C Camera Operator Main Unit
Mary Poppins Returns (2018)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
"A" Camera Operator Additional Photography
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
| USA
Cinematography by: Paul Cameron
Camera Operator: Main Unit
King Arthur: Legend of the Sword (2017)
| USA, UK
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Splinter Unit DOP
Doctor Strange (2016)
| USA
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Camera Operator
Mission: Impossible - Rogue Nation (2015)
| USA, China, Hong Kong, Austria
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Camera Operator
The Man from U.N.C.L.E. (2015)
| USA, UK
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Camera Operator
Guardians of the Galaxy (2014)
| USA
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
B Camera Operator: Second Unit
A Good Day to Die Hard (2013)
| USA, Russia
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
First Assistant Camera
47 Ronin (2013)
| USA, UK, Japan, Hungary
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
First Assistant Camera "a" Camera
Austenland (2013)
| UK, USA
Directed by: Jerusha Hess
Cinematography by: Larry Smith
Edited by: Nick Fenton
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
A Camera Operator
Only God Forgives (2013)
| Denmark, France, USA, Sweden, Belgium
Directed by: Nicolas Winding Refn
Cinematography by: Larry Smith
Edited by: Matthew Newman
Cameras: ARRI ALEXA Camera, Red Epic Camera
Camera Operator: "a" Camera, Second Unit
Thor: The Dark World (2013)
| USA
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
First Assistant Camera
Snow White and the Huntsman (2012)
| USA, UK
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
First Assistant Camera: "b" Camera
Jane Eyre (2011)
| UK, USA
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Focus Puller: Second Unit
Captain America: The First Avenger (2011)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
First Assistant Camera: "b" Camera
Robin Hood (2010)
| USA, UK
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera
Burke and Hare (2010)
| UK
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Focus Puller: "b" Camera
Nine (2009)
| UK, USA
Directed by: Rob Marshall
Cinematography by: Dion Beebe
First Assistant Camera / Focus Puller: "a" Camera, Second Unit
Quantum of Solace (2008)
| UK, USA
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
First Assistant Camera
The Mummy: Tomb of the Dragon Emperor (2008)
| USA, Germany, China, Canada
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
First Assistant Camera
Agent Crush (2008)
| UK, USA
Directed by: Sean Robinson
Cinematography by: Peter Field
Edited by: David Freemantle
Cameras: ARRIFLEX 435 Camera
Additional Focus Puller
Hot Fuzz (2007)
| UK, France
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
First Assistant Camera: "b" Camera
The Golden Compass (2007)
| UK, USA
Directed by: Chris Weitz
Cinematography by: Henry Braham
Focus Puller: Morocco Second Unit
The Bourne Ultimatum (2007)
| USA, Germany, France, Spain
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
First Assistant Camera: Varden Unit
Eragon (2006)
| USA, UK, Hungary
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Focus Puller: "b" Camera, UK First Unit
Garfield: A Tail of Two Kitties (2006)
| UK, USA
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
First Assistant Camera
Charlie and the Chocolate Factory (2005)
| USA, UK, Australia
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
First Assistant Camera
The Hitchhiker's Guide to the Galaxy (2005)
| UK, USA
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
First Assistant Camera
Garfield (2004)
| USA
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
First Assistant Camera
Alexander (2004)
| USA, UK, Germany, Netherlands, France, Italy, Morocco, Thailand
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
First Assistant Camera: Second Unit
Troy (2004)
| USA, Malta, UK
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Focus Puller: Second Unit
Cold Mountain (2003)
| UK, Italy, Romania, USA
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
First Assistant Camera
The Four Feathers (2002)
| UK, USA
Directed by: Shekhar Kapur
Cinematography by: Robert Richardson
Edited by: Steven Rosenblum
Camera Focus
Die Another Day (2002)
| UK, USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
First Assistant Camera
Lara Croft: Tomb Raider (2001)
| USA, UK, Japan, Germany
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Focus Puller: "c" Camera
Blow Dry (2001)
| USA, UK, Germany
Directed by: Paddy Breathnach
Cinematography by: Cian de Buitléar
Edited by: Tony Lawson
Camera Focus
The World Is Not Enough (1999)
| UK, USA
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
First Assistant Camera
Entrapment (1999)
| USA, UK, Germany
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Focus Puller: Second Unit
Shakespeare in Love (1998)
| USA, UK
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Camera Focus
Tomorrow Never Dies (1997)
| UK, USA
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Clapper Loader: UK Second Unit
The Wings of the Dove (1997)
| USA, UK
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Clapper Loader: Second Unit
In Love and War (1996)
| USA
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
