by: Benoît Delhomme

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Eagle | ShotOnWhat?

Digital Intermediate Systems Administrator

The Eagle (2011)

Directed by: Kevin Macdonald

Cinematography by: Anthony Dod Mantle

Edited by: Justine Wright

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-1D Mark IV Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Being Sold | ShotOnWhat?

Camera Operator: Second Unit

Being Sold (2011)

Directed by: Phil Hawkins

Cinematography by: Michael Costelloe

Edited by: Paul Gordon, Paul Griffiths-Davies

360 | ShotOnWhat?

Digital Intermediate Systems Administrator

360 (2011)

Directed by: Fernando Meirelles

Cinematography by: Adriano Goldman

Edited by: Daniel Rezende

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Morning Glory | ShotOnWhat?

Digital Intermediate Systems Administrator

Morning Glory (2010)

Directed by: Roger Michell

Cinematography by: Alwin H. Küchler

Edited by: Dan Farrell, Nick Moore, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Scott Pilgrim vs. the World | ShotOnWhat?

Digital Intermediate Systems Administrator

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Digital Intermediate Systems Administrator

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Green Zone | ShotOnWhat?

Digital Intermediate Systems Administrator

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Never Let Me Go | ShotOnWhat?

Digital Intermediate Systems Administrator

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Nine | ShotOnWhat?

Digital Intermediate Systems Administrator

Nine (2009)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Glorious 39 | ShotOnWhat?

Digital Intrmediate Systems Administrator

Glorious 39 (2009)

Directed by: Stephen Poliakoff

Cinematography by: Danny Cohen

Edited by: Jason Krasucki

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fish Tank | ShotOnWhat?

Digital Intermediate Systems Administrator

Fish Tank (2009)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Vampire Killers | ShotOnWhat?

Digital Intermediate Systems Administrator

Vampire Killers (2009)

Directed by: Phil Claydon

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: Red One Camera

Quantum of Solace | ShotOnWhat?

Digital Intermediate Systems Administrator

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

RocknRolla | ShotOnWhat?

Digital Intermediate Systems Administrator

RocknRolla (2008)

Directed by: Guy Ritchie

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: ARRIFLEX D-20 Camera

K-19: The Widowmaker | ShotOnWhat?

Senior Systems Administrator: Mill Film

K-19: The Widowmaker (2002)

Directed by: Kathryn Bigelow

Cinematography by: Jeff Cronenweth

Edited by: Walter Murch

Die Another Day | ShotOnWhat?

Senior Systems Administrator: Mill Film

Die Another Day (2002)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Andrew MacRitchie, Christian Wagner

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Lara Croft: Tomb Raider | ShotOnWhat?

Senior Systems Administrator

Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Shipping News | ShotOnWhat?

Senior Systems Administrator

The Shipping News (2001)

Directed by: Lasse Hallström

Cinematography by: Oliver Stapleton

Edited by: Andrew Mondshein

Pitch Black | ShotOnWhat?

Systems Administrator: The Magic Camera Company

Pitch Black (2000)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Rick Shaine

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Chocolat | ShotOnWhat?

Senior Systems Administrator

Chocolat (2000)

Directed by: Lasse Hallström

Cinematography by: Roger Pratt

Edited by: Andrew Mondshein

Proof of Life | ShotOnWhat?

Senior Systems Administrator

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

The World Is Not Enough | ShotOnWhat?

Senior Systems Administrator

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

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