Tracking Artist
'The Flash' Abra Kadabra (2017)
Directed by: Nina Lopez-Corrado
Cinematography by: Stewart Whelan
Tracking Artist
'The Flash' Borrowing Problems from the Future (2017)
Directed by: Millicent Shelton
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Tracking Artist
'The Flash' Dead or Alive (2017)
Directed by: Harry Jierjian
Cinematography by: C. Kim Miles
Tracking Artist
'The Flash' Untouchable (2017)
Directed by: Rob Hardy
Cinematography by: Ronald Richard
Tracking Artist
'The Flash' Attack on Gorilla City (2017)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Tracking Artist
'The Flash' Attack on Central City (2017)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' The Wrath of Savitar (2017)
Directed by: Alexandra La Roche
Cinematography by: C. Kim Miles
Edited by: Christopher Oakes
Tracking Artist
'The Flash' Into the Speed Force (2017)
Directed by: Gregory Smith
Cinematography by: Stewart Whelan
Edited by: Mike Jackson
Tracking Artist
'The Flash' Duet (2017)
Directed by: Dermott Downs
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' The Once and Future Flash (2017)
Directed by: Tom Cavanagh
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Tracking Artist
'The Flash' I Know Who You Are (2017)
Directed by: Hanelle M. Culpepper
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' Cause and Effect (2017)
Directed by: David McWhirter
Cinematography by: C. Kim Miles
Tracking Artist
'The Flash' Infantino Street (2017)
Directed by: Michael A. Allowitz
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Tracking Artist
'The Flash' Finish Line (2017)
Directed by: David McWhirter
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' Flash Back (2016)
Directed by: Alice Troughton
Cinematography by: C. Kim Miles
Edited by: Chris Conlee
Tracking Artist
'The Flash' Back to Normal (2016)
Directed by: John F. Showalter
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Tracking Artist
'The Flash' Versus Zoom (2016)
Directed by: Stefan Pleszczynski
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' Invincible (2016)
Directed by: Jesse Warn
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Tracking Artist
'The Flash' Rupture (2016)
Directed by: Armen V. Kevorkian
Cinematography by: Stewart Whelan
Edited by: Chris Conlee
Tracking Artist
'The Flash' The Runaway Dinosaur (2016)
Directed by: Kevin Smith
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' Killer Frost (2016)
Directed by: Kevin Smith
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Tracking Artist
'The Flash' Trajectory (2016)
Directed by: Glen Winter
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Tracking Artist
'The Flash' King Shark (2016)
Directed by: Hanelle M. Culpepper
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' The Reverse-Flash Returns (2016)
Directed by: Michael A. Allowitz
Cinematography by: C. Kim Miles
Edited by: Chris Conlee
Tracking Artist
'The Flash' Fast Lane (2016)
Directed by: Rachel Talalay
Cinematography by: Stewart Whelan
Tracking Artist
'The Flash' Escape from Earth-2 (2016)
Directed by: J.J. Makaro
Cinematography by: Stewart Whelan
Edited by: Chris Conlee
Tracking Artist
'The Flash' Welcome to Earth-2 (2016)
Directed by: Millicent Shelton
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Tracking Artist - 3 Episodes, 2016
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Tracking Artist
'The Flash' The Race of His Life (2016)
Directed by: Antonio Negret
Cinematography by: C. Kim Miles
Edited by: Chris Peppe
Tracking Artist
'The Flash' Flashpoint (2016)
Directed by: Jesse Warn
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Tracking Artist
'The Flash' Paradox (2016)
Directed by: Ralph Hemecker
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' Magenta (2016)
Directed by: Armen V. Kevorkian
Cinematography by: C. Kim Miles
Edited by: Chris Peppe
Tracking Artist
'The Flash' The New Rogues (2016)
Directed by: Stefan Pleszczynski
Cinematography by: Jan Kiesser
Edited by: Nathan Draper
Tracking Artist
'The Flash' Monster (2016)
Directed by: C. Kim Miles
Cinematography by: Bruce Worrall
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' Potential Energy (2016)
Directed by: Rob Hardy
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Tracking Artist
'The Flash' Invasion! (2016)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Tracking Artist
'The Flash' The Present (2016)
Directed by: Rachel Talalay
Cinematography by: C. Kim Miles
Tracking Artist
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Tracking Artist
'Stranger Things' Chapter Seven: The Bathtub (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Tracking Artist
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Tracking Supervisor
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Tracking Artist
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Tracking Supervisor
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Tracking Supervisor
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Tracking Artist
'The Flash' The Man Who Saved Central City (2015)
Directed by: Ralph Hemecker
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Tracking Artist
'The Flash' Flash of Two Worlds (2015)
Directed by: Jesse Warn
Cinematography by: Stewart Whelan
Edited by: Chris Conlee
Tracking Artist
'The Flash' The Fury of Firestorm (2015)
Directed by: Stefan Pleszczynski
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Tracking Artist
'The Flash' Family of Rogues (2015)
Directed by: John F. Showalter
Cinematography by: C. Kim Miles
Edited by: Dan Wilken
Tracking Artist
'The Flash' The Darkness and the Light (2015)
Directed by: Steve Shill
Cinematography by: C. Kim Miles
Edited by: Chris Conlee
Tracking Artist
'The Flash' Enter Zoom (2015)
Directed by: J.J. Makaro
Cinematography by: Stewart Whelan
Edited by: Dan Wilken
Tracking Artist
'The Flash' Gorilla Warfare (2015)
Directed by: Dermott Downs
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Tracking Artist
'The Flash' Running to Stand Still (2015)
Directed by: Kevin Tancharoen
Cinematography by: C. Kim Miles
Edited by: Dan Wilken
Tracking Artist
'The Flash' Legends of Today (2015)
Directed by: Ralph Hemecker
Cinematography by: Stewart Whelan
Edited by: Chris Conlee
Tracking Supervisor
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Tracking Supervisor
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Tracking Supervisor
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Tracking Artist - 46 Episodes, 2015-2017
The Flash (2014)
Directed by: Dermott Downs, Ralph Hemecker, Stefan Pleszczynski, David McWhirter, Glen Winter, Jesse Warn, Rachel Talalay, Tom Cavanagh, Alexandra La Roche, Millicent Shelton, Kevin Tancharoen, Rob Hardy, J.J. Makaro, John F. Showalter, Hanelle M. Culpepper, Kevin Smith, Armen V. Kevorkian, Gregory Smith, David Nutter, Steve Shill, C. Kim Miles, Michael A. Allowitz, Brent Crowell, Harry Jierjian, Rob Greenlea, Viet Nguyen, Philip Chipera, Chris Peppe, Larry Shaw, Douglas Aarniokoski, John Behring, Nick Copus, Thor Freudenthal, Wendey Stanzler, Stephen Surjik, Antonio Negret, Alice Troughton, Laura Belsey, Nina Lopez-Corrado, Andi Armaganian, Sarah Boyd, Kevin Mock, Tara Nicole Weyr, Jeff Cassidy, Rebecca Johnson, Danielle Panabaker, Marcus Stokes, Kristin Windell
Cinematography by: C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard
Edited by: Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Tracking Supervisor
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Tracking Supervisor
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Tracking Supervisor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Tracking Supervisor
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Tracking Supervisor
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Tracking Supervisor
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Tracking Supervisor
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Rotoscope Supervisor
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
3d Conversion: Stereo D
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Rotoscope Supervisor
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Rotoscope Supervisor
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Rotoscope Supervisor
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Roto Supervisor: Stereo D
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Roto Supervisor: Stereo D
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Rotoscope Supervisor
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Rotoscope Supervisor
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Rotoscope Supervisor
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Rotoscope Supervisor
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Rotoscope Supervisor
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Roto Supervisor: Stereo D
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Rotoscope Supervisor
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Rotoscope Supervisor
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Stereoscopic Roto Lead: Stereo D
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Rotoscope Supervisor
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Rotoscope Artist
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Rotoscope Artist
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Digital Rotoscoper
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Rotoscope Artist
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Rotoscope Supervisor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Rotoscope Supervisor
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
