Adr Editor
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Primo Digital Lenses
Adr Supervisor
Pelé: Birth of a Legend (2016)
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
ADR Supervisor
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Dialogue Editor
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Supervising Sound Editor
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Adr Editor
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Adr Supervisor
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Adr Supervisor
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Adr Editor
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Adr Supervisor
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Adr Editor
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Supervising Adr Editor
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Adr Supervisor
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Supervising Adr Editor
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Supervising Adr Editor
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Adr Supervisor
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Adr Supervisor: Los Angeles
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Adr Supervisor
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Adr Supervisor
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Supervisor
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Dialogue Editor
The Hurt Locker (2008)
Directed by: Kathryn Bigelow
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Adr Supervisor / Supervising Adr Editor
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Adr Editor
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Adr Editor
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Supervising Adr Editor
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Adr Editor
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Supervising Sound Editor
Starter for 10 (2006)
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
Adr Supervisor
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Adr Supervisor
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Supervising Adr Editor
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Supervising Adr Editor
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Supervising Adr Editor
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Supervising Adr Editor
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Supervisor
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Adr Supervisor
My Big Fat Greek Wedding (2002)
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Adr Editor
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Dialogue Editor
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Adr Editor
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Supervising Adr Editor / Supervising Sound Editor
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Supervising Adr Editor
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Adr Supervisor
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Adr Editor
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Supervisor
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Supervising Adr Editor
The Story of Us (1999)
Directed by: Rob Reiner
Cinematography by: Michael Chapman
Adr Editor
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Jack Frost (1998)
Directed by: Troy Miller
Cinematography by: László Kovács
Edited by: Lawrence Jordan
Adr Supervisor
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Adr Supervisor
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Adr Supervisor
One True Thing (1998)
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses
Adr Supervisor
My Best Friend's Wedding (1997)
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Adr Supervisor
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Supervising Adr Editor
Diabolique (1996)
Directed by: Jeremiah S. Chechik
Cinematography by: Peter James
Edited by: Carol Littleton
Supervising Adr Editor
That Thing You Do! (1996)
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Supervising Sound Editor
Billy Madison (1995)
Directed by: Tamra Davis
Cinematography by: Victor Hammer
Supervising Adr Editor
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Supervisor
Airheads (1994)
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Adr Supervisor
Killing Zoe (1993)
Directed by: Roger Avary
Cinematography by: Tom Richmond
Edited by: Kathryn Himoff
Cameras: Moviecam Compact MK2 Camera
Editing System: K.E.M. Editing System
Adr Editor
Rudy (1993)
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Adr Editor
A League of Their Own (1992)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Adr Editor
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Dialogue Editor
Class Action (1991)
Directed by: Michael Apted
Cinematography by: Conrad L. Hall
Edited by: Ian Crafford
Supervising Adr Editor
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Supervising Sound Editor
Mannequin: On the Move (1991)
Directed by: Stewart Raffill
Cinematography by: Larry Pizer
Sound Editor
The Big Picture (1989)
Directed by: Christopher Guest
Cinematography by: Jeffrey Jur
Edited by: Martin Nicholson
Sound Effects Editor
Her Alibi (1989)
Directed by: Bruce Beresford
Cinematography by: Freddie Francis
Edited by: Anne Goursaud
Sound Editor
Great Balls of Fire! (1989)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Sound Editor: New York
Crocodile Dundee II (1988)
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Sound Editor
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Back to the Beach (1987)
Directed by: Lyndall Hobbs
Cinematography by: Bruce Surtees
Edited by: David Finfer
Cameras: Panavision Cameras
Sound Editor
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Sound Effects Editor
The Woman in Red (1984)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
