Colourist: Double Negative
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Colourist: Double Negative
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Colourist: Double Negative
Red Sparrow (2018)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Digital Colour Timer, Double Negative
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Colourist: Double Negative
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Colourist: Double Negative
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Colourist: Double Negative
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Colourist: Double Negative
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Colourist: Double Negative
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Colourist: Double Negative
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Colourist: Double Negative
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Colourist: Double Negative
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Colourist: Double Negative
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Colourist: Double Negative / Colorist: Double Negative , Colourist: Double Negative / Colorist: Double Negative - 10 Episodes, 2016
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Colourist: Double Negative
'Westworld' The Original (2016)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Colorist: Double Negative
'Westworld' Chestnut (2016)
Directed by: Richard J. Lewis
Cinematography by: Brendan Galvin
Edited by: Mark Yoshikawa
Colourist: Double Negative
'Westworld' The Stray (2016)
Directed by: Neil Marshall
Cinematography by: Robert McLachlan
Edited by: Andrew Seklir
Colorist: Double Negative
'Westworld' Dissonance Theory (2016)
Directed by: Vincenzo Natali
Cinematography by: Brendan Galvin
Edited by: Tanya M. Swerling
Colorist: Double Negative
'Westworld' Contrapasso (2016)
Directed by: Jonny Campbell
Cinematography by: Robert McLachlan
Edited by: Mark Yoshikawa
Colorist: Double Negative
'Westworld' The Adversary (2016)
Directed by: Frederick E.O. Toye
Edited by: Tanya M. Swerling
Colourist: Double Negative
'Westworld' Trompe L'Oeil (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Brendan Galvin
Edited by: Andrew Seklir
Colourist: Double Negative
'Westworld' Trace Decay (2016)
Directed by: Stephen Williams
Edited by: Tanya M. Swerling
Colourist: Double Negative
'Westworld' The Well-Tempered Clavier (2016)
Directed by: Michelle MacLaren
Cinematography by: Jeffrey Jur
Edited by: Mark Yoshikawa
Colourist: Double Negative
'Westworld' The Bicameral Mind (2016)
Directed by: Jonathan Nolan
Cinematography by: David Franco
Edited by: Andrew Seklir
Colourist: Double Negative
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Grading Supervisor: Double Negative
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Colourist: Double Negative
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Grading Supervisor: Double Negative
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Colourist: Double Negative
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Colourist: Double Negative
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Grading Supervisor: Double Negative
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Digital Color Timer: Double Negative
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Colourist: Double Negative
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Colourist: Double Negative
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Colourist: Double Negative
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Grading Supervisor/Colorist
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
VFX Colourist: Double Negative
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Colourist: Double Negative
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Colourist: Double Negative
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Colourist: Double Negative
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Colourist: Double Negative
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Colourist: Double Negative
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Colourist
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Colorist: Double Negative London
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Colourist: Double Negative
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Colourist: Double Negative
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Colourist: Double Negative
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Colourist: Double Negative
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Colourist: Double Negative
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Colourist: Double Negative
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Colorist
The Divide (2011)
Directed by: Xavier Gens
Cinematography by: Laurent Barès
Edited by: Carlo Rizzo
Assistant Colourist
Age of Heroes (2011)
Directed by: Adrian Vitoria
Cinematography by: Mark Hamilton
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Data Scanner
Another Year (2010)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
2k Data Scanning
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Assistant Colorist - 6 Episodes, 2010
Luther (2010)
Cinematography by: Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson
Edited by: Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner
Cameras: ARRIFLEX D-21 Camera
Editing System: Avid Editing System
Assistant Colorist
'Ashes to Ashes' Episode #3.8 (2010)
Directed by: David Drury
Cinematography by: Balazs Bolygo
Edited by: Ben Drury
Assistant Colorist
'Ashes to Ashes' Episode #3.7 (2010)
Directed by: David Drury
Cinematography by: Balazs Bolygo
Edited by: Ben Drury
Assistant Colorist
'Ashes to Ashes' Episode #3.6 (2010)
Directed by: Jamie Payne
Cinematography by: Simon Archer
Edited by: Jamie Trevill
Assistant Colorist
'Ashes to Ashes' Episode #3.5 (2010)
Directed by: Jamie Payne
Cinematography by: Simon Archer
Edited by: Jamie Trevill
Assistant Colorist
'Ashes to Ashes' Episode #3.4 (2010)
Directed by: Alrick Riley
Cinematography by: Adam Suschitzky
Edited by: Guy Bensley
Assistant Colorist
'Ashes to Ashes' Episode #3.3 (2010)
Directed by: Alrick Riley
Cinematography by: Adam Suschitzky
Assistant Colorist
'Ashes to Ashes' Episode #3.1 (2010)
Directed by: David Drury
Cinematography by: Adam Suschitzky
Edited by: Ben Drury
Assistant Colorist
'Ashes to Ashes' Episode #3.2 (2010)
Directed by: David Drury
Cinematography by: Adam Suschitzky
Edited by: Ben Drury
Assistant Colorist
'Luther' Episode #1.4 (2010)
Directed by: Sam Miller
Cinematography by: Tim Fleming
Edited by: Katie Weiland
Assistant Colorist
'Luther' Episode #1.5 (2010)
Directed by: Stefan Schwartz
Cinematography by: Julian Court
Edited by: Tania Reddin
Assistant Colorist
'Luther' Episode #1.6 (2010)
Directed by: Stefan Schwartz
Cinematography by: Julian Court
Edited by: Tania Reddin
Assistant Colorist
'Luther' Episode #1.3 (2010)
Directed by: Sam Miller
Cinematography by: Tim Fleming
Edited by: Katie Weiland
Assistant Colorist
'Luther' Episode #1.2 (2010)
Directed by: Brian Kirk
Cinematography by: Julian Court
Edited by: Victoria Boydell
Assistant Colorist
'Luther' Episode #1.1 (2010)
Directed by: Brian Kirk
Cinematography by: Julian Court
Edited by: Victoria Boydell
Assistant Colorist
'Law & Order' Rubber Room (2010)
Directed by: Rene Balcer
Cinematography by: William Klayer
Edited by: Leon Ortiz-Gil
Assistant Colorist
'Law & Order' Love Eternal (2010)
Directed by: William Klayer
Cinematography by: Manuel Billeter
Edited by: Michael Schweitzer
Assistant Colorist
'Law & Order' Immortal (2010)
Directed by: Jim McKay
Cinematography by: Manuel Billeter
Edited by: Micky Blythe
Assistant Colorist
'Law & Order' The Taxman Cometh (2010)
Directed by: Fred Berner
Cinematography by: William Klayer
Edited by: Leon Ortiz-Gil
Assistant Colorist
'Law & Order' Crashers (2010)
Directed by: Darnell Martin
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Assistant Colorist
'Law & Order' Brazil (2010)
Directed by: Jean de Segonzac
Cinematography by: William Klayer
Edited by: Micky Blythe
Assistant Colorist
'Law & Order' Four Cops Shot (2010)
Directed by: Jim McKay
Cinematography by: William Klayer
Assistant Colorist
'Law & Order' Innocence (2010)
Directed by: Fred Berner
Cinematography by: William Klayer
Assistant Colorist
'Law & Order' Brilliant Disguise (2010)
Directed by: Alex Chapple
Cinematography by: William Klayer
Edited by: Micky Blythe
Assistant Colorist
'Law & Order' Boy on Fire (2010)
Directed by: Rose Troche
Cinematography by: William Klayer
Edited by: Leon Ortiz-Gil
Assistant Colorist
'Law & Order' Steel-Eyed Death (2010)
Directed by: Michael Pressman
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Assistant Colorist
'Law & Order' Blackmail (2010)
Directed by: Marc Levin
Cinematography by: Manuel Billeter
Edited by: Micky Blythe
Data Scanner
Princess Kaiulani (2009)
Directed by: Marc Forby
Cinematography by: Gabriel Beristain
Edited by: Beverley Mills
Data Scanner
The Damned United (2009)
Directed by: Tom Hooper
Cinematography by: Ben Smithard
Edited by: Melanie Oliver
Assistant Colorist
'Ashes to Ashes' Episode #2.6 (2009)
Directed by: Philip John
Cinematography by: Tim Palmer
Edited by: Elen Pierce Lewis
Assistant Colorist
'Ashes to Ashes' Episode #2.7 (2009)
Directed by: Catherine Morshead
Cinematography by: Simon Archer
Edited by: Barney Pilling
Assistant Colorist
'Ashes to Ashes' Episode #2.8 (2009)
Directed by: Catherine Morshead
Cinematography by: Simon Archer
Edited by: Barney Pilling
Assistant Colorist
'Ashes to Ashes' Episode #2.5 (2009)
Directed by: Philip John
Cinematography by: Tim Palmer
Edited by: Elen Pierce Lewis
Assistant Colorist
'Ashes to Ashes' Episode #2.4 (2009)
Directed by: Ben Bolt
Cinematography by: Fabian Wagner
Assistant Colorist
'Ashes to Ashes' Episode #2.3 (2009)
Directed by: Ben Bolt
Cinematography by: Fabian Wagner
Edited by: Sam Williams
Assistant Colorist
'Ashes to Ashes' Episode #2.2 (2009)
Directed by: Catherine Morshead
Cinematography by: Simon Archer
Edited by: Jonathan Amos
Assistant Colorist
'Law & Order' Fed (2009)
Directed by: Alex Chapple
Cinematography by: William Klayer
Edited by: Leon Ortiz-Gil
Assistant Colorist
'Law & Order' Shotgun (2009)
Directed by: Roger Young
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Assistant Colorist
'Law & Order' For the Defense (2009)
Directed by: William Klayer
Cinematography by: Manuel Billeter
Edited by: Micky Blythe
Assistant Colorist
'Law & Order' Boy Gone Astray (2009)
Directed by: Rose Troche
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Assistant Colorist
'Law & Order' Doped (2009)
Directed by: Mario Van Peebles
Cinematography by: Manuel Billeter
Edited by: Leon Ortiz-Gil
Assistant Colorist
'Law & Order' Human Flesh Search Engine (2009)
Directed by: Darnell Martin
Cinematography by: William Klayer
Edited by: Micky Blythe
Assistant Colorist
'Law & Order' Dignity (2009)
Directed by: Jim McKay
Cinematography by: Manuel Billeter
Edited by: Leon Ortiz-Gil
Assistant Colorist
'Law & Order' Reality Bites (2009)
Directed by: Constantine Makris
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Assistant Colorist
'Law & Order' Great Satan (2009)
Directed by: Michael Dinner
Cinematography by: William Klayer
Edited by: Leon Ortiz-Gil
Assistant Colorist
'Law & Order' Just a Girl in the World (2009)
Directed by: Marisol Adler
Cinematography by: William Klayer
Edited by: Micky Blythe
Assistant Colorist
'Law & Order' Memo from the Dark Side (2009)
Directed by: Fred Berner
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Assistant Colorist - 15 Episodes, 2009-2010
Ashes to Ashes (2008)
Directed by: Catherine Morshead, Jonny Campbell, David Drury, Bille Eltringham, Ben Bolt, Philip John, Jamie Payne, Alrick Riley
Cinematography by: Simon Archer, Tim Palmer, Adam Suschitzky, Julian Court, Nic Lawson, Fabian Wagner, Balazs Bolygo
Edited by: Jonathan Amos, Jamie Pearson, Ben Drury, Barney Pilling, Paul Endacott, Elen Pierce Lewis, Sam Williams, Jamie Trevill, Guy Bensley
Cameras: ARRIFLEX D-21 Camera
Assistant Colorist - 22 Episodes, 2009-2010, Assistant Colorist - 23 Episodes, 2009-2010
Law & Order (1990)
Directed by: Constantine Makris, Edwin Sherin, Jace Alexander, David Platt, Richard Dobbs, Matthew Penn, Martha Mitchell, Don Scardino, Christopher Misiano, Jean de Segonzac, James Quinn, Arthur W. Forney, Lewis Gould, Michael Pressman, E.W. Swackhamer, Alex Hall, Daniel Sackheim, Alex Chapple, Jim McKay, Fred Gerber, Gloria Muzio, Fred Berner, James Frawley, Vincent Misiano, Darnell Martin, Michael W. Watkins, Vern Gillum, Stephen Wertimer, John Whitesell, Steven Robman, Dann Florek, Brian Mertes, Marc Levin, Marisol Adler, Mario Van Peebles, Milena Govich, Charles Correll, Gwen Arner, James Hayman, Gilbert M. Shilton, Steve Shill, Tim Hunter, Michael Dinner, William Klayer, Rose Troche, Roger Young, Yangzom Brauen, Bethany Rooney, Martin Davidson, Michael Fresco, John Patterson, Steve Cohen, Aaron Lipstadt, Kristoffer Tabori, Bill D'Elia, Peter Levin, Gilbert Moses, Gabrielle Beaumont, Bruce Seth Green, Helaine Head, Marc Laub, Dan Karlok, Adam Davidson, J. Ranelli, Paris Barclay, Rosemary Rodriguez, Eric Stoltz, Rick Wallace, Adam Bernstein, Tony Goldwyn, Joan Stein Schimke, Karen Gaviola, Sam Weisman, John David Coles, Allen Coulter, Alan Taylor, Dean White, Christopher Zalla, Norberto Barba, Ernest R. Dickerson, Joshua Marston, Rene Balcer, John Behring, Carlos Bernard, Sarah Boyd, Heather Cappiello, David Grossman, Eriq La Salle, Elisabeth Röhm, Carl Weathers, Timothy Busfield, Nestor Carbonell, Joy Lane, Rachel Leiterman
Cinematography by: Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld
Edited by: Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris
