Sound Designer
'Euphoria' All My Life, My Heart Has Yearned for a Thing I Cannot Name (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Designer
'Euphoria' The Theater and Its Double (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Designer
'Euphoria' A Thousand Little Trees of Blood (2022)
Directed by: Sam Levinson
Cinematography by: Rina Yang
Sound Designer
'Euphoria' Stand Still Like the Hummingbird (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Designer
'Euphoria' You Who Cannot See, Think of Those Who Can (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Designer
'Euphoria' Ruminations: Big and Little Bullys (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Designer
'Euphoria' Out of Touch (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Aaron I. Butler
Sound Designer
'Euphoria' Trying to Get to Heaven Before They Close the Door (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Designer - 6 Episodes, 2020, Sound Designer - 7 Episodes, 2020
The Queen's Gambit (2020)
Directed by: Scott Frank
Cinematography by: Steven Meizler
Edited by: Michelle Tesoro
Cameras: Red Monstro 8K Camera
Additional Sound Recordist / Supervising Sound Editor, Additional Sound Recordist / Supervising Sound Editor: Sound Designer
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer - 10 Episodes, 2021-2025, Sound Designer - 9 Episodes, 2021-2022
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Supervising Sound Editor
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Supervising Sound Editor
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Supervising Sound Editor
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Supervising Sound Editor
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Supervising Sound Editor
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Supervising Sound Editor
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer / Supervising Sound Editor: ToddAo/Soundelux
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Supervising Sound Editor
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Supervising Sound Editor
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Supervising Sound Editor
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Supervising Sound Editor
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Supervising Sound Editor
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Supervising Sound Editor
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Supervising Sound Editor
Grindhouse (2007)
Supervising Sound Editor
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Sound Designer / Sound Supervisor
Slipstream (2007)
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Supervising Sound Editor
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Supervising Sound Editor
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Supervising Sound Editor
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Supervising Sound Editor
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Supervising Sound Editor
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Supervising Sound Editor
Alexander (2004)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Supervising Sound Editor
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Sound Design:
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Supervising Sound Editor
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Recordist
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Supervising Sound Editor
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Foley Supervisor
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Supervising Sound Editor
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Additional Sound
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Supervising Sound Editor
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Supervising Sound Editor
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Supervising Sound Editor
Playing by Heart (1998)
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Additional Sound: Los Angeles
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Co-supervising Sound Editor
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Supervising Sound Editor
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Supervising Sound Editor
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Supervising Sound Editor
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Supervising Sound Editor
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Supervising Sound Editor
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Supervising Sound Editor
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Supervising Sound Editor
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Supervising Sound Editor
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Supervising Sound Editor
Chasers (1994)
Directed by: Dennis Hopper
Cinematography by: Ueli Steiger
Edited by: Christian Wagner
Supervising Sound Editor
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Supervising Sound Editor
Natural Born Killers (1994)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Supervising Sound Editor
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Supervising Sound Editor
Dennis the Menace (1993)
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Additional Sound
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Additional Sound
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Supervising Sound Editor
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Sound Designer / Sound Supervisor
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Sound Designer / Sound Supervisor
The Opposite Sex and How to Live with Them (1992)
Directed by: Matthew Meshekoff
Cinematography by: Jacek Laskus
Edited by: Adam Weiss
Supervising Sound Effects Editor
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Supervising Sound Editor
Stay Tuned (1992)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
Sound Recordist / Supervising Sound Editor
Night and the City (1992)
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Additional Sound
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Supervising Sound Editor
Shattered (1991)
Directed by: Wolfgang Petersen
Cinematography by: László Kovács
Sound Editor
Madonna: Truth or Dare (1991)
Directed by: Alek Keshishian
Edited by: Barry Alexander Brown
Supervising Sound Editor
The Super (1991)
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Supervising Sound Editor
Only the Lonely (1991)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Re-recording Mixer / Supervising Sound Editor
The Doors (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Supervising Sound Editor
Curly Sue (1991)
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Supervising Sound Editor
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Supervising Sound Editor
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Supervising Sound Editor
Home Alone (1990)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Sound Effects Designer / Sound Effects Supervisor
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Digital Sound Effects Recordist
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Supervising Sound Editor
Steel Magnolias (1989)
Directed by: Herbert Ross
Cinematography by: John A. Alonzo
Edited by: Paul Hirsch
Supervising Sound Editor
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Supervising Sound Editor
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Sound Editor
True Believer (1989)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Re-recording Mixer / Sound Designer
Born on the Fourth of July (1989)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
Sound Designer / Sound Supervisor
Young Guns (1988)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Supervising Sound Editor: Soundelux, Inc.
License to Drive (1988)
Directed by: Greg Beeman
Cinematography by: Bruce Surtees
Supervising Sound Editor
The Secret of My Success (1987)
Directed by: Herbert Ross
Cinematography by: Carlo Di Palma
Edited by: Paul Hirsch
Supervising Sound Editor
Planes, Trains & Automobiles (1987)
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Supervising Sound Editor
Overboard (1987)
Directed by: Garry Marshall
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Supervising Sound Editor
Stand by Me (1986)
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Supervising Sound Editor
No Mercy (1986)
Directed by: Richard Pearce
Cinematography by: Michel Brault
Supervising Sound Editor
Ferris Bueller's Day Off (1986)
Directed by: John Hughes
Cinematography by: Tak Fujimoto
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Sound Editor
The Wild Life (1984)
Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
Sound Editor
Cloak & Dagger (1984)
Directed by: Richard Franklin
Cinematography by: Victor J. Kemper
Edited by: Andrew London
Supervising Sound Editor
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Sound Editor
I'm Dancing as Fast as I Can (1982)
Directed by: Jack Hofsiss
Cinematography by: Jan de Bont
Edited by: Michael Bradsell
Sound Editor
Southern Comfort (1981)
Directed by: Walter Hill
Cinematography by: Andrew Laszlo
Edited by: Freeman A. Davies
Restoration Sound Supervisor: Director's Cut
Das Boot (1981)
Directed by: Wolfgang Petersen
Cinematography by: Jost Vacano
Edited by: Hannes Nikel
Cameras: ARRI Cameras
Sound Editor
The Long Riders (1980)
Directed by: Walter Hill
Cinematography by: Ric Waite
Cameras: Panavision Cameras
