John C. Stuver

94 Titles

Is this you? Add a Profile

Pokémon Detective Pikachu | ShotOnWhat?

Dialogue Editor , Dialogue Editor: E2

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Skyscraper | ShotOnWhat?

Dialogue Editor

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

Dialogue Editor: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Ghostbusters | ShotOnWhat?

Sound Effects Editor

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Star Trek Beyond | ShotOnWhat?

Dialogue Editor

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Huntsman: Winter's War | ShotOnWhat?

Dialogue Editor

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Ben-Hur | ShotOnWhat?

Dialogue Editor

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

The Revenant | ShotOnWhat?

Dialogue Editor

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Spectre | ShotOnWhat?

Dialogue Editor

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Spy | ShotOnWhat?

Dialogue Editor

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Child 44 | ShotOnWhat?

Dialogue Editor

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

The Purge: Anarchy | ShotOnWhat?

Dialogue Editor

The Purge: Anarchy (2014)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

RoboCop | ShotOnWhat?

Dialogue Editor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Godzilla | ShotOnWhat?

Adr Editor

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Dracula Untold | ShotOnWhat?

Dialogue Editor

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

John Wick | ShotOnWhat?

Dialogue Editor

John Wick (2014)

Directed by: Chad Stahelski, David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

2 Guns | ShotOnWhat?

Dialogue Editor

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Dialogue Editor

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Carrie | ShotOnWhat?

Dialogue Editor

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

Iron Man Three | ShotOnWhat?

Movie 43 | ShotOnWhat?

Sound Effects Editor - Segment "The Catch"

Movie 43 (2013)

Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk

Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt

Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Guilt Trip | ShotOnWhat?

Dialogue Editor

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Dictator | ShotOnWhat?

Dialogue Editor

The Dictator (2012)

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses: Panavision Primo Anamorphic Lenses

Django Unchained | ShotOnWhat?

Dialogue Editor

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Dialogue Editor

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Safe House | ShotOnWhat?

Dialogue Editor

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Bourne Legacy | ShotOnWhat?

Dialogue Editor

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Apollo 18 | ShotOnWhat?

Dialogue Editor: ToddAo/Soundelux

Apollo 18 (2011)

Directed by: Gonzalo López-Gallego

Cinematography by: José David Montero

Edited by: Patrick Lussier

Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses: Panavision Primo Digital Lenses

Hall Pass | ShotOnWhat?

Dialogue Editor

Hall Pass (2011)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Larry Crowne | ShotOnWhat?

Dialogue Editor

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Source Code | ShotOnWhat?

Dialogue Editor

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Dialogue Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cedar Rapids | ShotOnWhat?

Dialogue Editor

Cedar Rapids (2011)

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Eric Kissack

Drive | ShotOnWhat?

Dialogue Editor

Drive (2011)

Directed by: Nicolas Winding Refn

Cinematography by: Newton Thomas Sigel

Edited by: Matthew Newman

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Green Lantern | ShotOnWhat?

Adr Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

A Nightmare on Elm Street | ShotOnWhat?

Dialogue Editor

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Going the Distance | ShotOnWhat?

Adr Editor

Going the Distance (2010)

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

She's Out of My League | ShotOnWhat?

Dialogue Editor

She's Out of My League (2010)

Directed by: Jim Field Smith

Cinematography by: Jim Denault

Edited by: Dan Schalk

Crazy Heart | ShotOnWhat?

Dialogue Editor

Crazy Heart (2009)

Directed by: Scott Cooper

Cinematography by: Barry Markowitz

Edited by: John Axelrad, Jeffrey Ford

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Grand Canyon Adventure: River at Risk | ShotOnWhat?

Supervising Dialog Editor

Grand Canyon Adventure: River at Risk (2008)

Directed by: Greg MacGillivray

Cinematography by: Greg MacGillivray, Brad Ohlund, Jack Tankard

Edited by: Stephen Judson

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Foley Editor

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Role Models | ShotOnWhat?

Dialogue Editor

Role Models (2008)

Directed by: David Wain

Cinematography by: Russ T. Alsobrook

Edited by: Eric Kissack

Cameras: Panavision Cameras

Sex Drive | ShotOnWhat?

Dialogue Editor

Sex Drive (2008)

Directed by: Sean Anders

Cinematography by: Tim Orr

Edited by: George Folsey Jr., Charles Kaplan

The Rocker | ShotOnWhat?

Supervising Dialogue And Adr Editor

The Rocker (2008)

Directed by: Peter Cattaneo

Cinematography by: Anthony B. Richmond

Edited by: Charles Kaplan, Brad Wilhite

Flash of Genius | ShotOnWhat?

Sound Editor

Flash of Genius (2008)

Directed by: Marc Abraham

Cinematography by: Dante Spinotti

Edited by: Jill Savitt

Semi-Pro | ShotOnWhat?

Dialogue Editor

Semi-Pro (2008)

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

Breach | ShotOnWhat?

Foley Editor

Breach (2007)

Directed by: Billy Ray

Cinematography by: Tak Fujimoto

Edited by: Jeffrey Ford

Cameras: Panavision Cameras

The Bucket List | ShotOnWhat?

Dialogue Editor

The Bucket List (2007)

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Gone Baby Gone | ShotOnWhat?

Dialogue Editor

Gone Baby Gone (2007)

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Slipstream | ShotOnWhat?

Dialogue Editor

Slipstream (2007)

Directed by: Anthony Hopkins

Cinematography by: Dante Spinotti

Edited by: Michael R. Miller

The Heartbreak Kid | ShotOnWhat?

Dialogue Editor

The Heartbreak Kid (2007)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Alan Baumgarten, Sam Seig

The Alps | ShotOnWhat?

Dialogue Editor

The Alps (2007)

Directed by: Stephen Judson

Cinematography by: Brad Ohlund

Edited by: Stephen Judson

Good Luck Chuck | ShotOnWhat?

Adr Editor / Dialogue Editor

Good Luck Chuck (2007)

Directed by: Mark Helfrich

Cinematography by: Anthony B. Richmond

Edited by: Julia Wong

Mr. Magorium's Wonder Emporium | ShotOnWhat?

Dialogue Editor

Mr. Magorium's Wonder Emporium (2007)

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Dialogue Editor

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

A Good Year | ShotOnWhat?

Dialogue Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | ShotOnWhat?

Dialogue Editor

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Directed by: Larry Charles

Cinematography by: Luke Geissbuhler, Anthony Hardwick

Edited by: Craig Alpert, Peter Teschner, James Thomas

Cameras: Panasonic AJ-HDC27 Varicam Camera

The Pink Panther | ShotOnWhat?

Dialogue Editor

The Pink Panther (2006)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

Blood Diamond | ShotOnWhat?

Dialogue Editor

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Little Miss Sunshine | ShotOnWhat?

Dialogue Editor

Little Miss Sunshine (2006)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Tim Suhrstedt

Edited by: Pamela Martin

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lords of Dogtown | ShotOnWhat?

Dialogue Editor

Lords of Dogtown (2005)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Stealth | ShotOnWhat?

Dialogue Editor

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Miracle | ShotOnWhat?

Dialogue Editor

Miracle (2004)

Directed by: Gavin O'Connor

Cinematography by: Dan Stoloff

Edited by: John Gilroy, Daric Loo

Cameras: Panavision Cameras

The Girl Next Door | ShotOnWhat?

Adr Editor

The Girl Next Door (2004)

Directed by: Luke Greenfield

Cinematography by: Jamie Anderson

Edited by: Mark Livolsi

Collateral | ShotOnWhat?

Supervising Dialogue Editor

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Christmas with the Kranks | ShotOnWhat?

Dialogue Editor

Christmas with the Kranks (2004)

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

The Shape of Things | ShotOnWhat?

Foley Editor

The Shape of Things (2003)

Directed by: Neil LaBute

Cinematography by: James L. Carter

Edited by: Joel Plotch

Hollywood Homicide | ShotOnWhat?

Dialogue Editor

Hollywood Homicide (2003)

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

Basic | ShotOnWhat?

Supervising Dialogue Editor

Basic (2003)

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: George Folsey Jr.

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Dangerous Lives of Altar Boys | ShotOnWhat?

Dialogue Editor

The Dangerous Lives of Altar Boys (2002)

Directed by: Peter Care

Cinematography by: Lance Acord

Edited by: Chris Peppe

The Banger Sisters | ShotOnWhat?

Dialogue Editor

The Banger Sisters (2002)

Directed by: Bob Dolman

Cinematography by: Karl Walter Lindenlaub

Edited by: Aram Nigoghossian

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision E Series Anamorphic Lenses

Trapped | ShotOnWhat?

Dialogue Editor

Trapped (2002)

Directed by: Luis Mandoki

Cinematography by: Frederick Elmes, Piotr Sobocinski

Edited by: Gerald B. Greenberg

Phone Booth | ShotOnWhat?

Dialogue Editor

Phone Booth (2002)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

One Hour Photo | ShotOnWhat?

Adr Editor / Dialogue Editor

One Hour Photo (2002)

Directed by: Mark Romanek

Cinematography by: Jeff Cronenweth

Edited by: Jeffrey Ford

The Fast and the Furious | ShotOnWhat?

Dialogue Editor

The Fast and the Furious (2001)

Directed by: Rob Cohen

Cinematography by: Ericson Core

Edited by: Peter Honess

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Bubble Boy | ShotOnWhat?

Dialogue Editor

Bubble Boy (2001)

Directed by: Blair Hayes

Cinematography by: Jerzy Zielinski

Edited by: Pamela Martin

Out Cold | ShotOnWhat?

Dialogue Editor

Out Cold (2001)

Directed by: Brendan Malloy, Emmett Malloy

Cinematography by: Richard Crudo

Edited by: Jeffrey Wolf

Domestic Disturbance | ShotOnWhat?

Dialogue Editor

Domestic Disturbance (2001)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

Cherry Falls | ShotOnWhat?

Dialogue Editor

Cherry Falls (2000)

Directed by: Geoffrey Wright

Cinematography by: Anthony B. Richmond

Edited by: John F. Link

Tigerland | ShotOnWhat?

Dialogue Editor

Tigerland (2000)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

Timecode | ShotOnWhat?

Dialogue Editor

Timecode (2000)

Directed by: Mike Figgis

Cinematography by: Patrick Alexander Stewart

A Slipping-Down Life | ShotOnWhat?

Dialogue Editor

A Slipping-Down Life (1999)

Directed by: Toni Kalem

Cinematography by: Michael F. Barrow

Edited by: Hughes Winborne

Cameras: Aaton 35-III Camera, ARRIFLEX 535 Camera

Bats | ShotOnWhat?

Adr Editor / Dialogue Editor

Bats (1999)

Directed by: Louis Morneau

Cinematography by: George Mooradian

Edited by: Glenn Garland

The Mod Squad | ShotOnWhat?

Dialogue Editor

The Mod Squad (1999)

Directed by: Scott Silver

Cinematography by: Ellen Kuras

Edited by: Dorian Harris

Clay Pigeons | ShotOnWhat?

Dialogue Editor

Clay Pigeons (1998)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Stan Salfas

Woo | ShotOnWhat?

Dialogue Editor

Woo (1998)

Directed by: Daisy von Scherler Mayer

Cinematography by: Jean Lépine

Edited by: Nicholas Eliopoulos, Janice Hampton

Jack Frost | ShotOnWhat?

Dialogue Editor

Jack Frost (1998)

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

A Price Above Rubies | ShotOnWhat?

Adr Editor

A Price Above Rubies (1998)

Directed by: Boaz Yakin

Cinematography by: Adam Holender

Edited by: Arthur Coburn

Blade | ShotOnWhat?

Adr Editor / Dialogue Editor

Blade (1998)

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Phantoms | ShotOnWhat?

Dialogue Editor

Phantoms (1998)

Directed by: Joe Chappelle

Cinematography by: Richard Clabaugh

Edited by: Randy Bricker

Most Wanted | ShotOnWhat?

Adr Editor

Most Wanted (1997)

Directed by: David Hogan

Cinematography by: Marc Reshovsky

Edited by: Michael J. Duthie, Mark Helfrich

Cameras: Panavision Cameras

Soul Food | ShotOnWhat?

Adr Editor

Soul Food (1997)

Directed by: George Tillman Jr.

Cinematography by: Paul Elliott

Edited by: John Carter

Friday | ShotOnWhat?

Sound Effects Editor

Friday (1995)

Directed by: F. Gary Gray

Cinematography by: Gerry Lively

Edited by: John Carter

The Baby-Sitters Club | ShotOnWhat?

Sound Editor

The Baby-Sitters Club (1995)

Directed by: Melanie Mayron

Cinematography by: Willy Kurant

Edited by: Christopher Greenbury

©2012 - 2024 ShotOnWhat?

20254.20